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Blake Crouch: Serial Uncut

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Blake Crouch Serial Uncut

Serial Uncut: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Serial Uncut»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

The original version of SERIAL, still available as a free ebook, was a 7500 word horror short story done as an experiment. Remember the twin golden rules of hitchhiking? #1: Don’t go hitchhiking, because the driver who picks you up could be certifiably crazy. #2: Don’t pick up hitchhikers, because the traveler you pick up could be certifiably crazy. So what if, on some dark, isolated road, Crazy #1 offered a ride to Crazy #2? When Blake Crouch (DESERT PLACES, ABANDON) and Jack Kilborn (AFRAID, CHERRY BOMB), face-off, the result is SERIAL, a terrifying tale of hitchhiking gone terribly wrong. Like a deeply twisted version of an “After School Special,” SERIAL is the single most persuasive public service announcement on the hazards of free car rides. Beyond a thrilling piece of horrifying suspense, SERIAL is also a groundbreaking experiment in literary collaboration. Kilborn wrote the first part. Crouch wrote the second. And they wrote the third together over email in 100-word exchanges, not aware of each other’s opening section. All bets were off, and may the best psychopath win. F. Paul Wilson says, “SERIAL reads just like a Crouch or Kilborn novel: Full speed ahead, no flinching, no blinking, no brakes.” In less than a year, SERIAL has been downloaded over 200,000 times, and has received over a hundred negative reviews, with many people claiming it is the most depraved, awful thing they've ever read. SERIAL UNCUT is newly expanded, now more than 36,000 words. Along with the reinsertion of additional material cut from the original version, it also has a vastly expanded beginning and ending, including an extended section that originally appeared in the novella TRUCK STOP by J.A. Konrath. If you can handle horrific thrills, proceed at your own risk. But if you suffer from anxiety attacks, nervous disorders, insomnia, nightmares or night terrors, heart palpitations, stomach problems, or are of an overly sensitive nature, you should read something else instead. The authors are in no way responsible for any lost sleep, missed work, failed relationships, or difficulty in coping with life after you have read SERIAL UNCUT. They will not pay for any therapy you may require as a result of reading SERIAL UNCUT. They will not cradle you in their arms, rock you back and forth, and speak in soothing tones while you unsuccessfully try to forget SERIAL UNCUT. You have been warned…

Blake Crouch: другие книги автора


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"-got a two-book deal for mid-six figures, which just strikes me as a crime considering his last didn't even hit-"

"-switched agents-"

"-not sure if my editor's coming or not. She was supposed to have finished my manuscript by now-"

"-and every time I turn around, Darling's right there, like he's stalking me or-"

The smell of cologne, perfume, wine breath, and cigarette smoke overpowering.

She broke out of the crowd and found a cluster of unoccupied chairs and plopped down in one. From this distance, the din of conversations mixed together like the static of a waterfall. She leaned back in the leather chair and stared up the full height of the twenty-one story atrium, the uncomfortable pang in her gut not all that dissimilar to what she experienced every day in the high school cafeteria. Invisibility. The people around her untouchable, unreachable, as characters in a movie while she watched them onscreen from the darkness of an empty theater. This sense, that had been with her for as long as she could remember, even before her father had died, that she wasn't a participant in any of this. In anything really. Only an observer.

When Lucy straightened in her chair, she saw that a man now sat across from her. He looked old to her, though he wasn't even thirty. Sports jacket. Khacki slacks. Sending out big wafts of cologne which she thought smelled pretty. He seemed either angry or nervous, and he kept looking at his watch like he was waiting for someone, but if he was, they never came.

She watched him, and the third time their eyes met, the man gave a thin smile and nodded.

He didn't have a name badge either, but Lucy took a stab anyway. "Are you a writer?"

"I'm sorry?"

"Are you a writer?"

"Yeah."

"Cool." The man looked at his watch again. "Are you here for the convention?" she asked.

"Yep."

"What books have you written?"

"Well, my first one just came out two months ago."

"What's it called?"

" A Death in the Family."

"I've never heard of it. What's it about?"

"Um, it's…well, it's like, it's about this big family in Portland who has this reunion and one of the older brothers is killed. Or rather he's found dead, and the police come and make everyone stay while they investigate. What you'd call a locked-room mystery, I guess."

"Is it good?"

"I like to think so."

"Will they have it in the book room?"

"I don't know. I hope so."

"Do you have a copy with you?"

"Not on me. Look, it was very nice meeting you, but I have a, um…something to get to."

"I'm Lucy."

