Nevada Barr - 13 1/2

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13 1/2: краткое содержание, описание и аннотация

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In 1971, the state of Minnesota was rocked by the 'Butcher Boy' incident, as coverage of a family brutally murdered by one of their own swept across newspapers and television screens nationwide.
Now, in present-day New Orleans, Polly Deschamps finds herself at yet another lonely crossroads in her life. No stranger to tragedy, Polly was a runaway at the age of fifteen, escaping a nightmarish Mississippi childhood.
Lonely, that is, until she encounters architect Marshall Marchand. Polly is immediately smitten. She finds him attractive, charming, and intelligent. Marshall, a lifelong bachelor, spends most of his time with his brother Danny. When Polly's two young daughters from her previous marriage are likewise taken with Marshall, she marries him. However, as Polly begins to settle into her new life, she becomes uneasy about her husband's increasing dark moods, fearing that Danny may be influencing Marshall in ways she cannot understand.
But what of the ominous prediction by a New Orleans tarot card reader, who proclaims that Polly will murder her husband? What, if any, is the Marchands' connection to the infamous 'Butcher Boy' multiple homicide? And could Marshall and his eccentric brother be keeping a dark secret from Polly, one that will shatter the happiness she has forever prayed for?

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Push your chair, brother. Take you for walks in the park. An inch. Two. Behind him on the hardwood was a smeared trail of red. The room was so damn big.

Richard’s arm was failing; his uninjured leg cramped. Blinking to stay conscious, he tried to remember why he was bleeding across this wasteland.

The phone. Dial 0, the operator, and ask for the police. The phone on the nightstand looked impossibly far away, as if viewed through the wrong end of a telescope.

“Dylan!” Richard screamed. Dylan didn’t move and Richard was out of air.

Rest. He would rest a moment. Leaning against the bureau, he watched the orange light pulsate deeper, then paler. It made him sleepy.

Don’t sleep; stay awake, he warned himself. Never sleep; your hand will come loose. Sleep is death. He would just rest a second or two; then, when he was stronger, he would continue his journey to the telephone, to 0 and rescue.

“Water,” he croaked, seeing in his mind the parched desert crawlers of late-night TV Westerns. He was so thirsty he could have cried. He licked his lips and tasted Vondra. After he’d left her, he’d showered and brushed his teeth, but the taste was still there.

Vondra. He had been with her when he should have been with Dylan. He had not been a good brother. Now Dylan was going to die.

The thought was intolerable, more so than bleeding to death.

Anger gave him strength. By inches and screams, he reached his brother’s side. He smoothed back Dylan’s hair and kissed him.

Before he passed out he managed to dial the operator.

2

Richard woke to white lights and the low constant noise of controlled urgency. The first face he saw was that of a beefy policeman, his skin red and fissured from too many late nights in subzero weather.

The ruddy mask cracked, and from between lips thinner than a snake’s came the words, “Hey kid.” The tone was fatherly, warm and strong. It brought tears to Richard’s eyes. He didn’t fight them. If ever there was a time when being seen crying was okay, this was it. Hot and tickling, they trickled from the corners of his eyes and down his temples.

A pair of flat callused thumbs smeared them into his hair. The cop was comforting him, wiping away his tears like he was a small and precious child. This unexpected kindness lent Richard a sense of control. He smiled shakily.

“Hey,” he managed.

“You’re lucky to be alive,” the cop said.

Alive. In a rush, Richard remembered everything that had happened. “Where am I?” he asked stupidly. Halfway through the question he realized he was in a hospital, the emergency room. Embarrassed to sound so predictable, he waved a hand at the white privacy curtains surrounding the bed and asked, “Am I in a sheet factory?”

Rather than being annoyed, as his dad used to be when Richard played the fool, Beef Cop gave the appearance of being charmed. His eyes, a glacial shade of blue, warmed. The thick shoulders rounded in to create a less threatening silhouette. Lowering an oversized haunch, he sat on the edge of the hospital bed.

Richard winced.

“Oh, sorry, did I hurt you?” the cop asked anxiously and, to Richard’s relief, removed his rear end from the vicinity.

