Nevada Barr - 13 1/2

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In 1971, the state of Minnesota was rocked by the 'Butcher Boy' incident, as coverage of a family brutally murdered by one of their own swept across newspapers and television screens nationwide.
Now, in present-day New Orleans, Polly Deschamps finds herself at yet another lonely crossroads in her life. No stranger to tragedy, Polly was a runaway at the age of fifteen, escaping a nightmarish Mississippi childhood.
Lonely, that is, until she encounters architect Marshall Marchand. Polly is immediately smitten. She finds him attractive, charming, and intelligent. Marshall, a lifelong bachelor, spends most of his time with his brother Danny. When Polly's two young daughters from her previous marriage are likewise taken with Marshall, she marries him. However, as Polly begins to settle into her new life, she becomes uneasy about her husband's increasing dark moods, fearing that Danny may be influencing Marshall in ways she cannot understand.
But what of the ominous prediction by a New Orleans tarot card reader, who proclaims that Polly will murder her husband? What, if any, is the Marchands' connection to the infamous 'Butcher Boy' multiple homicide? And could Marshall and his eccentric brother be keeping a dark secret from Polly, one that will shatter the happiness she has forever prayed for?

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Total recall.

An English professor’s equivalent to lifting a tractor off a child, she thought and wondered why her brain still loved whimsy, why she was not paralyzed with terror.

Maybe because now she had something-someone-real to fight. At that thought her fierceness lost some of its punch. Physical strength was not an attribute she cultivated. Her fights had been of the intellectual variety. She’d gotten old enough to have an intellect by hiding and escaping.

These thoughts exploded in the same gestalt manner her life story had-seen and grasped in an instant. The man in the next room gave up on silence and blundered toward the bedroom. A lamp fell. With perfect detail, Polly saw where she had pushed it behind her on the path, the shade crooked, the wire wrapped around its base. Next, he would step on empty bourbon bottles.

He yelped and fell heavily. Polly took two steps back and melted into the closet. The soft wall of clothes, hanging and falling, heaped and sliding, molded to her back. The fabric beneath her feet absorbed the sound of her passage. The polyester wall pressed around her, snaked over her head, curled around her arms and hands, then enveloped her completely.

A scratching sound and a light flared from beyond the doorway.

The man had found one of the hundreds of books of matches Red had scattered among the magazines and cigarette butts. Polly pulled a scarf over her face, let it drop over her eyes. Whether it was so she would not be seen or so she could put off the shock of seeing the killer, she wasn’t sure. Through the thin fabric she could make out only shapes and light and dark.

The match expired. There was a sound of slithering papers and a muffled curse.

The AARP magazines.

Polly had tossed them over her shoulder one at a time after shaking each, in the event a note or picture had been thrust between the pages. They made a glossy slick where the path neared the doorway between the living and bed rooms.

Startlingly red light cut through the sheer fabric over her eyes and moved like a star into the bedroom’s firmament. It bobbed and danced, then, with a squawk, was shaken out.

The killer did not speak. No “I know you’re here,” or “Where are you?” or “It will do you no good to try and escape”-all good killer things to say. He did not speak even to curse when the matches burned his fingers or as he fell over one of Polly’s inadvertent traps.

He didn’t want her to recognize his voice.

Instinctually, Polly knew it was not because he intended to leave her alive. It was because he did not wish her to know him for what he was.

Another match was struck. This one came at her face like a fireball.

He’d seen her. He was going to set the closet on fire.

Before she could move, the match flamed out and welcome darkness veiled her. Footsteps moved away, shuffling as he waded through the ankle-deep castoffs on the bedroom floor. Through gauze, Polly watched a tall figure shrink as he squatted with his back to her. Three more matches were struck as he studied the picture album by the bed.

The situation was not going to improve for Polly. Soon, she would be found. He knew she’d been here, was here. He was probably the one who’d lured her here with the card, followed her when she returned after leaving the cellar.