"Mark."

Lucy watched Mark wander back toward the hotel bar where he stood on the perimeter of the crowd. He looked around and kept glancing at his watch. After awhile, he turned away and started back through the lobby to the elevators.

Lucy stood up and grabbed her handbag and followed.

The middle elevator in a row of three lifted out of the lobby, and through its glass, she could see Mark leaning against the railing inside, looking out across the hotel.

She watched it climb. Counted the stories until it stopped and then followed Mark's progress onto the fourteenth floor, counting doors to the room he disappeared inside.

Lucy rode alone, watching the lobby fall away beneath her as the elevator car soared up the back wall of the atrium.

She walked the exposed hallway, the noise from the lobby faint up here and no one else about. From the door beside 1428, she grabbed a "Do Not Disturb" sign and hooked it on the door to Mark's room.

Then she put her ear to the door, couldn't hear anything. Knocked.

In a minute, it swung open, and Mark, now wearing only a white oxford shirt and khaki pants, stood staring down at her, looking both confused and vaguely annoyed.

He said, "Yes?"

"It's Lucy."

"I'm sorry, what do you want?"

"I just wanted to see your book. The one you told me about."

"You followed me to my room to see my book?"

"Yeah. It sounded good."

"Look, maybe I'll see you downstairs tomorrow, and if you buy one of my books, I'll even sign it for you. How would that be?"

Lucy furrowed her brow and made what she hoped resembled a wounded expression. "Why don't you like me, Mark?"

"I don't…dislike you, I don't even…"

She put her face into her hands and pretended to cry.

"Jesus."

"You're the first real author I've ever met. I don't know anyone here."

"Where are your parents?"

"My mom's in our room watching 'Dr. Quinn, Medicine Woman.'"

He sighed. "If I invite you in-and only for a minute-will you stop crying?"

"Yes."

"All right, come on in, Lucy."

Lucy wiped her face and followed Mark into the hotel room. His suitcase lay on the bed, open but not yet unpacked, and Mark was bending over a cardboard box and trying to tear open the top.

"I brought twenty copies of A Death in the Family." He pulled a trade paperback out of the box and handed it to her. Lucy thumbed through the pages, skimmed the flap copy on the back.

The cover was of a gravestone, the book's title engraved into the stone above the author's name: Mark Darling.

"Is anybody else sharing the room with you?" Lucy asked.

He tilted his head slightly, like he couldn't comprehend the question. "No, just me."

"I need to use the bathroom."

"Right through that door."

"Would you sign this for me while I pee?"

"Um, sure."

She gave back the book and walked into the bathroom and closed the door.

"Write something good!" she called out from inside.

She did have to pee actually, and when she'd finished, she flushed the toilet and washed her hands and took all of her clothes off. She folded them and stacked them on top of her black Chuck Taylors on the toilet basin under a towel, then turned her attention to her handbag.

The marble of the sink was cold against the soles of her bare feet. She walked down to the end and crouched down beside the door.

She'd been in the bathroom more than five minutes already, and she crouched there another five, her legs beginning to cramp, before Mark's voice passed finally through the door.

"Lucy?" he said.

She brought her hand to her mouth to suppress the giggle. She'd imagined this a hundred times, and something about the moment finally being here struck her as funny and surreal. It was the strangest thing. Her body felt all tingly, like whenever she had been around Bobby Cockrell, the first boy in high school she'd had a major crush on.

"You've been in there awhile," Mark said. "Everything okay?"

She didn't answer.

"Lucy, I need to get back down to the lobby."

Silence, Lucy smiling.

"I'm opening the door, all right? Are you um…are you decent?"

She watched the doorknob turn and the door ease open.

Mark's head appeared.

"Lucy?"

She was right beside him, well within reach, but he didn't see her. Kept looking at the toilet, and then the shower, as if trying to piece together how this girl had vanished through the walls.

Lucy reached out and pulled the blade of her dead father's Zwilling J.A. Henckels straight razor through his windpipe in a quick, delicate swipe and the blood from his carotid artery sprayed her face and she squealed with delight as Mark clutched his throat and stared wild-eyed at her.

He staggered over to the sink and looked at himself in the bathroom mirror and all of that blood pouring out of his throat down the front of his white Oxford with a kind of disbelief, Lucy giggling as Mark tried to physically squeeze the opening in his neck back together but the blood kept coming and he gave up and started toward Lucy with a madness in his eyes but the floor was slicked with his blood and his feet shot out from under him.

He slammed flat on his back and his head cracked against the tile.

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