John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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I felt a weight of despair upon me as the motel drew closer. Hyams had said that he had seen nothing in the Modines that would have indicated the depths of evil that existed within them. Walt Tyler, if what he had said was true, saw that evil only in Adelaide Modine. She had lived among these people, had grown up with them, perhaps even played with them, had sat with them in church, had watched them marry, have children, and then had preyed upon them, and no one had suspected her.

I think that what I wanted was a power I could not have: the power to perceive evil, the ability to look at the faces in a crowded room and see the signs of depravity and corruption. The thought sparked a memory of a killing in New York State some years before, in which a thirteen-year-old-boy had killed a younger kid in the woods, beating him to death with rocks. It was the words of the killer’s grandfather that had stayed with me. “My God,” he said. “I should have been able to see, somehow. There should have been something to see.”

“Are there any pictures of Adelaide Modine?” I asked eventually.

Martin’s brow furrowed. “There may be one in the files of the original investigation. The library may have some stuff too. There’s a kind of town archive stored in its basement, y’know, yearbooks, photos from the paper. There may be something in there. Why d’you ask?”

“Curiosity. She was responsible for so much of what happened to this town but I find it hard to picture her. Maybe I want to see what her eyes looked like.”

Martin shot me a puzzled look. “I can get Laurie to look in the library archives. I’ll try to get Burns to look through our own files, but it could take a while. They’re all packed in boxes and the filing system is pretty obscure. Some of the files aren’t even in date order. It’s a lot of work to satisfy your idle curiosity.”

“I’d appreciate it anyway.”

Martin made a sound in his throat but didn’t say anything else for a while. Then, as the motel appeared on our right, he pulled over to the side of the road. “About Earl Lee,” he said.

“Go on.”

“The sheriff’s a good man. He held this town together after the Modine killings, from what I hear, him and Doc Hyams and a couple of others. He’s a fair man and I’ve no complaints about him.”

“If what Tyler said is true, maybe you should have.”

Martin nodded. “That’s as may be. If he’s right, then the sheriff’s got to live with what he’s done. He’s a troubled man, Mr. Parker, troubled by the past, by himself. I don’t envy him anything but his strength.” He spread his hands wide and shrugged slightly. “Part of me figures that you should stay here and talk to him when he comes back, but another part of me, the smart part, tells me that it would be better for all of us if you finished up your business as quickly as you can and then got out.”

“Have you heard from him?”

“No, I haven’t. He had some leave coming to him and maybe he’s a little overdue on returning, but I ain’t gonna hold that against him. He’s a lonely man. A man who likes the company of other men ain’t gonna find much comfort here.”

“No,” I said, as the neon light of the Welcome Inn flickered beyond us. “I guess not.”

The call came through almost as soon as Martin pulled away from the curb. There had been a death at the medical center: the unidentified woman who had tried to kill me the previous night.

When we arrived two cruisers were blocking the entrance to the parking lot and I could see the two FBI men talking together at the door. Martin drove us through and as we got out of the car the two agents moved toward me in unison, their guns drawn.

“Easy! Easy!” shouted Martin. “He was with me the whole time. Put them away, boys.”

“We’re detaining him until Agent Ross arrives,” said one of the agents, whose name was Willox.

“You ain’t detaining or arresting nobody, not until we find out what’s going on here.”

“Deputy, I’m warning you, you’re out of your league here.”

Wallace and Burns came out of the medical center at that point, alerted by the shouts. To their credit, they moved to Martin’s side, their hands hanging close by their guns.

“Like I said, let it go,” said Martin quietly. The feds looked like they might push the issue but then they holstered their weapons and moved back.

“Agent Ross is going to hear of this,” hissed Willox to Martin, but the deputy just walked by.

Wallace and Burns walked with us to the room in which the woman had been kept.

“What happened?” asked Martin.

Wallace turned bright red and started blabbering. “Shit, Alvin, there was a disturbance outside the center and-”

“What kind of disturbance?”

“A fire in the engine of a car, belonged to one of the nurses. I couldn’t figure it out. There weren’t nobody in it and she hadn’t used it since she got in this morning. I only left the door here for maybe five minutes. When I got back, she was like this…”

We arrived at the woman’s room. Through the open door I could see the pale, waxy pallor of her skin and the blood on the pillow beside her left ear. Something metal, ending in a wooden handle, glinted in the ear. The window through which the killer had entered was still open and the glass had been shattered in order to unhook the latch. A small sheet of sticky brown paper lay on the floor, with glass adhering to it. Whoever had killed the woman had taken the trouble to stick it to the window before breaking the glass, in order to muffle the sound and to ensure that the glass didn’t make any noise when it hit the floor.

“Who’s been in here, apart from you?”

“The doctor, a nurse, and the two feds,” said Wallace. The elderly doctor called Elise appeared behind us. She looked shaken and weary.

“What happened to her?” said Martin.

“A blade of some kind-I think it’s an ice pick-was thrust through her ear and into her brain. She was dead when we got to her.”

“Left the pick in her,” mused Martin.

“Clean and easy,” I said. “Nothing to tie the killer to what happened if he-or she-gets picked up.”

Martin turned his back on me and began consulting the other deputies. I moved away as they talked and made my way toward the men’s washroom. Wallace looked back at me and I made a gagging expression. He looked away with contempt in his eyes. I spent five seconds in the washroom and then slipped out of the center through the rear exit.

Time was running out for me. I knew Martin would try to grill me on the source of the hit. Agent Ross wasn’t far behind. At the very least, he’d hold me until he got the information he wanted, and any hope I might have of finding Catherine Demeter would disappear. I made my way back to the motel, where my car was still parked, and drove out of Haven.

25

THE ROAD TO THE RUIN of the Dane house was little more than two mud tracks and the car moved along them only with a great effort, as if nature itself was conspiring against my approach. It had started to rain heavily again, and the wind and rain combined to render the wipers almost useless. I strained my eyes for the stone cross and took the turning opposite. I missed the house the first time, realizing my mistake only when the road turned into a mass of mud and fallen, rotting trees, forcing me to reverse slowly back the way I had come, until I spotted two small ruined pillars to my left and, between them, the almost roofless walls of the Dane house briefly silhouetted against the dark sky.

I pulled up outside the empty eyes of the windows and the gaping mouth of what was once the door, pieces of its lintel strewn on the ground like old teeth. I took the heavy Maglite from under my seat and climbed out, the rain painful on my head as I ran for what little shelter the interior of the ruin could offer.

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