Blake Crouch - Serial Uncut

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Serial Uncut: краткое содержание, описание и аннотация

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The original version of SERIAL, still available as a free ebook, was a 7500 word horror short story done as an experiment.
Remember the twin golden rules of hitchhiking?
#1: Don’t go hitchhiking, because the driver who picks you up could be certifiably crazy.
#2: Don’t pick up hitchhikers, because the traveler you pick up could be certifiably crazy.
So what if, on some dark, isolated road, Crazy #1 offered a ride to Crazy #2?
When Blake Crouch (DESERT PLACES, ABANDON) and Jack Kilborn (AFRAID, CHERRY BOMB), face-off, the result is SERIAL, a terrifying tale of hitchhiking gone terribly wrong. Like a deeply twisted version of an “After School Special,” SERIAL is the single most persuasive public service announcement on the hazards of free car rides.
Beyond a thrilling piece of horrifying suspense, SERIAL is also a groundbreaking experiment in literary collaboration. Kilborn wrote the first part. Crouch wrote the second. And they wrote the third together over email in 100-word exchanges, not aware of each other’s opening section. All bets were off, and may the best psychopath win.
F. Paul Wilson says, “SERIAL reads just like a Crouch or Kilborn novel: Full speed ahead, no flinching, no blinking, no brakes.”
In less than a year, SERIAL has been downloaded over 200,000 times, and has received over a hundred negative reviews, with many people claiming it is the most depraved, awful thing they've ever read.
SERIAL UNCUT is newly expanded, now more than 36,000 words. Along with the reinsertion of additional material cut from the original version, it also has a vastly expanded beginning and ending, including an extended section that originally appeared in the novella TRUCK STOP by J.A. Konrath.
If you can handle horrific thrills, proceed at your own risk.
But if you suffer from anxiety attacks, nervous disorders, insomnia, nightmares or night terrors, heart palpitations, stomach problems, or are of an overly sensitive nature, you should read something else instead.
The authors are in no way responsible for any lost sleep, missed work, failed relationships, or difficulty in coping with life after you have read SERIAL UNCUT. They will not pay for any therapy you may require as a result of reading SERIAL UNCUT. They will not cradle you in their arms, rock you back and forth, and speak in soothing tones while you unsuccessfully try to forget SERIAL UNCUT.
You have been warned…

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"What's your name?"

"Lucy."

"Lucy, I'm Matt. This is Kenny. We were just about to have us a morning toke before we picked you up. Would it bother you if we did?"

"Not at all."

"Pack that pipe, bro."

They got high as they crossed into Utah and became talkative and philosophically confident. They offered her some pot, but she declined. It grew hot in the car and she removed her hat and unbuttoned her black trench coat, breathing the fresh air coming in through the crack at the top of the window.

"So where you going?" the Indian asked her.

" Salt Lake."

"I already asked her that, bro."

"No, I mean what for?"

"See some family."

"We're going to Tahoe. Do some snowboarding at Heavenly."

"Already told her that, bro."

The two men broke up into laughter.

"So you play guitar, huh?" Kenny said.

"Yes."

"Wanna strum something for us?"

"Not just yet."

They stopped at a filling station in Moab. Matt pumped gas and Kenny went inside the convenience store to procure the substantial list of snacks they'd been obsessing on for the last hour. When Matt walked inside to pay, she opened the guitar case and took out the syringe. The smell wafted out-not overpowering by any means, but she wondered if the boys would notice. She hadn't had a chance to properly clean everything in awhile. Lucy reached up between the seats and tested the weight of the two Budweisers in the drink holders: each about half-full. She eyed the entrance to the store-no one coming-and shot a squirt from the syringe into the mouth of each can.

Kenny cracked a can of Bud and said, "Dude, was that shit laced?"

"What are you talking about?"

They sped through a country of red rock and buttes and waterless arroyos.

"What we smoked."

"I don't think so."

"Man, I don't feel right. Where'd you get it?"

"From Tim. Same as always."

Lucy leaned forward and studied the double yellow line through the windshield. After Matt drifted across for a third time, she said, "Would you pull over please?"

"What's wrong?"

"I'm going to be sick."

"Oh God, don't puke on our shit."

Matt pulled over onto the shoulder and Lucy opened her door and stumbled out. As she worked her way down a gentle embankment making fake retching sounds, she heard Matt saying, "Dude? Dude? Come on, dude! Wake up, dude!"

She waited in the bed of the arroyo for ten minutes and then started back up the hill toward the car. Matt had slumped across the center console into Kenny's lap. The man probably weighed two hundred pounds, and it took Lucy ten minutes to shove him, millimeter by millimeter, into the passenger seat on top of Kenny. She climbed in behind the wheel and slid the seat all the way forward and cranked the engine.

