David Simon - Homicide - A Year On The Killing Streets

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Baltimore Sun reporter Simon spent a year tracking the homicide unit of his city's police, following the officers from crime scenes to interrogations to hospital emergency rooms. With empathy, psychological nuance, racy verbatim dialogue and razor-sharp prose, he offers a rare insider's look at the detective's tension-wracked world. Presiding over a score of sleuths is commander Gary D'Addario, "connoisseur of survival" who grapples with political intrigue, massive red tape and "red balls" (major, difficult cases). His detectives include Tom Pelligrini, obsessed with solving the rape-murder of an 11-year-old girl; Rich Garvey, whose "perfect year" is upset by a murder case that collapses in court; and black, cosmopolitan Harry Edgerton, a lone wolf, son of a jazz pianist. This hectic daily log reveals the detective's beat on Baltimore 's mean streets (234 murders in 1988) to be brutal, bureaucratic and, occasionally, mundane.

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Pellegrini nods, mulling it over. “If I get a few things done,” he says finally, “I might see you down there.”

No way, thinks Requer, walking toward the elevators. No way are we going to see Tom Pellegrini at the Market Bar when he could just as easily spend four hours beating himself up over Latonya Wallace. So when Pellegrini sidles up to the bar a half hour later, Requer is momentarily startled. Suddenly, without warning, Pellegrini has let go of the Case Without Pity and come up for a little air. By any reckoning, a drinking session at the Market Bar is a fine time and place for some back slapping and confidence building; Requer, already half-smoked on good Scotch, is just the man for the job.

“My man Tom,” Requer says. “What are you drinking, bunk?”

“A beer.”

“Hey, Nick, gave this gentleman what he wants on me, man.”

“What’re you drinking there?” asks Pellegrini.

“Glenlivet. Good shit. You want one?”

“No. Beer’s fine.”

And so they settle down, one round after another, until other detectives arrive and the scene photos and witness statements and office reports seem a little less real, and Latonya Wallace becomes more cosmic joke than tragedy. Sisyphus and his rock. De Leon and his fountain. Pellegrini and his little dead girl.

“I’ll tell you this,” says Requer, holding court and bringing the liquor to his lips. “When Tom first got up there, I thought he wasn’t any good at all. I mean that…”

“And now that you seen me work,” says Pellegrini, half serious, “you know you were right.”

“No, bunk,” says Requer, shaking his head, “I knew you were all right when you put down that case in the projects. What was that boy’s name?”

“Which case?”

“The one from high-rise. East side.”

“George Green,” says Pellegrini.

“Yeah, right, Green,” agrees Requer, waving the empty shot glass in a brief semaphore at Nicky the bartender. “Everyone told him that the case was a loser. I even told him that. I told him to…” Requer pauses as Nicky pours, downs half the shot and tries to continue. “What was I sayin’?”

Pellegrini shrugs, smiling.

“Oh yeah, this case was no fuckin’ good, no fuckin’ good at all. Drug murder up in the high-rises, right. Black kid over on Aisquith Street, so nobody’s gonna give a damn anyway. No witnesses, no nothing. I told him to forget the motherfucker and go on to something else. He doesn’t listen to me or anyone else. Stubborn motherfucker didn’t listen to Jay neither. He just goes out on his own and works the case for two days. Didn’t listen to none of us and guess what happened?”

“I dunno,” says Pellegrini sheepishly. “What happened?”

“You solved the motherfucker.”

“I did?”

“Stop fuckin’ with me,” says Requer, turning back to an audience of CID detectives. “He went out and solved the motherfucker on his own. That’s when I knew Tom was going to work out.”

Pellegrini says nothing, embarrassed.

Requer gives a quick glance over his shoulder and realizes that even with half a drink on, the younger detective isn’t buying any of it.

“No, seriously, Tom, seriously.”

“Seriously?”

“Seriously. Listen to me.”

Pellegrini sips his beer.

