John Connolly - Every Dead Thing

I cocked the pistol. She didn’t blink. Instead, she laughed once and then grimaced at the pain. She was now curled over again, almost fetal near the ground. I could smell gasoline on the air as it flowed from the ruptured tank.

I wondered what Catherine Demeter had felt when she saw this woman in De Vries’s department store. Had she glimpsed her in a mirror, in the glass of a display case? Had she turned in disbelief, her stomach tightening as if in the grip of a fist? And when their eyes met, when she knew that this was the woman who had killed her sister, did she feel hatred, or anger, or simply fear, fear that this woman could turn on her as she had once turned on her sister? For a brief moment, had Catherine Demeter become a frightened child again?

Adelaide Modine might not have recognized her immediately, but she must have seen the recognition in the eyes of the other woman. Maybe it was that slight overbite that gave it away, or perhaps she looked into the face of Catherine Demeter and was instantly back in that dark cellar in Haven, killing her sister.

And then, when Catherine could not be found, she had set about finding a resolution to the problem. She had hired me on a pretext and had killed her own stepson, not only so that he could not give the lie to her story but as the first step in a process that would lead to the eventual death of Ms. Christie and the destruction of her home as she covered the traces of her existence.

Maybe Stephen Barton bore some blame for what happened, for only he could have provided a link between Sonny Ferrera, Connell Hyams, and his stepmother, when Hyams was seeking somewhere to take the children, a property owned by someone who wouldn’t ask too many questions. I doubt if Barton ever really knew what was taking place, and that lack of understanding killed him in the end.

And I wondered when Adelaide Modine had learned of the death of Hyams and realized that she was now alone, that the time had come to move on, leaving Ms. Christie as a decoy just as she had left an unknown woman to burn in her place in Virginia.

But how would I prove all this? The videos were gone. Sonny Ferrera was dead, Pilar was certainly dead. Hyams, Sciorra, Granger, Catherine Demeter, all gone. Who would remember a child killer from three decades ago? Who would recognize her in the woman before me? Would the word of Walt Tyler be enough? She had killed Christie, true, but even that might never be proved. Would there be enough forensic evidence in the wine cellars to prove her guilt?

Adelaide Modine, curled in a ball, unraveled like a spider that senses a shift in its web and sprang toward me, the nails of her right hand digging into my face, scratching for my eyes, while the left sought the gun. I struck her in the face with the heel of my hand, pushing her back simultaneously with my knee. She came at me again and I shot her, the bullet catching her above the right breast.

She stumbled back against the car, supporting herself on the open door, her hand clutching at the wound in her chest.

And she smiled.

“I know you,” she said, forcing the words out through the pain. “I know who you are.”

Behind her, the tree shifted slightly as the weight of the car forced its roots up from the ground. The big BMW moved forward a little. Adelaide Modine swayed before me, blood pouring now from the wound in her chest. There was something bright in her eyes, something that made my stomach tighten.

“Who told you?”

“I know,” she said, and smiled again. “I know who killed your wife and child.”

I moved toward her as she tried to speak again but her words were swallowed by the sound of grinding metal from the car as the tree finally gave way. The BMW shifted on the slope and then plummeted down the hill. As it rolled, impacting on trees and stones, the rending metal sparked and the car burst into flame. And as I watched, I realized that it was always meant to end this way.

Adelaide Modine’s world exploded into yellow flame as the gasoline around her ignited; and then she was enveloped, her head back and her mouth wide for an instant before she fell, striking feebly at the flames as she toppled, burning, into the darkness. The car was blazing at the bottom of the slope, thick black smoke ascending in plumes into the air. I watched it from the road, the heat searing my face. Farther down the hill, in the wooded dark, a smaller pyre burned.

I SAT in the same police interview room with the same wooden table with the same wooden heart carved into its surface. My arm was freshly bandaged and I had showered and shaved for the first time in over two days. I had even caught a few hours’ sleep stretched across three chairs. Despite Agent Ross’s best effort, I was not in a jail cell. I had been interrogated comprehensively, first by Walter and another detective, then by Walter and the assistant chief, and finally, by Ross and one of his agents, with Walter in attendance to make sure they didn’t beat me to death out of frustration.

Once or twice I thought I caught glimpses of Philip Kooper striding around outside, like a corpse that had exhumed itself to sue the undertaker. I guessed that the trust’s public profile was about to take a terminal hammering.

I told the cops nearly everything. I told them about Sciorra, about Hyams, about Adelaide Modine, about Sonny Ferrera. I did not tell them that I had become involved in the case at Walter Cole’s instigation. The other gaps in my story I left them to fill in for themselves. I told them simply that I had taken some leaps of the imagination. Ross almost had to be forcibly restrained at that point.

Now there was only Walter and me and a pair of coffee cups.

“Have you been down there?” I asked eventually, breaking the silence.

Walter nodded. “Briefly. I didn’t stay.”

“How many?”

“Eight so far, but they’re still digging.”

And they would continue digging, not just there but in scattered locations across the state and maybe even farther afield. Adelaide Modine and Connell Hyams had been free to kill for thirty years. The Morelli warehouse had been rented for only a portion of that time, which meant that there were probably other warehouses, other deserted basements, old garages, and disused lots that contained the remains of lost children.

“How long had you suspected?” I asked.

He seemed to think I was asking about something else, maybe a dead man in the toilet of a bus station, because he started and turned to me. “Suspected what?”

“That someone in the Barton household was involved in the Baines disappearance?”

He almost relaxed. Almost. “Whoever took him had to know the grounds, the house.”

“Assuming he was taken at the house and hadn’t wandered.”

“Assuming that, yes.”

“And you sent me to find out.”

“I sent you.”

I felt culpable for Catherine Demeter’s death, not only because of my failure to find her alive but because, unwittingly, I might have brought Modine and Hyams to her.

“I may have led them to Catherine Demeter,” I said to Walter after a while. “I told Ms. Christie I was going to Virginia to follow a lead. It might have been enough to give her away.”

Walter shook his head. “She hired you as insurance. She must have alerted Hyams as soon as she was seen. He was probably on the lookout for her already. If she didn’t turn up in Haven, then they were relying on you to find her. As soon as you did, I think you’d both have been killed.”

I had a vision of Catherine Demeter’s body slumped in the basement of the Dane house, her head surrounded by a circle of blood. And I saw Evan Baines wrapped in plastic, and the decayed body of a child half covered in earth, and the other corpses still to be discovered in the Morelli basement, and elsewhere.