Stephen King - Different Seasons

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Different Seasons These first three novellas have been made into well-received movies: "Rita Hayworth and Shawshank Redemption" into Frank Darabont's 1994
, "Apt Pupil" into Bryan Singer's 1998 film
, and "The Body" into Rob Reiner's
(1986).
The final novella, "Breathing Lessons," is a horror yarn told by a doctor, about a patient whose indomitable spirit keeps her baby alive under extraordinary circumstances. It's the tightest, most polished tale in the collection.

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'Sure, Mr Dussander,' Todd said. He opened the screen and came into the hall. Dussander closed the door behind them, shutting off the morning.

The house smelted stale and slightly malty. It smelted the way Todd's own house smelted sometimes the morning after his folks had thrown a party and before his mother had had a chance to air it out. But this smell was worse. It was lived-in and ground-in. It was liquor, fried food, sweat, old clothes, and some stinky medicinal smell like Vicks or Mentholatum. It was dark in the hallway, and Dussander was standing too close, his head hunched into the collar of his robe like the head of a vulture waiting for some hurt animal to give up the ghost. In that instant, despite the stubble and the loosely hanging flesh, Todd could see the man who had stood inside the black SS uniform more clearly than he had ever seen him on the street. And he felt a sudden lancet of fear slide into his belly. Mild fear, he amended later.

'I should tell you "that if anything happens to me -' he began, and then Dussander shuffled past him and into the living room, his slippers wish-wishing on the floor. He flapped a contemptuous hand at Todd, and Todd felt a flush of hot blood mount into his throat and cheeks.

Todd followed him, his smile wavering for the first time. He had not pictured it happening quite like this. But it would work out. Things would come into focus. Of course they would. Things always did. He began to smile again as he stepped into the living room.

It was another disappointment - and how! - but one he supposed he should have been prepared for. There was of course no oil portrait of Hitler with his forelock dangling and eyes that followed you. No medals in cases, no ceremonial sword mounted on the wall, no Luger or PPK Walther on the mantle (there was, in fact, no mantle). Of course, Todd told himself, the guy would have to be crazy to put any of those things out where people could see them. Still, it was hard to put everything you saw in the movies or on TV out of your head. It looked like the living room of any old man living alone on a slightly frayed pension. The fake fireplace was faced with fake bricks. A Westclox hung over it. There was a black and white Motorola TV on a stand; the tips of the rabbit ears had been wrapped in aluminium foil to improve reception. The floor was covered with a grey rug; its nap was balding. The magazine rack by the sofa held copies of National Geographic, Reader's Digest, and the LA Times. Instead of Hitler or a ceremonial sword hung on the wall, there was a framed certificate of citizenship and a picture of a woman in a funny hat. Dussander later told him that sort of hat was called a cloche, and they had been popular in the twenties and thirties.

'My wife,' Dussander said sentimentally. 'She died in 1955 of a lung disease. At that time I was a draughtsman at the Menschler Motor Works in Essen. I was heartbroken.'

Todd continued to smile. He crossed the room as if to get a better look at the woman in the picture. Instead of looking at the picture, he fingered the shade on a small table-lamp.

'Stop that? Dussander barked harshly. Todd jumped back a little.

That was good,' he said sincerely. 'Really commanding. It was Use Koch who had the lampshades made out of human skin, wasn't it? And she was the one who had the trick with the little glass tubes.'

'I don't know what you're talking about,' Dussander said. There was a package of Kools, the kind with no filter, on top of the TV. He offered them to Todd. 'Cigarette?' he asked, and grinned. His grin was hideous.

'No. They give you lung cancer. My dad used to smoke, but he gave it up. He went to SmokeEnders.'

'Did he?' Dussander produced a wooden match from the pocket of his robe and scratched it indifferently on the plastic case of the Motorola. Puffing, he said: 'Can you give me one reason why I shouldn't call the police and tell them of the monstrous accusations you've just made? One reason? Speak quickly, boy. The telephone is just down the hall. Your father would spank you, I think. You would sit for dinner on a cushion for a week or so, eh?'

'My parents don't believe in spanking. Corporal punishment causes more problems than it cures.' Todd's eyes suddenly gleamed. 'Did you spank any of them? The women? Did you take off their clothes and -'

With a muffled exclamation, Dussander started for the phone.

Todd said coldly: 'You better not do that.'

Dussander turned. In measured tones that were spoiled only slightly by the fact that his false teeth were not in, he said: 'I tell you this once, boy, and once only. My name is Arthur Denker. It has never been anything else; it has not even been Americanized. I was in fact named Arthur by my father, who greatly admired the stories of Arthur Conan Doyle, It has never been Doo-Zander, nor Himmler, nor Father Christmas. I was a reserve lieutenant in the war. I never joined the Nazi party. In the battle of Berlin I fought for three years. I will admit that in the late thirties, when I was first married, I supported Hitler. He ended the depression and returned some of the pride we had lost in the aftermath of the sickening and unfair Treaty of Versailles. I suppose I supported him mostly because I got a job and there was tobacco again, and I didn't need to hunt through the gutters when I needed to smoke. I thought, in the late thirties, that he was a great man. In his own way, perhaps he was. But at the end he was mad, directing phantom armies at the whim of an astrologer. He even gave Blondi, his dog, a death-capsule. The act of a madman; by the end they were all madmen, singing the Horst Wessel Song as they fed poison to their children. On 2 May 1945, my regiment gave up to the Americans. I remember that a private soldier named Hackermeyer gave me a chocolate bar. I wept. There was no reason to fight on; the war was over, and really had been since February. I was interned at Essen and was treated very well. We listened to the Nuremberg trials on the radio and when Goering committed suicide, I traded fourteen American cigarettes for half a bottle of schnapps and got drunk. I was released in January of 1946. At the Essen Motor Works I put wheels on cars until 1963, when I retired and emigrated to the United States. To come here was a lifelong ambition. In 1967 I became a citizen. I am an American. I vote. No Buenos Aires. No drug dealing. No Berlin. No Cuba.' He pronounced it Koo-ba. 'And now, unless you leave, I make my telephone call.'

He watched Todd do nothing. Then he went down the hall and picked up the telephone. Still Todd stood in the living room, beside the table with the small lamp on it.

Dussander began to dial. Todd watched him, his heart speeding up until it was drumming in his chest. After the fourth number, Dussander turned and looked at him. His shoulders sagged. He put the phone down.

'A boy,' he breathed. 'A boy:

Todd smiled widely but rather modestly.

'How did you find out?'

'One piece of luck and a lot of hard work,' Todd said There's this friend of mine, Harold Pegler his name is, only all the kids call him Foxy. He plays second base for our team. And his dad's got all these magazines out in his garage. Great big stacks of them. War magazines. They're old. I looked for some new ones, but the guy who runs the newsstand across from the school says most of them went out of business. In most of them there's pictures of Krauts - German soldiers, I mean - and Japs torturing these women. And articles about the concentration camps. I really groove on all that concentration camp stuff.'

'You ... groove on it.' Dussander was staring at him, one hand rubbing up and down on his cheek, producing a very small sandpapery sound.

'Groove. You know. I get off on it. I'm interested.'

He remembered that day in Foxy's garage as clearly as anything in his life - more clearly, he suspected. He remembered in the fourth grade, before Careers Day, how Mrs Anderson (all the kids called her Bugs because of her big front teeth) had talked to them about what she called finding YOUR GREAT INTEREST.

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