Tom Cain - The accident man

Carver's hands flailed for something to grab onto and landed on the man in the coat, who staggered backward as Carver plowed into him.

Bodies went flying, chairs were knocked across the floor, the excited, outraged squeals of the women echoed around the room. No one noticed the way Carver's fists tightened their grip on the fabric of the man's coat, or the sudden jerk of the neck that sent Carver's forehead smashing into the bridge of his nose as the two men fell helplessly to the floor.

Within a couple of seconds, the chaos had subsided. Carver pulled himself to his feet with a dazed expression on his face and looked down in anguish at the bloodstained wreck lying unconscious on the floor. "Oh God! I'm so sorry! Are you all right?" he said helplessly.

He looked around at the gawking drinkers. "Someone call an ambulance, quick!" There was a pause, then his eyes widened. "Where's the men's room?" he gasped. "I think I'm going to be sick." He bent over, put his hands to his mouth and puffed out his cheeks, staggering toward the back of the pub as nervous drinkers stepped back to let him pass.

It wasn't until he was through the swinging door, down the hallway beyond it, and into the men's room that Carver straightened, wiped a trace of blood off his forehead, and permitted himself a smile. That was one down. But how many more still to go?

Then the door behind him opened. He looked in the mirror. And he got an answer. Grigori Kursk had a decision to make. He'd hoped Carver and Petrova would return to the apartment. He'd planned to capture them and the computer there, but now it looked as though they'd split up. Dimitrov had spotted Carver in the pub, but he was alone. Petrova was nowhere in sight. She must still be in the cafe. Kursk sent his other two men down to reinforce Dimitrov. But now should he join them, or should he go after the girl?

He considered the situation. Carver was good, there was no doubt about that. But Kursk trusted his men. They might not be rocket scientists, but they were ex-Spetsnatz troopers, trained in one of the world's toughest special forces regimes.

He, meanwhile, could deal with Petrova alone. He knew where to find her. He'd bet money Carver had played it the same way he would have done: Keep the bitch safely out of the way, then do a man's job by himself.

He got out of the van and stretched his back, ridding his spine of the stiffness brought on by two hours cooped up in a car, then walked down the road toward the cafe. MI6 agent number D/813318, Grade 5 Officer Tom Johnsen was using his time on surveillance to get to know Jennifer Stock a little better. She hadn't struck him as anything special at first glance. Her face was handsome rather than pretty. Her manner was friendly, but businesslike, designed to underline the fact that, during working hours at least, she was an agent first and a woman second. He respected that, and he liked the fact that she hadn't let a desire to be taken seriously kill her sense of humor. The longer he spent in the car with Jennifer Stock, the more interested Johnsen became in the woman, rather than the agent.

He was intrigued by the way she underplayed her attraction. She wore no makeup that he could see, and her hair was cut for convenience rather than glamor. She also seemed oblivious of her figure. That might be why it had taken him longer than usual to notice that she had amazing legs and fantastic breasts-not too big, but so round and pert and generally pleased-to-see-you that it was all he could do to look her in the eye. She'd given him a bit of flak about that, but he reckoned he'd got away with it. And it had been Jennifer's idea to act like lovebirds if anyone started looking suspiciously at two people sitting in a car. That had to be encouraging.

They were swapping horror stories about trying to find a decent home in Switzerland on a measly MI6 allowance when Johnsen saw a man get out of the Swisscom van and head toward the cafe.

"Hang on a minute, we've got company," he said, reaching for his camera and firing off a few frames.

"I know that man," said Jennifer. "He was hanging around this afternoon, but he was driving a black BMW then. Oh, now this could be interesting…"

They watched as he went into the cafe.

"The other two are still in there, right?" asked Johnsen. "So, do we follow him in, try to get a closer look?"

Jennifer shook her head. "That could be tricky. It's tiny in there. If I go in, the guy who runs it is bound to recognize me. And if there's any trouble, we'd have a hard time staying out of the way."

"Yeah, but we're supposed to find out what's going on with these clowns. And whatever's happening, it's happening in there. Tell you what, I'll take a little recce. Just stand at the door, cast an eye inside. Then I'll come back here, tell you what they're up to, and we'll decide our next move. Okay?"

By the time Jennifer said "Okay" back to him, Johnsen had thrown his camera carelessly into the backseat and was out of the car, walking toward the cafe.

They walked into the narrow men's room one at a time. The first man had spiked, dyed red hair, with a straggle of punk rats' tails flopping on the collar of his black overcoat. He must have pushed the door open with his back because he was spinning around as he came in and there was a MAC-10 submachine gun in his hands, another being held by the man behind him. The guns were fitted with Sionics noise suppressors that would make them virtually silent and far more accurate than the regular short-barreled MAC. That was the first thing Carver noticed, right about the time he was reaching into his jacket for his SIG. By the time he had his pistol out in front of him, swinging from one man to the next, he'd noticed something else: They weren't firing at him.

If this had been a hit, they'd have come in blasting and he'd have been blown to smithereens long before he'd had a chance to draw. But they were just standing there, looking professionally mean and surly, but also pissed off, like they'd really have enjoyed the opportunity to kill him but were being prevented from doing so. That made sense. Whoever had sent them needed Carver alive. As long as Alix and the computer were out there, it wasn't enough just to take him out. They needed the full set.

So now Carver had another piece of information to factor into his calculations. He wasn't going to die within the next few seconds. They might be pointing guns at him, but no one was going to start shooting just yet.

The bozos didn't seem to speak English. They just stood there, glowering. The redhead kept blinking. He had a speed freak's dilated pupils and gray white pallor, the flesh of his face burned away till his cheekbones, brow, and Adam's apple stood out in unnatural relief. Carver could almost hear the humming of his overstimulated nerve endings and feel the effort it was taking him to maintain even the semblance of restraint or rationality.

Nothing happened for a few seconds, no one knowing what the next move should be. Carver had no intention of making any provocative movements, not when a cranked-up crazy with a gun was standing six feet away. Then the other gunman started to move along the gap between the urinals on one wall and the sinks on the other. He eased by Carver, staying just out of reach, and took up a position beyond him, making sure Carver couldn't cover both men with just one gun.

The man pointed at Carver's gun and flicked his finger as if to say, "Hand it over."

Carver looked at him dumbly. The man had a fleshy face, as smooth and stolid as a potato, with small eyes and a bully's full, sulky lips. He gestured again, this time more forcefully, with a greater degree of irritation. "Oh," said Carver, all wide-eyed and innocent, "you want my gun? Well, here it is…"

He threw the SIG-Sauer hard at the potato-man's feet, sending it clattering onto the tiled floor and skittering into his ankles. The piggy eyes looked down for a fraction of a second and that was long enough for Carver to swivel on his left foot and send his right crashing into the man's fleshy jaw. He staggered backward, absorbing the blow, and Carver moved with him, grabbing the man's right arm and using it as a lever to swing him around, like a dancer twirling his partner, sending him careering across the floor toward his pal with the red hair.