Screw your courage to the sticking place, she told herself and, sucking in a lungful of air, yelling in her mind as she had once yelled before leaping into icy creeks, Here goes nuthin’! she exploded from the closet trailing clothes and screaming like a banshee. Her face masked by the scarf, blouses, skirts, and shoes scattering before her, she charged the crouching man. She plowed into him, shoving and stumbling. He went over; the match went out. The yards of fabric that had been so welcome when she hid tangled around her ankles and she crashed against the bed stand.

A hand clamped iron-hard on her left thigh.

Polly wrenched free and felt her way like a blind woman through the doorway to the living room, Red’s laundry like ghostly hands trying to drag her back. A softness coiled around her feet and she fell to her knees. Fingers raked her ankle, then wrapped around it, digging hard into her Achilles tendon. Pain dragged a cry from her.

Her attacker grunted with exertion.

And pleasure.

Scrabbling on sliding magazines, Polly was losing ground. The man’s fingers were wire cables, his strength enough to drag her backwards. Far stronger than she, he could have hammered her kidneys with balled fists; he could have thrown himself upon her and snapped her neck or slammed her head into the floor. He did none of these things; slowly, as if he savored the process, he was pulling her into himself, swallowing her as a snake would swallow a mouse. Garbage piled up under Polly’s chin, drowning her. Scrabbling on the glossy magazines, her hands found no purchase. When Gracie was a baby, too little to walk, she would crawl across the satin bedspread. Polly would catch her tiny, pink feet, pull her back into her arms, and kiss her, then away she would crawl again, laughing. Not Emma. Emma would roll over and kick out in anger.

Polly rolled onto her back, twisting her captured foot painfully. Using the foot that was free, she kicked with the desperation of the trapped. Animal sounds, grunts and shrieks and roars, poured from her. The killer held on, his faced pressed against her leg. She could feel the wet heat of his breath through her trousers. His mouth was working up behind her knee to her inner thigh, as if he would chew into her. Polly struck out again and again and felt her foot glance off his back, his shoulders. Finally her heel struck bone, smashing part of his head or face.

Her captured leg broke from his hands. She kicked again, then scooted backwards like a crab. Before she got to the door she must have turned and stood, but she remembered none of it. By luck or instinct, her hand found her purse on the overturned basket. Grabbing it, she hurtled down the steps and out into the street. Maybe she was chased; maybe she wasn’t. Her escape made so much racket, she couldn’t tell.

Outside, streetlights seemed preternaturally bright and endlessly reassuring. She ran toward her car.

Hands shaking so badly she could scarcely get the key into the ignition, she started the car and drove across Jackson Avenue, then into a smaller street. At each corner, she turned. As she crossed Louisiana Avenue, she watched the rearview mirror. After all the evasive maneuvers, she realized she was praying the murderer had followed, praying she would see a black SUV or a sleek sedan tailing her.

Anything but a cherry red, mint-condition, 1949 pickup truck.

Charles Whitman. Texas Clock Tower. I can see myself doing that. Not right now (no gun, ha ha). Charlie is this marine, right? So, he likes guns and has them. Maybe he’s got this wife that needs stuff and maybe she’s even nice and all but she NEEDS stuff and she’s always at him. And maybe at school he’s got these teachers yammering at him to get stuff. Maybe old Charlie got to thinking everybody was eating him, biting chunks of his flesh out, and he was running out of flesh. Pretty soon he gets to feeling the whole world is made of biters, so he gets his rifle out and decides to take a few biters with him when he goes. Yeah, I could see doing that.

31

Marshall had not cried in so long his body did not know how. Sobs sawed out in anguished groans. Hot and niggardly tears crept from the corners of his eyes. His shoulders and arms jerked as if he fought to free himself from the clutches of sharp-nailed fingers.

The fit lasted only minutes. Tears were not cleansing; there was no relief, only an ache in his gut where muscles had clenched in a vain attempt to vomit out the unvomitable.

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