Brian Freeman - Immoral

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Immoral: краткое содержание, описание и аннотация

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"A page-turner of the highest calibre. It has enough twists and turns to keep you guessing until the end." – Michael Connelly
"Breathtakingly real and utterly compelling… some of the most literate and stylish writing you'll find anywhere today."- Jeffery Deaver
"One hell of a read, gut-wrenching and exciting." – Ken Bruen
***
In Duluth, Minnesota, a young woman, Rachel Stoner, has gone missing. Cop Jonathan Stride, a sharply focused detective despite the stresses of his troubled personal life, is quick to suspect her stepfather of murder. And yet, he has his doubts. Even for a man accustomed to power, the accused seems remarkably convinced he'll go free. Could he be telling the truth? While Stride endeavours to make sense of the conflicting pieces of evidence, a young woman's body lies half-buried deep in the woods. But if it's not the body of Rachel, where is the missing girl? Is she dead, or is the terrible, unexpected fate that awaits Graeme Stoner one he does not deserve? In this dark, involving mystery, nothing is as it seems, and readers will be gripped to the very last page as the shocking truth gradually emerges.

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"Uh-huh," Cordy said.

While Cordy connected with the station, Serena wandered around the apartment. It was a small unit with a living area in which the murder had occurred, a matchbox kitchen, and a bedroom visible through a doorway on the rear wall. Christi's furnishings were sparse and cheap, including what looked like a garage-sale sofa and loveseat, discount-store shelving for a small television and boom box, and a few mismatched tables and chairs. The carpet was worn and gray.

Serena clicked on her recorder. "The apartment looks sterile-nothing personal. No photographs. No posters on the wall. No knickknacks or collectibles that might suggest who this girl was or what was in her head. There's no history here."

Serena entered the kitchen and began gingerly exploring.

"No magnets on the refrigerator. Virtually no food in the fridge and nothing more than a few cereal boxes, dried pasta, and canned soup in the cabinets. We're not talking about Julia Child here. It looks like she just moved in, but the manager said she's been here about a year."

She glanced in the sink and found a heavy glass vase there, washed and left on its side. Serena retreated to the living room and began examining the shelves propped against the wall not far from the bloodstain.

"Find something?" Cordy asked.

"Maybe. There's a vase in the sink. I'm betting it's the murder weapon. Look here, on the shelf. There's a lighter ring in the dust. It's the right size and shape to match the bottom of the vase. Christi and the killer are standing here, okay? She turns her back, the killer grabs the vase and wham, splits her skull open."

"Uh-huh," Cordy said. "No sign of forced entry or struggle, either. I am guessing that, one, she knew her killer, and, two, the murder was an unplanned spontaneous act of passion. Anger. Jealousy. I would not rule out jealousy with this girl."

"And you base this on what?"

Cordy put a finger on the side of his nose. "It just smells right."

Serena laughed. "Sure. Well, smell your way into the bedroom. Let's see if this girl left any clues behind"

The bedroom was a twelve-by-twelve box, with a closet and bathroom on the right wall. Christi had a full-sized bed, a nightstand, and a small dresser. As in the rest of the apartment, the walls were bare.

"No blanket on the bed," Serena said.

"Maybe she was hot."

"Or maybe the killer used it to transport the body."

Serena went into the bathroom, which included a toilet, a pedestal sink, and a shower with a pink plastic curtain. She checked for traces of blood in the sink and shower and found nothing visible. The forensics team would check it with luminol. In the medicine cabinet, she found a sparse array of toiletries. To her surprise, she found no evidence of any kind of birth control. Either Christi's men brought the condoms or her sex life was about as exciting as Serena's.

She returned to the bedroom, where Cordy was examining the top drawer of Christi's nightstand. "Anything?"

Cordy shook his head. "Not much. Matchbooks from two other strip clubs. Those might be prior employers, so we can check them out. Otherwise, no letters, no postcards, no love notes, no bills, no receipts, no credit card statements. This girl was one private senorita."

