John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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Gallatin is gone now, erased from the map, and instead tourists mix with Cajun fishermen from Lafayette and beyond, come to sell their wares surrounded by the thick, heady smell of the Mississippi. The city was like that, it seemed: streets disappeared; bars opened and, a century later, were gone; buildings were torn down or burned to the ground and others rose to take their place. There was change, but the spirit of the city remained the same. On this muggy summer morning, it seemed to brood beneath the clouds, feeling the people as a passing infection that it would cleanse from itself with rain.

The door of my room was slightly ajar when we returned through the courtyard. I motioned Rachel against the wall and drew my Smith & Wesson, keeping to the sides of the wooden stairway so that the steps wouldn’t creak. The noise of Ricky’s Steyr sending bullets raking past my ear had stayed with me. “Joe Bones says hello. ” I figured that if Joe Bones tried to say hello again, I could spare enough powder to blow him back to Hell.

I listened at the door but no sounds came from inside. If it had been the maid in my room, she’d have been whistling and bumping, maybe listening to a blues station on her tinny portable radio. If there was a maid in my room now, she was either asleep or levitating.

I hit the door hard with my shoulder and entered fast, my gun at arm’s length, scanning the room with the sight. It came to rest on the figure of Leon sitting in a chair by the balcony, flicking through a copy of GQ that Louis had passed on to me. Leon didn’t look like the kind of guy who bought much on GQ ’s recommendation, unless the Q had made a big play for the JCPenney contract. Leon glanced at me with even less interest than he gave to GQ. His damaged eye glistened beneath its fold of skin like a crab peering out of a shell.

“When you’re finished, there are hairs in the shower and the closet door sticks,” I said.

“Room falls down around your ears, I could give a fuck,” he replied. That Leon, what a kidder.

He threw the magazine on the floor and looked past me to Rachel, who had followed me into the room. His eyes didn’t register any interest there either. Maybe Leon was dead and no one had worked up the guts to tell him.

“She’s with me,” I said. Leon looked like he could have keeled over from apathy.

“Ten tonight, at the nine-sixty-six junction at Starhill. You et ton ami noir. Anyone else, Lionel cornhole you both with a shotgun.”

He stood to leave. As I moved aside to let him pass, I made a pistol of my finger and thumb and fired it at him. There was a flash of steel in each of his hands and two barb-edged knives appeared inches from each of my eyes. I could see the tops of the spring loaders in his sleeves. That explained why Leon didn’t seem to feel the need to carry a gun.

“Impressive,” I said, “but it’s only funny until someone loses an eye.” Leon ’s dead right eye seemed to gaze into my soul, as if to rot it and turn it to dust, then he left. I couldn’t hear his footsteps as he walked down the gallery.

“A friend of yours?” asked Rachel.

I walked out of the room and looked down at the already empty courtyard. “If he is, I’m lonelier than I thought.”

When Louis and Angel returned from a late breakfast, I went to their door and knocked. A couple of seconds went by before there was a response.

“Yeah?” shouted Angel.

“It’s Bird. You two decent?”

“Jeez, I hope not. C’mon in.”

Louis sat upright in bed, reading the Times-Picayune. Angel sat beside him outside the sheets, naked but for a towel across his lap.

“The towel for my benefit?”

“I’m afraid you might become confused about your sexuality.”

“Might take away what little I have.”

“Very witty for a man screwing a psychologist. Why don’t you just pay your eighty bucks an hour like everyone else?”

Louis gave us both bored looks over the top of his newspaper. Maybe Leon and Louis were related way back.

“Lionel Fontenot’s boy just paid me a visit,” I said.

“The beauty queen?” asked Louis.

“None other.”

“We on?”

“Tonight at ten. Better get your stuff out of hock.”

“I’ll send my boy.” He kicked Angel in the leg from beneath the sheets.

“The ugly queen?”

“None other,” said Louis.

Angel continued to watch his game show. “It’s beneath my dignity to comment.”

Louis returned to his paper. “You got a lot of dignity for a guy with a towel on his dick.”

“It’s a big towel,” sniffed Angel.

“Waste of a lot of good towel space, you ask me.”

I left them to it. Back in my room, Rachel was standing by the wall, her arms folded and a fierce expression on her face.

“What happens now?” she asked.

“We go back to Joe Bones,” I said.

“And Lionel Fontenot kills him,” she spat. “He’s no better than Joe Bones. You’re only siding with him out of expediency. What will happen when Fontenot kills him? Will things be any better?”

I didn’t answer. I knew what would happen. There would be a brief disturbance in the drug trade, as Fontenot renegotiated existing deals or ended them entirely. Prices would go up and there would be some killing, as those who felt strong enough to challenge him for Joe Bones’s turf made their play. Lionel Fontenot would kill them; of that I had no doubt.

Rachel was right. It was only expediency that made me side with Lionel. Joe Bones knew something about what had happened the night Tante Marie died, something that could bring me a step closer to the man who had killed my wife and child. If it took Lionel Fontenot’s guns to find out what that was, then I would side with the Fontenots.

“And Louis will stand beside you,” said Rachel quietly. “My God, what have you become?”

Later, I drove to Baton Rouge, Rachel accompanying me at my insistence. We were uneasy together, and no words were exchanged. Rachel contented herself with looking out of the window, her elbow resting against the door, her right hand supporting her cheek. The silence between us remained unbroken until we reached exit 166, heading for LSU and the home of Stacey Byron. Then I spoke, anxious that we should at least try to clear the air between us.

“Rachel, I’ll do what I have to do to find whoever killed Susan and Jennifer,” I said. “I need this, else I’m dead inside.”

She did not reply immediately. For a while, I thought she was not going to reply at all.

“You’re already dying inside,” she said at last, still staring out the window. I could see her eyes, reflected in the glass, following the landscape. “The fact that you’re prepared to do these things is an indication of that.”

She looked at me for the first time. “I’m not your moral arbiter, Bird, and I’m not the voice of your conscience. But I am someone who cares about you, and I’m not sure how to deal with these feelings right now. Part of me wants to walk away and never look back, but another part of me wants, needs, to stay with you. I want to stop this thing, all of it. I want it all to end, for everybody’s sake.” Then she turned away again and left me to deal with what she had said.

Stacey Byron lived in a small white clapboard house with a red door and peeling paint, close to a small mall with a big supermarket, a photo shop, and a twenty-four-hour pizzeria. This area by the LSU campus was populated mainly by students, and some of the houses now had stores on their first floor, selling used CDs and books or long hippie dresses and overwide straw hats. As we drove by Stacey Byron’s house and pulled into a parking space in front of the photo shop, I spotted a blue Probe parked close by. The two guys sitting in the front seats looked bored beyond belief. The driver had a newspaper folded in four resting on the wheel and was sucking on a pencil as he tried to do the crossword. His partner tapped a rhythm on the dashboard as he watched the front door of Stacey Byron’s house.

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