“Fuck it, I’m not sayin’ this ’cause you’re here, bunk. I’m sayin’ it for the truth. When you came up, I thought you were gonna be bad, I mean no good at all. But you’ve done a helluva job. Really.”

Pellegrini smiles and hails Nicky for one last one, pushing his empty across the bar and pointing to the shot glass in front of Requer. The other detectives turn to another conversation.

“I wouldn’t say the same thing about Fred,” says Requer quietly enough so that the comment goes no farther than Pellegrini. “I wouldn’t.”

Pellegrini nods, but he is suddenly uncomfortable. He and Fred Ceruti had transferred into Landsman’s squad together, filling vacancies that occurred within weeks of each other. Like Requer, Ceruti is black, but unlike Requer-who had six years’ seasoning in narcotics before the transfer to homicide-Ceruti is fresh from the Eastern District with only four years on the force. He has been pushed up to the sixth floor of headquarters by the captain, who saw him do good plainclothes work at the district level. But to Requer, those credentials aren’t enough.

“I mean I like Fred. I really do,” says Requer. “But he isn’t ready for homicide. We’ve walked him through cases and shown him what needs to be done but it doesn’t get through. He’s not ready yet.”

Pellegrini says nothing, aware that Requer is the veteran investigator in his squad and one of the most tenured black detectives in the homicide unit; he made his way up to CID at a time when black officers were still hearing racial jokes in the district roll call rooms. Pellegrini knows for a guy like that to sit here and punch the Italian kid’s dance card while letting Ceruti pass is not an easy thing.

“I’ll tell you this,” Requer tells the other CID men at the bar. “If someone in my family got killed, if I got killed, I’d want Tom to work it.” A detective’s compliment.

“You really must be drunk,” says Pellegrini.

“No, bunk.”

“Well, Rick,” says Pellegrini, “thank you for that vote of confidence. I might not solve your murder, but I’d definitely make some overtime on it.”

Requer laughs, then calls for Nicky. The bartender pours one last shot, on the house, and the detective sends the Scotch sailing down his throat in one fluid, practiced motion.

The two men leave the bar, walking through the restaurant and out the double doors on the Water Street side. In three months, the Market Bar and Seafood Restaurant will become Dominique’s, a French restaurant of considerable means. The clientele will be dressed better, the food more expensive, the menu a little less comprehensible to the average homicide detective. Nicky will be gone, the price of a drink will climb into the four-dollar range and the departmental crowd that frequents the bar will be told that their patronage no longer suits the restaurant’s image. But for now, the Market Bar is as much BPD territory as Kavanaugh’s or the FOP lodge.

Pellegrini and Requer turn on Frederick Street and saunter down the same stretch of pavement where Bob Bowman made his legendary midnight ride. No homicide detective can pass the spot without smiling at the thought of a drunken Bowman, borrowing a mounted man’s horse long enough to parade back and forth in front of the Market Bar’s plate glass windows, through which a half-dozen other detectives could be seen losing control. On a good day, Bo was five-foot-six. Perched on that stallion, he looked like a cross between Napoleon Bonaparte and Willie Shoemaker.

“You all right to drive?” asks Pellegrini.

“Yeah, bunk, I’m good.”

“You sure?”

“Fuck yes.”

“Okay then.”

“Hey, Tom,” says Requer before crossing to the Hamilton Street lot, “if the case is gonna go, then it’s gonna go. Don’t let it get you down.”

Pellegrini smiles.

“I mean that,” says Requer.

“Okay, Rick.”

“Really.”

Pellegrini smiles again, but with the look of a drowning man no longer willing to fight against the current.

“Really, bunk. You do what you can do and that’s it. If the evidence ain’t there, you know, it ain’t there. You do what you can…”

Requer hits the younger detective’s shoulder with an open hand, then fishes in a pants pocket for his car keys. “You know what I mean, bunk.”

Pellegrini nods, smiles, then nods again. But he keeps his silence.

FRIDAY, APRIL 8

“Brown, you piece of shit.”

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