Justin Cronin - The Summer Guest

I was watching the Coral Sea from the fantail, feeling these things and despite it all a kind of warm happiness to pass a few empty hours in the spring sun, when I was joined by a shipmate, a man named Mauritz. Mauritz was nobody I knew very well or liked all that much; he was an old mariner, thirty years at sea and brown as the whiskey he drank fiercely, and like all the other lifers, he regarded the hurry-ups as a kind of necessary wartime burden, like gas rationing or bad coffee. The one thing I liked about him was that he played jazz guitar, not just well but expertly-in another life he might have been a professional musician. Sometimes at night he would bring his guitar into the mess or out on deck and play for us, his fingers drawing melodies of such tenderness from his instrument that the very air around him seemed different, lighter. I wondered if he had a family-surely the depth of feeling I heard in his music came from some meaningful human attachment-but I never asked, thinking also that he might be alone. I was wondering about this one night when I asked instead what the names of the songs were.

He scowled as if my question were the stupidest thing he had ever heard, and did something with his fingers to tune the strings. “No names.” I thought the conversation had ended, but then he winked at me and laughed. “You think of some, you tell me.”

Mauritz had been dockside all morning, one of a dozen hands supervising the transfer of diesel from our tanks into the holding pens. His face and arms were so dirty with oil that the cigarette tucked behind his ear was as startlingly white as a human scalp.

“How’s it going down there?”

He wiped his nose with the back of his hand. “A fucking mess. Man’s work, buddy boy. Goddamn gaskets leaked all over.” His eyes, squinting, followed my gaze over the water. “The Coral Sea?”

I nodded. “Yeah, that’s her.”

He settled in against the rail and whistled through his long dark teeth. “Eighteen five-inch guns on that son of a bitch. Like a destroyer welded to an airport. They’re renaming her the Roosevelt, what I hear.” He took the cigarette from behind his ear and tapped it on a thumbnail. “You see the papers?”

I told him I hadn’t.

“Hitler got married.” He barked a pitiless laugh. “Him and that Kraut cunt are holed up somewhere. Some fucking honeymoon!”

We stood another moment at the rail. Mauritz tapped his cigarette again, placed it to his lips, and fished in the pocket of his shirt for his lighter. The air around us was tangy with diesel fuel. It was a smell we lived with day in, day out, omnipresent as oxygen or the constant swaying of the ship’s deck. Usually I thought nothing of it, but standing beside him, the smell was unusually vivid, much stronger than it should have been. I was about to say something sarcastic about the leaking gaskets he had mentioned, when he flicked his Zippo across his pants leg and lit his cigarette.

“Mother… fucker.”

Mauritz was looking at his leg; a blue flame had enveloped his right thigh. Time seemed to slow as we both watched the delicately dancing blue flame on his body, a vision of wonder and strangeness-as hypnotic, in a way, as the songs from his guitar.

“Maur-”

And then the rest of him went up-up and out and away, the diesel that had soaked his pants and shirt and even his hair igniting all at once so that he seemed not so much on fire as replaced by fire, a man-size waterfall of flames. The heat and concussion shoved me back across the deck, and when I looked again all I could see were his eyes, white disks of pure amazement, and the incongruous image of his cigarette still clamped, somehow, between his blackening lips. I tried to yell but no sound came; my throat was suddenly closed, sealed tight against the heat and smoke of Mauritz as he burned, and in the instant when I should have done something-taken off my jacket to cover him with it, or pushed him to the deck to roll my body over his-he did something instead: he took one step closer to the rail, bent over it from the waist-a maestro taking his bow-and sent himself pitching into the harbor.

He died, of course, after they had plucked him from the harbor and taken him away; what the flames themselves did not accomplish, the septic harbor waters did. But what I remember most of all from that day is the smell-of oil and diesel fuel and dirty harbor water, and the foul sweetness of a human being on fire. As Mauritz fell he pulled the smoke down with him like a rocket’s contrail, and when I looked over the rail to find his body, yelling my alarm at last, a rank cloud rose to meet me, overwhelming my senses with such nauseating totality that I had to turn my face away and retch. It was the same smell I smelled again, years later in my kitchen, when Meredith, sick already but not yet knowing it, dozed as her cigarette burned away the flesh from her fingers; the same look I saw in her eyes, as she sat on the toilet of our upstairs bathroom and considered her miraculously painless injury: an expression of the purest wonder, as if, even then, she had somehow grasped its meaning.

It is summer now, the days long, indistinguishable. Visitors come and go in the buttery light. I entered the hospital for the last time in April-a touch of pneumonia, the old man’s friend-and now nobody talks as if I will ever leave here. Hal has seen to everything; my room is like something in a hotel. And yet it is the reductions, the final clarities, one takes to heart. I have oxygen to breathe, strong analgesics for comfort, antibiotics to hold infection at bay; I have a nurse to bathe and attend me, orderlies to bring my meals, such as they are, on their rolling metal carts. Chopped beef and leathery breasts of chicken; browning salads and limp green beans paled from the steam; small, tasteless desserts: a wedge of cake or brownie, a bowl of wobbling gelatin, oatmeal cookies hard as poker chips. They arrive compressed under stretched cellophane, or hidden beneath hatlike silver lids that seem to come from an era long past. The orderlies, usually black men but not always-I confess I think of them as one person, a single being-raise these coverings with an encouraging if manufactured pleasure, like a magician lifting a curtain to reveal, behind it, a single cooing dove. “Well now, what have we got for you today, Mr. Wainwright? Salisbury steak, I see. And cherry pie. Not bad, not bad at all.” There was a time when I could not keep even the slightest morsel in my stomach-the months of drugs and radiation and other well-meaning but useless therapies-but now I eat it all, every bite. I am already nostalgic for food.

And Franny did not, after all, fuck me to death. It was the pneumonia that drove her glorious plans into the ditch. We gave it a try or two after that, but in the end held hands, and slept. Like teenagers, I thought, and was glad.

My doctor is named Grosscup. At the onset of my illness I had many-surgeons, oncologists, pulmonary specialists, even a dietician. Now he is all that remains, like a last party guest who cannot find his keys. Under the chairs? On the patio? In the kitchen, put carelessly aside when he went to flirt with one of the caterer’s girls? When he finds them, he, too, will depart. Dick is an internist of the old school, loyal as a Labrador, a man who wears brogans and a suit even in summer and carries his tools in a black leather bag that opens like a mouth. He has a kind, wide face, and eyebrows heavy as wool. Every night he stores his stethoscope in the freezer.

“Not true, Harry. I stir my martini with it.”

It is afternoon, an afternoon in July. Here and there he moves the end of his frigid instrument across my back.

“That goddamn thing’s an ice cube.”

“Never mind that. Now breathe. That’s it.”

A moment passes. He pulls my pajama top back down, instructs me to sit up, and takes gentle hold of my wrist. His thumb where it rests on my skin is rough as sandpaper. A deeper quiet settles over the room; not even the birds are singing. When he is satisfied, he takes my chart from the table and scribbles something in his awful handwriting.