Tim Pratt - Sympathy for the Devil

– and it’s creeping up the stairs, spilling over into the second story. The house is shiny with alien machines.

Teams of naked Susans are hard at work, all day long, testing instruments, hammering and stitching their machine together, polishing and dusting and stacking alien things on top of each other. If you’re wondering what the machine looks like, picture a science fair project involving a lot of aluminum foil, improvised, homely, makeshift, and just a little dangerous-looking. None of the Susans is quite sure what the machine will eventually do. Right now it grows Susan beer.

When the beer is stirred, left alone, stirred some more, it clots and makes more Susans. Ed likes watching this part. The house is more and more full of shy, loud, quiet, talkative, angry, happy, greenish Susans of all sizes, all ages, who work at disassembling the house, piece by piece, and, piece by piece, assembling the machine.

It might be a time machine, or a machine to raise the dead, or maybe the house is becoming a spaceship, slowly, one room at a time. Susan says the aliens don’t make these kinds of distinctions. It may be an invasion factory, Ed says, or a doomsday machine. Susan says that they aren’t that kind of aliens.

Ed’s job: stirring the Susan beer with a long, flat plank-a floorboard Susan pried up-and skimming the foam, which has a stringy and unpleasantly cheeselike consistency, into buckets. He carries the buckets downstairs and makes Susan beer soufflé and Susan beer casserole. Susan beer surprise. Upside-down Susan cake. It all tastes the same, and he grows to like the taste.

The beer doesn’t make him drunk. That isn’t what it’s for. I can’t tell you what it’s for. But when he’s drinking it, he isn’t sad. He has the beer, and the work in the kitchen, and the ripe, green fuckery. Everything tastes like Susan.

The only thing he misses is poker nights.

Up in the spare bedroom, Ed falls asleep listening to the Susans talk, and when he wakes up, his jeans are gone, and he’s naked. The room is empty. All the ripe Susans have gone up to the attic.

When he steps out into the hall, the little Susan is out there, drawing on the walls. She puts her marker down and hands him a pitcher of Susan beer. She pinches his leg and says, “You’re getting nice and ripe.”

Then she winks at Ed and runs down the hall.

He looks at what she’s been drawing: Andrew, scribbly crayon portraits of Andrew, all up and down the walls. He follows the pictures of Andrew down the hall, all the way to the master bedroom where he and the original Susan used to sleep. Now he sleeps anywhere, with any Susan. He hasn’t been in their room in a while, although he’s noticed the Susans going in and out with boxes full of things. The Susans are always shooing at him when he gets in their way.

The bedroom is full of Andrew. There are Susan’s portraits of Andrew on the walls, the ones from her art class. Ed had forgotten how unpleasant and peculiar these paintings are. In one, the largest one, Andrew, life-sized, has his hands around a small animal, maybe a ferret. He seems to be strangling it. The ferret’s mouth is cocked open, showing all its teeth. A picture like that, Ed thinks, you ought to turn it towards the wall at night.

Susan’s put Andrew’s bed in here, and Andrew’s books, and Andrew’s desk. Andrew’s clothes have been hung up in the closet. There isn’t an alien machine in the room, or for that matter, anything that ever belonged to Ed.

Ed puts a pair of Andrew’s pants on, and lies down on Andrew’s bed, just for a minute, and he closes his eyes.

When he wakes up, Susan is sitting on the bed. He can smell her, that ripe green scent. He can smell that smell on himself. Susan says, “If you’re ready, I thought we could go up to the attic together.”

“What’s going on here?” Ed says. “I thought you needed everything. Shouldn’t all this stuff go up to the attic?”

“This is Andrew’s room, for when he comes back,” Susan says. “We thought it would make him feel comfortable, having his own bed to sleep in. He might need his stuff.”

“What if the aliens need his stuff?” Ed says. “What if they can’t make you a new Andrew yet because they don’t know enough about him?”

“That’s not how it works,” Susan says. “We’re getting close now. Can’t you feel it?”

“I feel weird,” Ed says. “Something’s happening to me.”

“You’re ripe, Ed,” Susan says. “Isn’t that fantastic? We weren’t sure you’d ever get ripe enough.”

She takes his hand and pulls him up. Sometimes he forgets how strong she is.

“So what happens now?” Ed says. “Am I going to die? I don’t feel sick. I feel good. What happens when we get ripe?”

The afternoon light makes Susan look older, or maybe she just is older. He likes this part: seeing what Susan looked like as a kid, what she’ll look like as an old lady. It’s as if they got to spend their whole lives together. “I never know,” she says. “Let’s go find out. Take off Andrew’s pants, and I’ll hang them back up in the closet.”

They leave the bedroom and walk down the hall. The Andrew drawings, the knobs and dials and stacked, shiny machinery watch them go. There aren’t any other Susans around at the moment. They’re all busy downstairs. He can hear them hammering away. For a minute, it’s the way it used to be, only better. Just Ed and Susan in their own house.

Ed holds on tight to Susan’s hand.

When Susan opens the attic door, the attic is full of stars. Stars and stars and stars. Ed has never seen so many stars. Susan has taken the roof off. Off in the distance, they can smell the apple trees, way down in the orchard.

Susan sits down cross-legged on the floor and Ed sits down beside her. She says, “I wish you’d tell me a story.”

Ed says, “What kind of story?”

Susan says, “A bedtime story? When Andrew was a kid, we used to read this book. I remember this one story about people who go under a hill. They spend one night down there, eating and drinking and dancing, but when they come out, a hundred years have gone by. Do you know how long it’s been since Andrew died? I’ve lost track.”

“I don’t know stories like that,” Ed says. He picks at his flaky green skin and wonders what he tastes like. “What do you think the aliens look like? Do you think they look like giraffes? Like marbles? Like Andrew? Do you think they have mouths?”

“Don’t be silly,” Susan says. “They look like us.”

“How do you know?” Ed says. “Have you been up here before?”

“No,” Susan says. “But Susan has.”

“We could play a card game,” Ed says. “Or I Spy.”

“You could tell me about the first time I met you,” Susan says.

“I don’t want to talk about that,” Ed says. “That’s all gone.”

“Okay, fine.” Susan sits up straight, arches her back, runs her green tongue across her green lips. She winks at Ed and says, “Tell me how beautiful I am.”

“You’re beautiful,” Ed says. “I’ve always thought you were beautiful. All of you. How about me? Am I beautiful?”

“Don’t be that way,” Susan says. She slouches back against him. Her skin is warm and greasy. “The aliens are going to get here soon. I don’t know what happens after that, but I hate this part. I always hate this part. I don’t like waiting. Do you think this is what it was like for Andrew, when he was in rehab?”

“When you get him back, ask him. Why ask me?”

Susan doesn’t say anything for a bit. Then she says, “We think we’ll be able to make you, too. We’re starting to figure out how it works. Eventually it will be you and me and him, just the way it was before. Only we’ll fix him the way we’ve fixed me. He won’t be so sad. Have you noticed how I’m not sad anymore? Don’t you want that, not to be sad? And maybe after that we’ll try making some more people. We’ll start all over again. We’ll do everything right this time.”