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Tess Gerritsen: Thief Of Hearts aka Stolen

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Tess Gerritsen Thief Of Hearts aka Stolen

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He was a gentleman bandit, she was a cat burglar. And they caught each other in more ways than one. But their desire was as strong as their distrust, and Jordan Tavistock began to fear that Diana Lamb was more than just a thief of hearts.

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As the guard rounded the corner, she pressed herself to the wall, afraid to move a muscle, afraid even to breathe. A few feet below, the guard stopped. Pulse hammering, Clea watched as he lighted a fresh cigarette and inhaled deeply. Then, with a satisfied sigh, he continued his circuit. He rounded the next corner without a backward glance.

Clea had to make a quick choice: should she try that bloody lock again or keep climbing? Glancing up, she traced the course of the drainpipe to the three-story-high roofline. There might be another way in from there. Though the drainpipe looked flimsy, so far it had supported her weight.

She began to climb.

Seconds later she scrambled up over the edge and dropped onto the rooftop.

A shadowy expanse of asphalt tile lay before her. She started across it, moving past the whirring fans of vents. At last she came to a rooftop door-locked, of course. Another pin tumbler. She set to work with her tension wrench and lifter pick.

In two minutes flat she had the door open.

At her feet a narrow stairway dropped away into the darkness. She descended the stairs, pushed through another door and entered the vast cavern of the warehouse. Here the area was lighted, and she could see rows of crates. All of them were stamped Cairncross Biscuits, London.

She grabbed a crowbar from a tool bin and pried open one of the crates, releasing the fragrant waft of cookies. Inside she found tins with the distinctive red-and-yellow Cairncross logo. The crate did, indeed, contain biscuits.

Frustrated, she glanced around at the other crates. She’d never be able to search them all! Only then did she spot the closed double doors in the far wall.

With mounting excitement she approached the doors. They were locked. There were no windows, so it was unlikely there was an office beyond.

She picked the lock.

A rush of cooled air spilled out the open door. Air-conditioned, she thought. Climate control? She found the light switch and flicked it on.

The room was filled with crates, each stamped with the Cairncross Biscuits logo. These crates, however, were a variety of sizes. Several were huge enough to house a standing man.

With the crowbar she pried off one of the lids and discovered a fluffy mound of wood shavings. Plunging both arms into the packing, she encountered something solid buried within. She dug into the shavings and the top of the object emerged, its marble surface smooth and gleaming under the lights.

It was the head of a statue, a noble youth with a crown of olive leaves.

Clea, her hands shaking with excitement, pulled a camera from her knapsack and began to snap photos. She took three shots of the statue, then reclosed the lid. She pried open a second crate.

Somewhere in the building, metal clanged.

She froze, listening, and heard the growl of a truck, the protesting squeal of a bay door being shoved open along its tracks. At once she killed the room lights. Opening the door a crack, she peered out into the warehouse.

The loading gate was wide open. A truck had backed up to the platform, and the driver was swinging open the rear doors.

Veronica and the blond man were walking in Clea’s direction.

Clea jerked back and shut the door. Frantically she waved her penlight around the room. No other exit. No place to hide except…

Voices were speaking right outside the door.

She grabbed her knapsack, scrambled into the open crate and pulled the lid over her head.

Through the cracks in the wood she saw the room’s lights come on.

“It’s all here, as you can see,” said Veronica. “Would you care to check the crates yourself, Mr. Trott? Or do you trust me now?”

“I have no time for that. They must be moved immediately.”

“I hope Mr. Van Weldon appreciates the trouble we’ve gone to, keeping these safe. He did promise there’d be compensation.”

“You’ve already taken yours.”

“What do you mean?”

“Your profit from selling the Eye. That should suffice.”

“That was my idea! My profit. Just because I borrowed the bloody thing for a few weeks…”

There was a momentary pause. Then Clea heard Veronica suck in a sharp breath. “Put the gun away, Mr. Trott.”

“Move away from the crates.”

“You can’t-you wouldn’t-” Suddenly Veronica laughed, a shrill, hysterical sound. “You need us!”

“Not any longer,” said Trott.

Clea flinched at the sound of a gun firing. Three bullets in rapid succession. She pressed her hand to her mouth, clamped it there to stifle the cry that rose up in her throat. She felt as if all the air had been sucked out of the crate and she was suffocating in her fear, choking on silent tears.

Then she heard the sounds of terrified sobbing. Veronica’s. She was still alive.

“Just a warning, Mrs. Cairncross,” said Trott. “Next time, I’ll hit my target.”

Trott crossed to the doorway and called out, “In here! Get these crates in the truck!”

More footsteps approached-two men and a squeaky loading cart.

“The large one first,” said Trott.

Clea heard the cart move closer, then the men grunted in unison. She braced herself as the crate tilted. She found herself wedged between the side of the crate and something cold and metallic: the bronze torso of a man.

“Christ, this one’s heavy. What’s in here, anyway?”

“That’s not your concern. Just get it moved.”

Every little bump seemed to squash Clea into a tighter and tighter space. Only when the crate at last thumped to a rest in the truck was she able to take in a deep breath. And take stock of her predicament.

She was trapped. With the men constantly shuttling back and forth, loading in the rest of the crates, she couldn’t exactly stroll out unseen.

The scrape of a second crate being slid on top of hers settled the issue. For the moment she was boxed in.

By the glow of her watch she saw it was 8:10.

At 8:25, the truck pulled away from the warehouse. By now, Clea’s calves were cramping, the wood shavings had worked their way into her clothes and she was battling an attack of claustrophobia. Reaching up, she strained to push off the lid, but the crate on top was too heavy.

She pressed her face to a small knothole and took in a few slow, deep breaths. The taste of fresh air took the edge off her panic. Better, she thought. Yes, that’s better.

Something hard was biting into her thigh. She managed to worm her hand into her hip pocket and found what it was: Jordan’s watch. The one she’d stolen.

By now he knew she’d taken it. By now he’d be hating her and glad she was out of his life. That’s what she’d wanted him to think. What he should think. He was a gentleman and she was a thief. Nothing could close that gap between them.

Yet, as she huddled in that coffin of a space and clutched Jordan’s pocket watch in her fist, her longing for him brought tears to her eyes.

I did it for you, she thought. To make it easier for you. And me, as well. Because I know, as well as you do, that I’m not the woman for you.

She pressed the watch to her lips and kissed it, the way she longed to kiss him, and never would again. She wanted to curse her larcenous past, her transgressions, her childhood. Even Uncle Walter. All the things that would forever keep Jordan out of her reach. But she was too weary and too frightened.

So she cried instead.

By the time the truck wheezed to a stop, Clea was numb in both spirit and body. Her legs felt dead and useless.

The other crates were unloaded first. Then her crate was tipped onto a cart and began a roller coaster ride, down a truck ramp, up another ramp. She knew there were men about-she heard their voices. An elevator ride brought her to the final destination. The crate hit the floor with a thump.

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