"My dresser drawers are a mess," Serena said. "Ten years' worth of shit. You could write my biography by going through it"

"Not Christi Katt. Or whoever she was."

"Well, keep looking. Any condoms in there, by the way?"

"Why, you running low?"

Serena sighed. "How are you feeling, Cordy? You're looking pale. It could be a latex allergy. Now tell me before you go into convulsions."

"No condoms," Cordy said, chuckling.

Serena explored the girl's closet, which didn't take long. There were a few pairs of high heels on the floor, several blouses, skirts, and dresses on hangers, and two small stacks of T-shirts and jeans on a wire shelf. She rifled through the pockets of the jeans and found only a small quantity of loose change and a few sticks of gum.

She emerged, shaking her head. "This girl is quite a little mystery. How about a wallet or keys? Find anything like that?"

"Nada," Cordy said.

"That's interesting. Where are they?"

"Maybe the killer took them."

Serena reflected. "Maybe so. Let's say Christi's at home, keys and wallet in her pockets. The killer comes to the door. For some reason, she lets him in. Either she knows him or she doesn't feel threatened. Big mistake. They talk, maybe argue, she turns her back, and it's lights out The killer, a fastidious type, cleans the vase, wipes off prints-unless we're really lucky-and wraps the body in a blanket from the bed. No tracking blood outside that way. He waits until it's dark and deserted outside, hauls the body to his car, drives off, and dumps her body in the desert."

"Uh-huh," Cordy said. "Except the body was naked. I could see the guy taking the wallet and keys. But why leave her in the buff? Who knows, maybe a little horizontal tango with the corpse? This could be one sick dude."

"No shortage of those," Serena said. "Forensics can tell us whether there was sexual activity. But stripping the body down does make it seem like there's a sex angle. Unless she had a boyfriend with her and was already naked."

"But no condoms, right?"

"Right. So we've got virtually no trace of this girl's life, and yet she had someone angry enough to kill her. Nice. I hope she made some friends at the Thrill Palace. Or at one of those other clubs."

"Don't take bets on that, mama," Cordy said.

"I'm not. Look, check out the dresser, and make sure we haven't missed anything. I want to eyeball the living room again before all the guys with big feet get here."

She left Cordy in the bedroom. Slowly, she traversed the apartment for a second time, looking at every surface, studying the floor and the walls. In the kitchen, she checked for the garbage under the sink and found coffee grounds, orange peels, and an outdated TV Guide.

Back in the living room, she checked out a handful of compact discs near the boom box, opening each case carefully, but found nothing else inside. She found it mildly interesting that Christi liked jazz. Serena, too, had wallowed in jazz during her low periods as a teenager in the first few years in Vegas, before she grew up and went country. Jazz was for trouble. Country was for living.

She heard Cordy whistle, long and loud.

"What?" she called.

Cordy was silent.

Curious, Serena returned to the bedroom. She found Cordy sitting cross-legged on the floor. The full-sized mattress had been shoved half off the bed. Next to Cordy was a small stack of newspapers. Cordy had one of the sections unfolded, and he was reading it transfixed.

"Her secret stash?" Serena asked.

Cordy nodded.

"You should have waited for the search team before touching this stuff," Serena told him. Then she gave in to her own curiosity. "What's in them?"

Cordy put down the paper. "So how long you figure that body's been lying in the desert?"

Serena shrugged "A few days. Why?"

"Well, in that case, we got a problem, mama."

37

Stride heard Andrea slip out of bed at six o'clock on Thursday morning to get ready for work. He opened his eyes without moving in bed and saw her, in the darkness of their bedroom, as she slid her white nightgown over her head and peeled down her panties. Her naked body had become softer and fleshier in three years but was still attractive.

"Hi," he said softly.

Andrea didn't look at him. "Hi yourself."

"What was your name again?"

She shook her head. "Not funny, Jon."

"I know. I'm sorry." Last night, he and Maggie had interrogated a suspect in a gang-related Asian drug ring until past one in the morning. There had been a string of late nights for several months.

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