John Connolly - Every Dead Thing

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Every Dead Thing: краткое содержание, описание и аннотация

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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“I tried that. Didn’t care for it.”

He thought for a little while longer. I waited for the smell of smoke but it didn’t come.

“There’s a restaurant in Dorien, ’bout twenty miles east of here. Milano’s, it’s called. It’s Italian.” He pronounced it Eye-talian, in a tone that suggested Rudy Fry was not over-fond of any Italian food that didn’t come in a box with grease dripping from the vents. “Never eaten there myself.” He sniffed, as if to confirm his suspicion of all things European.

I thanked him, then went to my room, showered, and changed. I was getting tired of the unrelenting hostility of Haven. If Rudy Fry didn’t like somewhere, then that was somewhere I probably wanted to be. I checked the parking lot carefully before I stepped out and then I was leaving Haven behind and heading for Dorien.

Dorien wasn’t much bigger than Haven but it had a bookstore and a couple of restaurants, which made it a cultural oasis of sorts. I bought a typescript copy of e. e. cummings in the bookstore and wandered into Milano’s to eat.

Milano’s had red-and-white check tablecloths and candles set in miniatures of the Colosseum, but it was almost full and the food looked pretty good. A slim maitre d’ in a red bow tie bustled over and showed me to a table in the corner where I wouldn’t scare the other diners. I took out the copy of cummings to reassure them and read “some-where i have never traveled” while I waited for a menu, enjoying the cadence and gentle eroticism of the poem.

Susan had never read cummings before we met, and I sent her copies of his poems during the early days of our relationship. In a sense, I let cummings do my courting for me. I think I even incorporated a line of cummings into the first letter I sent her. When I look back on it, it was as much a prayer as a love letter, a prayer that Time would be gentle with her, because she was very beautiful.

A waiter strolled over and I ordered bruschetta and a carbonara from the menu, with water. I cast a glance around the restaurant but no one seemed to be paying me much attention, which was fine with me. I had not forgotten the warning Angel and Louis had given to me, or the couple in the red jeep.

The food, when it arrived, was excellent. I was surprised at my appetite, and while I ate, I turned over in my mind what I had learned from Hyams and the microfiche, and I remembered the handsome face of Walt Tyler, surrounded by police.

And I wondered, too, about the Traveling Man, before forcing him from my mind along with the images that came with him. Then I got back in my car and returned to Haven.

22

MY GRANDFATHER used to say that the most terrifying sound in the world was the sound of a shell being loaded into a pump-action shotgun, a shell that was meant for you. It woke me from my sleep in the motel as they came up the stairs, the hands of my watch glowing the time at 3:30 A.M. They came through the door seconds later, the sound of the explosions deafeningly loud in the silence of the night as shot after shot was fired into my bed, sending feathers and shreds of cotton into the air like a cloud of white moths.

But by then I was already on my feet, my gun in my hand. The sound of the shots was blocked slightly by the closed connecting door, just as the sound of the door opening into the hall was blocked from them, even when the firing had stopped and their ears sang with the hard notes of the gun. The decision not to make myself an easy target by sleeping in my assigned room had paid off.

I came into the hall quickly, turned, and aimed. The man from the red jeep stood in the hall, the barrel of the Ithaca 12 gauge pump close to his face. Even in the dim hall light I could see that there were no shell casings on the ground at his feet. It had been the woman who fired the shots.

Now he spun toward me as the woman swore from inside the room. The barrel of the shotgun came down as he turned in my direction. I fired one shot and a dark rose bloomed at his throat and blood fell like a shower of petals on his white shirt. The shotgun dropped to the carpet as his hands clutched for his neck. He folded to his knees and fell flat on the floor, his body thrashing and jerking like a fish on dry ground.

The barrel of a shotgun appeared from behind the door-jamb and the woman fired indiscriminately into the hall, plaster leaping from the walls. I felt a tug at my right shoulder and then sharp white pain through my arm. I tried to hold on to my gun but I lost it on the ground as the woman continued firing, deadly shot zinging through the air and exploding into the walls around me.

I ran down the hall and through the door leading to the fire stairs, tripping and tumbling down the steps as the shooting stopped. I knew she would come after me as soon as she had made certain that her partner was dead. If there had been any chance of him surviving, I think she might have tried to save him, and herself.

I made it to the second floor but I could hear her steps pounding on the stairs above me. The pain in my arm was intense and I felt certain she would reach me before I got to the ground level.

I slipped through the door into the hallway. Plastic sheeting lay upon the ground and two stepladders stood like steeples at either wall. The air was heavy with the smell of paint and thinner. Twenty feet from the door was a small alcove, almost invisible until you were upon it, which contained a fire hose and a heavy, old-fashioned water-based extinguisher. There was an identical alcove near my own room. I slipped into it, leaning against the wall and trying to control my breathing. Lifting the extinguisher with my left hand, I tried to hold it underneath with my right in a vain effort to use it as a weapon, but my arm, bleeding heavily by now, was useless and the extinguisher was too awkward to be effective. I heard the woman’s steps slowing and the door sighed softly as she moved into the hall. I listened to her steps on the plastic. There was a loud bang as she kicked open the door of the first room on the floor, then a second bang as she repeated the exercise at the next door. She was almost upon me now, and though she walked softly, the plastic betrayed her. I could feel blood pouring down my arm and dripping from the ends of my fingers as I unwound the hose and waited for her to come.

She was almost level with the alcove when I swung the hose forward like a whip. The heavy brass nozzle caught her in the middle of her face and I heard bone crunch. She staggered back, harmlessly loosing off a blast from the shotgun as she raised her left hand instinctively to her face. I swung the hose again, the rubber glancing against her outstretched hand while the nozzle connected with the side of her head. She moaned and I slipped from the alcove as quickly as I could, the brass nozzle of the hose now in my left hand, and wrapped the rubber around her neck like the coils of a snake.

She tried to move her hand on the shotgun, the stock against her thigh, in an effort to pump a cartridge as blood from her battered face flowed between the fingers of her right hand. I kicked hard at the gun and it fell from her hands as I pulled her tightly against my body, bracing myself against the wall, one leg entwined with hers so she could not pull away, the other holding the hose pipe taut. And there we stood like lovers, the nozzle now warm with blood in my hand and the hose tight against my wrist, as she struggled and then went limp in my grip.

When she stopped moving I released her and she slumped to the ground. I unwound the hose from her neck, and, taking her by the hand, I pulled her down the stairs to ground level. Her face was reddish purple and I realized I had come close to killing her, but I still wanted her where I could see her.

Rudy Fry lay gray on the floor of his office, blood congealing on his face and around the dent in his fractured skull. I called the sheriff’s office and, minutes later, heard the sirens and saw the red-and-blue glow of the lights spinning and reflecting around the darkened lobby, the blood and the lights reminding me once again of another night and other deaths. When Alvin Martin entered with his gun in his hand I was nauseous with shock and barely able to stand, the red light like fire in my eyes.

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