Daniel Silva - The Rembrandt Affair

The events of the next few seconds would play incessantly in Gabriel's mind for months to come. Unfortunately, they were images he had seen too many times before—images of a world he thought he had finally left behind. Another man might have missed the warning signs—the large suitcase in the corner of the lobby that had not been there earlier, the muscular figure with blond hair and sunglasses stepping rather too quickly into the street, the car waiting curbside with its back door ajar—but Gabriel noticed them all. And without a word he wrapped his arm around Chiara's waist and swept her through the doorway.

Neither he nor Chiara would ever be able to recall the actual sound of the explosion, only the searing wave of air and the helpless sensation of being hurled into the street like toys thrown by a petulant child. They came to rest side by side, Gabriel facedown with his hands flung over his head, Chiara on her back with her eyes tightly closed in pain. Gabriel managed to shield her from the hailstorm of masonry and shattered glass that rained down upon them but not from the sight of Alfonso Ramirez. He was lying in the center of the street, his clothing blackened by fire. Fluttering all around them were thousands of pieces of paper, the priceless files of Ramirez's archives. Gabriel crawled to Ramirez's side and felt his neck for a pulse. Then he rose and returned to Chiara.

"Are you all right?"

"I think so."

"Can you stand up?"

"I'm not sure."

"You have to try."

"Help me."

Gabriel pulled Chiara gently to her feet, then picked up his bag and slung it over his shoulder. Chiara's first steps were unsteady, but by the time the sirens began to sound in the distance she was moving along the devastated street at a brisk pace. Gabriel led her around a corner, then pulled out his mobile phone and dialed a number from memory. A female voice answered calmly in Hebrew; in the same language, Gabriel recited a code phrase followed by a series of numbers. After a few seconds, the female voice asked, "What is the nature of your emergency?"

"I need an extraction."

"How soon?"

"Immediately."

"Are you alone?"

"No."

"How many in your party?"

"Two."

"What is your present location?"

"Avenida Caseros, San Telmo, Buenos Aires..."

There is a room at Ben Gurion Airport known to only a handful of people. It is located to the left of passport control, behind an unmarked door kept locked at all times. Its walls are faux Jerusalem limestone; its furnishings are typical airport fare: black vinyl couches and chairs, modular end tables, cheap modern lamps that cast an unforgiving light. There are two windows, one looking onto the tarmac, the other onto the arrivals hall. Both are fashioned of high-quality one-way glass. Reserved for Office personnel, it is the first stop for operatives returning from secret battlefields abroad, thus the permanent odor of stale cigarettes, burnt coffee, and male tension. The cleaning staff has tried every product imaginable to expel it, but the smell remains. Like Israel's enemies, it cannot be defeated by conventional means.

Gabriel had entered this room, or versions of it, many times before. He had entered it in triumph and staggered into it in failure. He had been feted in this room, consoled in it, and once he had been wheeled into it with a bullet wound in his chest. Usually it was Ari Shamron who was waiting to receive him. Now, as Gabriel slipped through the door with Chiara at his side, he was greeted by the sight of Uzi Navot. He had shed at least thirty pounds since Gabriel had seen him last and was wearing a new pair of stylish spectacles that made him look like the editor of a trendy magazine. The stainless steel chronometer he had always worn to emulate Shamron was gone, replaced by a tank-style watch that went well with his tailored navy blue suit and white open-collared dress shirt. The metamorphosis was complete, thought Gabriel. Any trace of the hard-bitten field operative had been carefully erased. Uzi Navot was now a headquarters man, a spy in the prime of life.

Navot stared at them wordlessly for a moment, a look of genuine relief on his face. Then, satisfied that Gabriel and Chiara had suffered no serious injuries, his expression darkened.

"This is a special occasion," he said finally. "My first personnel crisis as chief. I suppose it's only fitting that you're involved. Then again, it was rather mild by your exalted standards—just an apartment building in ruins and eight people dead, including one of Argentina's most prominent journalists and social critics."

"Chiara and I are fine, Uzi, but thank you for asking."

Navot made a placatory gesture, as if to say he wanted the tone of the conversation to remain civil.

"I realize your status is somewhat vague at the moment, Gabriel, but there is no ambiguity over the rules governing your movements. Because your passports and identities are still managed by the Office, you're supposed to tell me when you travel." Navot paused. "You do recall making that promise, don't you, Gabriel?"

With a nod, Gabriel conceded the point.

"When were you planning to tell me about your little adventure?"

"It was a private matter."

"Private? There's no such thing where you're concerned." Navot frowned. "And what the hell were you doing in Alfonso Ramirez's apartment?"

"We were looking for a portrait by Rembrandt," Gabriel said. "And a great deal of money."

"And I thought it was going to be something dull." Navot sighed heavily. "I assume that you were the target of that bomb, and not Alfonso Ramirez?"

"I'm afraid so."

"Any suspects?"

"Just one."

THEY CLIMBED into the back of Navot's armored limousine, with Chiara between them like a separation fence, and headed up Highway 1 toward Jerusalem. Navot appeared intrigued by Gabriel's account at first, but by the time the briefing was concluded his arms were folded defensively across his chest and his face was fixed in an expression of transparent disapproval. Navot was like that. A veteran field agent trained to conceal his emotions, he had never been good at hiding the fact he was annoyed.

"It's a fascinating story. But if the point of your little excursion was to find your friend Julian Isherwood's painting, you don't seem much closer. And it appears you've tread on some serious toes. You and Chiara are lucky to be alive right now. Take the hint. Drop the case down a very deep hole and forget about it. Julian will survive. Go back to your cottage by the sea in Cornwall. Live your life." Navot paused, then asked, "That's what you wanted, wasn't it?"

Gabriel left the question unanswered. "This may have started out as a search for a stolen painting, Uzi, but it's become much more. If everything we've learned is correct, Martin Landesmann is sitting on a mountain of stolen money. He and his father have killed several people to protect that secret, and someone just tried to kill us in Buenos Aires. But I can't prove it on my own. I need—"

"The resources of the Office?" Navot stared incredulously. "Perhaps it's escaped your notice, but at the moment the State of Israel is confronting more serious threats. Our friends in Iran are on the verge of becoming a nuclear power. In Lebanon, Hezbollah is arming for an all-out war. And, in case the news hasn't reached Cornwall, we're not exactly popular in the world right now. It's not that I don't take what you've discovered seriously, Gabriel. It's just we have other things to worry about."

Chiara interjected for the first time. "You might feel otherwise if you met Lena Herzfeld."

Navot raised a hand in his own defense. "Listen, Chiara, in a perfect world we would go after all the Martin Landesmanns out there. But it's not a perfect world. If it was, the Office could close its doors, and we could all spend the rest of our days thinking pure thoughts."