“It’s only a flesh wound,” Richard said because his brain was foggy and he couldn’t think of anything anywhere near witty to say.

The cop seemed to think this was high comedy. A hearty laugh was followed by a clumsy hair-ruffling.

“No, son, you’re not in a sheet factory. You’re at the Mayo Clinic. The best there is.”

Son. He called him son.

With that, he remembered his leg, the wound on his thigh. “My leg.” The words came out high-pitched and scared. That bothered him but he didn’t try to cover.

“He cut you bad,” the cop replied, looking around for a place to sit. Richard was prepared to scream if he put his butt back on the bed. He didn’t. Condemned to stand, he went on, “The docs’ll tell you more, but the short of it is they got you stitched up, and you’ll be good as new pretty near. You don’t worry about that leg. You don’t worry about a thing. We got you covered.”

The policeman liked him. The belle of the policemen’s ball, Richard thought idiotically.

“You’ll be running track in no time,” Beef Cop said.

Richard nodded weakly and said, “Good.” And “Thanks.” He had no idea what he was thanking the cop for, but people liked to be thanked.

“Yep, the Mayo. The best there is,” the cop reiterated.

Richard needed to see who else was in the room, but, what with beaming Beef and the sheet factory, he couldn’t see more than three feet. The last thing he remembered was Dylan, bleeding, his neck twisted, but still breathing.

Crippled, Richard remembered. His neck looked broken.

“Dylan… ” he began.

“Your brother’s alive. At least for now,” the policeman cut in. His eyes reverted to their arctic shade of blue, and his cheeks went from flab to granite. He sounded pissed off, but he wasn’t pissed off at Richard. He was pissed off at Dylan.

“Excuse me.” Like a leaf on the first winds of winter, a cool voice blew the cop out of Richard’s line of sight. A woman in white replaced him, a nurse of forty or so. She, too, smiled at Richard, a real smile, the kind mothers save for favorite sons. “My name is Sara.”

Richard liked her voice. It was warm, like she thought he was okay. He tried to smile at her and failed.

“Your brother is fine,” she said kindly.

Fine. Going to be fine. Fine meant nothing. Fine was a cover-up, pabulum for kiddies.

The fear that had shortened his patience with the policeman jerked his jaws together and locked them.

“Is he crippled?” Richard demanded, nearly lisping through clenched teeth.

“No, no. Just a concussion,” the nurse assured him quickly. “He’s going to be just fine.” She reached out as if to pat him on the head, then snatched her hand back. Richard was pretty sure his teeth were bared, and he wasn’t sure he wouldn’t have bitten her if she hadn’t pulled away.

Their “fine” was not his “fine.”

“Is he crippled?” he yelled, trying to sit up and barely succeeding in lifting his head. “His neck looked broken. Goddamn it, is he going to be a cripple?”

“Shh, shh,” the woman hissed, thinking snake sounds would comfort him. “Your brother has a concussion. He’s not crippled. I don’t know who told you that. Breathe now. You’re going to be fine.”

Now, he was going to be “fine.” She filled a hypodermic needle and squirted liquid out the end just like he’d seen in a hundred TV shows. Inserting the needle in a port of his IV tube, she squeezed the plunger a half an inch or so.

“Just fine,” she whispered.

Warm. Motherly.

But only for him. The way she’d said “your brother” told him that. Try as she might, she couldn’t entirely keep the loathing from her voice.

“You just worry about getting yourself well,” the nurse said as she pushed the plunger all the way in. “That brother of yours will be right as rain in a day or so. And don’t you worry; we’re going to take good care of you.”

Right as rain, white as snow, Richard thought, and wondered where the words came from. Drugs?

“This is going to put you to sleep,” the nice, motherly Sara was saying as she pulled out the hypodermic needle. “When you wake up again, we’ll have your leg all fixed up.”

“I’ll be right as rain?” Richard heard himself murmur.

The nurse smiled as if he were the cleverest boy in the world.

In the space of a night, maybe not even a night-he had no idea how much time had elapsed-the world had changed utterly. Richard hadn’t. They had. They, them, everybody else had.

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