John Adams - The Living Dead 2

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Two years ago, readers eagerly devoured The Living Dead. Publishers Weekly named it one of the Best Books of the Year, and Barnes Noble.com called it "The best collection of zombie fiction ever." Now acclaimed editor John Joseph Adams is back for another bite at the apple – the Adam's apple, that is – with 44 more of the best, most chilling, most thrilling zombie stories anywhere, including virtuoso performances by zombie fiction legends Max Brooks (World War Z, The Zombie Survival Guide), Robert Kirkman (The Walking Dead), and David Wellington (Monster Island ).
From Left 4 Dead to Zombieland to Pride and Prejudice and Zombies, ghoulishness has never been more exciting and relevant. Within these pages samurai warriors face off against the legions of hell, necrotic dinosaurs haunt a mysterious lost world, and eerily clever zombies organize their mindless brethren into a terrifying army. You'll even witness nightmare scenarios in which humanity is utterly wiped away beneath a relentless tide of fetid flesh.
The Living Dead 2 has more of what zombie fans hunger for – more scares, more action, more… brains. Experience the indispensable series that defines the very best in zombie literature.

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It’s a universal human urge to leave the world a better place than you found it, and to pass on to your children a world where they can have a happier, more prosperous life than you had. This has mostly been the case throughout human history, as ever-expanding infrastructure and knowledge have generally made life more secure and comfortable generation after generation, through innovations such as fertilizers, vaccines, antibiotics, indoor plumbing, and electronics. But now adults are facing the despairing sense that today’s youth will experience significantly more hardship than the previous generation, as today’s young people confront a world of economic ruin and environmental catastrophe that they had no hand in creating.

Recent works have grappled with this generational guilt in different ways. One of the best-known examples is Cormac McCarthy’s novel The Road, a post-apocalyptic story in which a father attempts to guide his young son through a devastated landscape, all the while knowing that their situation is hopeless. The notion of enduring anything to protect your children is a primal one, and one of the worst things that most people can imagine is being helpless to aid their children. Our next story deals with this theme in a powerful way.

For a generation facing the prospect of bequeathing to their children a shattered world, one fear stands out even more than being helpless to protect your child: that you yourself might be the architect of your child’s undoing.

***

When Kendrick opened his eyes, Grandpa Joe was standing over his bed, a tall dark bulk dividing the morning light. Grandpa Joe’s beard covered his dark chin like a coat of snow. Mom used to say that guardian angels watched over you while you slept, and Grandpa Joe looked like he might have been guarding him all night with his shotgun. Kendrick didn’t believe in guardian angels anymore, but he was glad he could believe in Grandpa Joe.

Most mornings, Kendrick opened his eyes to only strangeness: dark, heavy curtains, wooden planks for walls, a brownish-gray stuffed owl mounted near the window, with glassy black eyes that twitched as the sun set-or seemed to. A rough pine bed. And that smell everywhere, like the smell in Mom and Dad’s closet. Cedar, Grandpa Joe told him. Grandpa Joe’s big, hard hands had made the whole cabin of it, one board and beam at a time.

For the last six months, this had been his room, but it still wasn’t, really. His Spider-Man bed sheets weren’t here. His G.I. Joes, Tonka trucks, and Matchbox racetracks weren’t here. His posters of Blade and Shaq weren’t on the walls. This was his bed, but it wasn’t his room.

“Up and at ’em, Little Soldier,” Grandpa Joe said, using the nickname Mom had never liked. Grandpa was dressed in his hickory shirt and blue jeans, the same clothes he wore every day. He leaned on his rifle like a cane, so his left knee must be hurting him like it always did in the mornings. He’d hurt it long ago, in Vietnam.

“I’m going trading down to Mike’s. You can come if you want, or I can leave you with the Dog-Girl. Up to you.” Grandpa’s voice was morning-rough. “Either way, it’s time to get out of bed, sleepyhead.”

Dog-Girl, the woman who lived in a house on a hill by herself fifteen minutes’ walk west, was their closest neighbor. Once upon a time she’d had six pit bulls that paraded up and down her fence. In the last month that number had dropped to three. Grandpa Joe said meat was getting scarce. Hard to keep six dogs fed, even if you needed them. The dogs wagged their tails when Kendrick came up to the fence, because Dog-Girl had introduced him to them, but Grandpa Joe said those dogs could tear a man’s arms off.

