John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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12

I NEVER EXPECTED to end up living in the East Village. Susan, Jennifer, and I had lived out in Park Slope, in Brooklyn. On Sundays we could stroll up to Prospect Park and watch the kids playing ball, Jennifer kicking at the grass with her sneakers, before heading to Raintree’s for a soda, the sound of the band in the band shell drifting in through the stained-glass windows.

On such days, life seemed as long and welcoming as the green vista of Long Meadow. We would walk Jenny between us, Susan and I, and exchange glances over her head as she burst forth with an endless stream of questions, observations, strange jokes that only a child could understand. I would hold her hand in mine, and through her, I could reach out to Susan and believe that things would work out for us, that we could somehow bridge the gap that was growing between us. If Jenny ran ahead, I would move close to Susan and take her hand and she would smile at me as I told her that I loved her. Then she would look away, or look at her feet, or call Jenny, because we both knew that telling her I loved her was not enough.

When I decided to return to New York at the start of the summer, after months of searching for some sign of their killer, I informed my lawyer and asked him to recommend a realtor. In New York, there are about three hundred million square feet of office space and not enough places to put the people who work in them. I couldn’t say why I wanted to live in Manhattan. Maybe it was just because it wasn’t Brooklyn.

Instead of a realtor, my lawyer produced a network of friends and business acquaintances that eventually led to me renting an apartment in a redbrick house in the East Village with white shutters on the windows and a stoop that led up to a fanlighted front door. It was a little closer to St. Mark’s Place than I would have preferred, but it was still a good deal. Since the days when W. H. Auden and Leon Trotsky had roomed there, St. Mark’s had become the East Village with a vengeance, full of bars, cafés, and overpriced boutiques.

The apartment was unfurnished and I pretty much left it that way, adding only a bed, a desk, some easy chairs, and a stereo and small TV. I removed books, tapes, CDs, and vinyl from storage, along with one or two personal belongings, and set up a living space to which I had only the minimum attachment.

It was dark outside as I lined the guns before me on the desk, stripped them down, and cleaned each one carefully. If the Ferreras were coming after me, I wanted to be prepared.

In all my time on the force, I had been forced to draw my weapon to protect myself on only a handful of occasions. I had never killed a man while on duty and had only once fired at another human being, when I shot a pimp in the stomach as he came at me with a long-bladed knife.

As a detective, I had spent most of my time in Robbery and Homicide. Unlike Vice, which was a world in which the threat of violence and death to a cop was a real possibility, Homicide involved a different type of police work. As Tommy Morrison, my first partner, used to say, anybody who’s going to die in a Homicide investigation is already dead by the time the cops arrive.

I had abandoned my Colt Delta Elite after the deaths of Susan and Jennifer. Now I had three guns in my possession. The.38 Colt Detective Special had belonged to my father, the only thing of his that I had retained. The prancing-pony badge on the left side of the rounded butt was worn and the frame was scratched and pitted, but it remained a useful weapon, light at about a pound in weight and easily concealed in an ankle holster or a belt. It was a simple, powerful revolver, and I kept it in a holster taped beneath the frame of my bed.

I had never used the Heckler & Koch VP70M outside a range. The 9 millimeter semiautomatic had belonged to a pusher who had died after becoming hooked on his own product. I had found him dead in his apartment after a neighbor had complained about the smell. The VP70M, a semiplastic military pistol holding eighteen rounds, lay, still unused, in its case, but I had taken the precaution of filing away the serial number.

Like the.38, it had no safety. The attraction of the gun lay in the accessory shoulder stock that the pusher had also acquired. When fitted, it made an internal adjustment to the firing mechanism that turned the weapon into a full-automatic submachine gun that could fire twenty-two hundred rounds per minute. If the Chinese ever decided to invade, I could hold them off for at least ten seconds with all the ammunition I had for it. After that, I’d have to start throwing furniture at them. I had removed the H &K from the compartment in the Mustang’s trunk where I usually stored it. I didn’t want anyone stumbling across it while the car was being serviced.

The third-generation Smith & Wesson was the only gun I carried, a 10 millimeter model specially developed for the FBI and acquired through the efforts of Woolrich. After cleaning it, I loaded it carefully and placed it in my shoulder holster. Outside, I could see the crowds making for the bars and restaurants of the East Village. I was just about to join them when the cell phone buzzed beside me, and thirty minutes later I was preparing to view the body of Stephen Barton.

Red lights flashed, bathing everything in the parking lot with the warm glow of law and order. A patch of darkness marked the nearby McCarren Park, and to the southwest, traffic passed over the Williamsburg Bridge heading for the Brooklyn-Queens Expressway. Patrolmen lounged by cars, keeping the curious and the ghoulish behind barriers. One reached out to block my way-“Hey, gotta keep back”-when we recognized each other. Tyler, who remembered my father and would never make it beyond sergeant, withdrew his hand.

“It’s official, Jimmy. I’m with Cole.” He looked over his shoulder and Walter, who was talking with a patrolman, glanced over and nodded. The arm went up like a traffic barrier and I passed through.

Even yards from the sewer I could smell the stench. A frame had been erected around the area and a lab technician in boots was climbing out of the manhole.

“Can I go down?” I asked. Two men in neatly cut suits and London Fog raincoats had joined Cole, who barely nodded. The FBI letters weren’t visible on the backs of their coats so I assumed they were keeping a low profile. “Uncanny,” I said as I passed. “They could almost be regular people.” Walter scowled. They joined in.

I slipped on a pair of gloves and climbed down the ladder into the sewer. I gagged with my first breath, the river of filth that ran beneath the tree-lined avenues of the city forcing a taste of bile into the back of my throat. “It’s easier if you take shallow breaths,” said a sewer worker who stood at the base of the ladder. He was lying.

I didn’t step from the ladder. Instead, I pulled my Maglite from my pocket and pointed it to where a small group of maintenance workers and cops stood around an arc-lit area, their feet sloshing through stuff about which I didn’t even want to think. The cops gave me a brief glance, then returned with bored looks to watching the med guys go about their business. Stephen Barton lay about five yards from the base of the ladder in a tide of shit and waste, his blond hair moving wildly with the current. It was obvious that he had simply been dumped through the manhole at street level, his body rolling slightly when it hit the bottom.

The ME stood up and pulled the rubber gloves from his hands. A plainclothes Homicide detective, one I didn’t recognize, directed a quizzical look at him. He returned one of frustration and annoyance. “We’ll need to look at him in the lab. I can’t tell shit from shit down here.”

“Come on, give us a fucking break,” the detective whined lamely.

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