Russell Andrews - Icarus

"Can you really do that?" he asked breathlessly. "Can you really find out what flight she's on just like that and get those security guards to arrest her?"

"Lewis," she said, "I'm lucky if I can get the damn elevator to stop on this floor. But she don't know that, does she?" And when his eyes widened in appreciative awe, she said, "Now check that file one more time and tell me what lawyer Caroline used when she got her restraining order."

"It was Herb Bloomfield," Lewis said. "I already checked."

"Good boy," she said. "You just might make a policeman yet."

She then arranged for two policemen to get to 627 West Ninth Street as fast as they could and make damn sure that Emma Rhowam, suspected in the murder of at least four people, was waiting for her when she arrived.

– "-"-"MCCOY RECOGNIZED BLOOMFIELD from the Entertainer's apartment. But she also knew him by reputation. He was a rich man's lawyer and everything about his Park Avenue office looked the part. All the furniture, except for the glass coffee table, was brown leather. The blotter on the partner's desk was sheathed in brown leather. Most of the books on his bookshelves were bound in brown leather. His pen-and-pencil set was brown leather. She felt blessed that Herb Bloomfield was fifty pounds overweight or she was fairly sure that he'd be wearing a brown leather suit instead of his conservative pinstripe with white shirt and red tie.

"Sergeant, as I told you, I-"

"Yeah, yeah, yeah," McCoy said. "I know, we did all this on the phone. But let me lay this on you one more time, Herb. Your first client, Caroline, is dead. Your second client, Jack, is missing in action and I am worried as hell about him. You want me to start counting up again how many people have been killed so far? If you don't, why don't you just tell me what I want to know so I can try to stop anybody else from dying."

The lawyer tapped his brown leather cigar case on the desk. The taps started out quick and rhythmic and ended with one decisive slam.

"He was having an affair with her."

"What?"

"Jack. With this Emma Rhowam. About ten years ago. Well, no, I'm sorry, he wasn't having an affair with her. He'd had an affair with her. And he'd ended it."

"So how did-"

"She was kind of a nut. What else can I tell you? Obsessive, I guess. Jack was a catch. Still is. Apparently, for him it was a fling, for her it wasn't. And she didn't like being dumped. So while he was still in London, she came over here, started harassing Caroline. Called her, told her about the affair, tried to give her intimate details. I suppose trying to break up the marriage."

"And what did Caroline do?"

"She didn't want any part of it. At first she didn't believe it. But this Emma gave her enough information so Caroline knew it was true. She was devastated, of course. Furious. But then she calmed down and just wanted the whole thing to go away. So she came to me and I made it go away."

"And what did Jack do when he found out?"

"He never did."

"Come again?"

"She never told him. And swore me to secrecy. To this day I've never told Jack what happened."

"Why would she do that?"

"I can't say for sure. Humiliation, maybe. Strength, just as likely. I think that Caroline wanted to handle it in her own way. And it's fairly safe to say that she was right. Their marriage certainly survived and flourished. And maybe it wouldn't have if this had all come out in the open."

"And what about Kid Demeter?"

"What about him?"

"Do you know anything about the connection between Emma Rhowam and Kid?"

Now the lawyer looked surprised. "I didn't know there was a connection."

"Oh, yeah. There was quite a connection."

McCoy didn't say anything for quite a while.

"Is there anything else I can help you with, Sergeant?"

"Yeah," she said. "Can you explain to me why it is that people do what they do to other people?"

"I'm afraid you're on your own with that one," Herb said. "That's out of my league."

"Mine, too," McCoy said. Then she headed downtown.

– "-"-"SHE DIDN'T EVEN have to talk to the cops on the street to know what had happened. She'd had too much experience and knew the moment she stepped out of her car.

She went up the three flights of stairs two steps at a time. When she got to Emma's apartment, the door was ajar and McCoy said, "Shit."

She stepped inside and saw the ME, already hard at work. When she saw the woman on the floor, the first thing she noticed was that she was extremely attractive. Short dark hair. Superb body. Early thirties.

Her damn throat spoiled her looks, though.

It was cut right in two.

Ruins the whole effect, McCoy thought.

And that's when her cell phone rang. She answered it, listened as the cop on the other end told her what had happened at Dominick Bertolini's Meat Mart on Gansevoort and Greenwich streets.

"Nobody saw anything?" she asked.

"Not a soul. And the old guy sure can't tell us what happened."

"Can we get any prints?"

"They're probably all over the weapon," the cop said. "Only problem is it ain't here."

"Do what you can," she said, then immediately called Jack Keller's apartment and left her third message on his phone machine. "This is McCoy," she announced. "We got a full-fledged lunatic on a rampage now, Jack. Don't let anybody into your apartment without checking with me first. Anybody. Particularly Grace Childress. She ain't the Destination, Jack. The Destination's dead. She's the Murderess and my guess is she's doin' her best to live up to her nickname. I don't know where the hell you are but call me as soon as you get this. Bad has gotten worse and you need to know about it."

She didn't hang up immediately, felt she should say more, but didn't know what else to leave on the tape. So she tapped the phone against her arm, realized she was still recording, and pressed the "End Call" button.

And when she hung up the phone it was the first time in her professional life she'd ever felt a sense of pure and utter panic.

– "-"-"SURPRISES CAME IN threes.

Somebody said that, too, but there was no time to remember who. Whoever it was had definitely been right, though. First was the angry guy at the Morticians – the paper said he was her husband – barging in through the bedroom door. Then there was the way the old guy, Dom, had fought back at the meat market. Damn, he was ferocious. It was still impossible to believe. How could somebody that old be so strong? Then the Destination, she was expecting a cop, opened the door without even needing to hear a story. None of the surprises mattered, of course, not in the end. Everything had happened the way it was supposed to happen.

Everything was turning out beautifully…

– "-"-"BACK OUT ON West Ninth Street, McCoy sucked in some fresh air, hot and humid and not very refreshing. She decided she had to do something. She needed to move. She took the unmarked car – not a bad one this time; a little rust on the passenger door but, all in all, perfectly acceptable – and drove all the way up to East Seventy-seventh Street. To make everything seem a little more urgent, but mostly just to give herself a little needed pleasure, she put the rotating light on the roof and turned the siren on.

When she arrived at Jack's apartment building, McCoy flashed her badge at the doorman, but he'd had a lot of experience working the ritzy part of town. He couldn't just let her up, he said. A lot of tenants would have him fired if he let anyone into their apartments, even a cop. Mr. Keller wasn't like that, the doorman said, he was a nice guy, but still…

McCoy didn't argue. She just told him that it was a matter of life or death and that if he didn't let her go up, she'd make sure he was fired. Guaranteed, today would be his last day on the job. When he still wavered, she said, steely as she could be, which was pretty damn steely, "Congratulations, you're outta here." Then she started back out to the street, but he grabbed her by the arm and said, "Okay, look, you gotta make it clear that you said it was life or death." McCoy didn't bother to respond, just headed for the elevator as he called after her, "Press 'Penthouse.' I'll release it."