“Don’t you ever stick your hand in there,” Grandpa Joe always said. “Just because a dog looks friendly don’t mean he is. Especially when he’s hungry.”

“Can I have a Coke?” Kendrick said, surprised to hear his own voice again, so much smaller than Grandpa Joe’s, almost a little girl’s. Kendrick hadn’t planned to say anything today, but he wanted the Coke so bad he could almost taste the fizz; it would taste like a treat from Willy Wonka’s Chocolate Factory.

“If Mike’s got one, you’ll get one. For damn sure.” Grandpa Joe’s grin widened until Kendrick could see the hole where his tooth used to be: his straw-hole, Grandpa Joe called it. He mussed Kendrick’s hair with his big palm. “Good boy, Kendrick. You keep it up. I knew your tongue was in there somewhere. You better start using it, or you’ll forget how. Hear me? You start talking again, and I’ll whip you up a lumberjack breakfast, like before.”

It would be good to eat one of Grandpa Joe’s famous lumberjack breakfasts again, piled nearly to the ceiling: a bowl of fluffy eggs, a stack of pancakes, a plate full of bacon and sausage, and homemade biscuits to boot. Grandpa Joe had learned to cook in the Army.

But whenever Kendrick thought about talking, his stomach filled up like a balloon and he thought he would puke. Some things couldn’t be said out loud, and some things shouldn’t. There was more to talking than most people thought. A whole lot more.

Kendrick’s eye went to the bandage on Grandpa Joe’s left arm, just below his elbow, where the tip peeked out at the edge of his shirtsleeve. Grandpa Joe had said he’d hurt himself chopping wood yesterday, and Kendrick’s skin had hardened when he’d seen a spot of blood on the bandage. He hadn’t seen blood in a long time. He couldn’t see any blood now, but Kendrick still felt worried. Mom said Grandpa Joe didn’t heal as fast as other people, because of his diabetes. What if something happened to him? He was old. Something could.

“That six-point we brought down will bring a good haul at Mike’s. We’ll trade jerky for gas. Don’t like to be low on gas,” Grandpa said. His foot slid a little on the braided rug as he turned to leave the room, and Kendrick thought he heard him hiss with pain under his breath. “And we’ll get that Coke for you. Whaddya say, Little Soldier?”

Kendrick couldn’t make any words come out of this mouth this time, but at least he was smiling, and smiling felt good. They had something to smile about, for once.

Three days ago a buck had come to drink from the creek.

Through the kitchen window, Kendrick had seen something move-antlers, it turned out-and Grandpa Joe grabbed his rifle when Kendrick motioned. Before the shot exploded, Kendrick had seen the buck look up, and Kendrick thought, It knows. The buck’s black eyes reminded him of Dad’s eyes when he had listened to the news on the radio in the basement, hunched over his desk with a headset. Kendrick had guessed it was bad news from the trapped look in his father’s eyes.

Dad would be surprised at how good Kendrick was with a rifle now. He could blow away an empty Chef Boyardee ravioli can from twenty yards. He’d learned how to aim on Max Payne and Medal of Honor, but Grandpa Joe had taught him how to shoot for real, a little every day. Grandpa Joe had a roomful of guns and ammunition-the back shed, which he kept locked-so they never ran low on bullets.

Kendrick supposed he would have to shoot a deer one day soon. Or an elk. Or something else. The time would come, Grandpa Joe said, when he would have to make a kill whether he wanted to or not. “You may have to kill to survive, Kendrick,” he said. “I know you’re only nine, but you need to be sure you can do it.”

Before everything changed, Grandpa Joe used to ask Mom and Dad if he could teach Kendrick how to hunt during summer vacation, and they’d said no. Dad didn’t like Grandpa much, maybe because Grandpa Joe always said what he thought, and he was Mom’s father, not Dad’s. And Mom didn’t go much easier on him, always telling Grandpa Joe no, no matter what he asked. No, you can’t keep him longer than a couple weeks in the summer. No, you can’t teach him shooting. No, you can’t take him hunting.

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