She turned off of I-70 onto 24. According to her map, this stretch of highway ran forty-four miles to a nothing town called Hanksville. From her experience, it didn't get much quieter than this barren, lifeless waste of countryside.

Ten miles south, she veered onto a dirt road and followed it the length of several football fields, until the highway was almost lost to sight. She killed the engine, stepped out. Late afternoon. Windless. Soundless. The boys would be waking soon, and she was already starting to glow. She opened the guitar case and retrieved the syringe, gave Kenny and Matt another healthy dose.

By the time she'd wrangled them out of the car into the desert, dusk had fallen and she'd drenched herself in sweat. She rolled the men onto their backs and splayed out their arms and legs so they appeared to be making snow angels in the dirt.

Lucy removed their shoes and socks. The pair of scissors was the kind used to cut raw chicken, with thick, serrated blades. She trimmed off their shirts and cut away their pants and underwear.

Kenny and Matt had returned to full, roaring consciousness by 1:15 a.m. Naked. Ankles and wrists tightly bound with deeply scuffed handcuffs, heads helmeted, staring at the small, plain hitchhiker who squatted down facing them at the back of the car, blinding them with a hand held spotlight.

"I didn't think you were ever going to wake up," Lucy said.

"What the hell are you doing?" Matt looked angry.

Kenny said, "These cuffs hurt. Get them off."

She held a locking carabiner attached to a chain that ran underneath the Subaru. She clipped it onto another pair of carabiners. A rope fed through each one, and the ends of the ropes had been tied to the handcuffs on the boys' ankles.

"Oh my God, she's crazy, dude."

"Lucy, please. Don't. We'll give you anything you want. We won't tell anyone."

She smiled. "That's really sweet of you, Matt, but this is what I want. Kind of have my heart set on it."

She stepped over the tangle of chain and rope and moved toward the driver's door as the boys hollered after her.

She left the hatch open so she could hear them. Kept looking back as she drove slowly, so slowly, along the dirt road. They were still begging her, and occasionally yelling when they dragged over a rock or a cactus, but she got them to the shoulder of Highway 24 with only minor injuries.

The moon was up and nearly full. She could see five miles of the road in either direction, so perfectly empty and black, and she wondered if the way it touched her in this moment felt anything like how the beauty of the those mountains she'd seen this morning touched normal people.

Lucy buckled her seatbelt and glanced in the rearview mirror. Matt had climbed to his feet, and he hobbled toward the car.

"Hey, no fair!" she yelled and gave the accelerator a little gas, jerking his feet out from under him. "All right, count of three. We'll start small with half a mile!"

She grasped the steering wheel, heart pumping. She'd done this a half dozen times but never with helmets.

"One! Two! Three!"

She reset the odometer and eased onto the accelerator. Five, ten, fifteen, twenty miles per hour, and the boys already beginning to scream. At four-tenths of a mile, she hit forty, and in the rearview mirror, Kenny's and Matt's pale and naked bodies writhed in full-throated agony, both trying to sit up and grab the rope and failing as they slid across the pavement on their bare backs, dragged by their cuffed ankles, the chains throwing gorgeous yellow sparks against the asphalt.

She eased off the gas and pulled over onto the shoulder. Collected the spray bottle and the artificial leech from the guitar case, unbuckled, jumped out, and went to the boys. They lay on their backs, blood pooling beneath them. Bone and muscle already showing through in many places where the skin had simply been erased, and Kenny must have rolled briefly onto his right elbow, because it had been sanded down to a sharp spire of bone.

"Please," Matt croaked. "Oh, God, please."

"You don't know how beautiful you look," she said, "but I'm gonna make you even prettier."

She spritzed them with pure, organic lemon juice, especially their backs, which looked like raw hamburger, then knelt down with the artificial leech she'd stolen from a medical museum in Phoenix several years ago. Using it always made her think fondly of Luther and Orson.

She stuck each of them twenty times with the artificial leech, and to the heartwarming depth of their new screams, skipped back to the car and hopped in and stomped the gas, their cries rising into something like the baying of hounds, Lucy howling back. She pushed the Subaru past fifty, to sixty, to seventy-five, and in the illumination of the spotlight, the boys bounced along the pavement, on their backs, their sides, their stomachs, and with every passing second looking more and more lovely, and still making those delicious screams she could almost taste, Lucy driving with no headlights, doing eighty under the moon, and the cold winter wind rushing through the windows like the breath of God.

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