Robert Wilson - The Silent and the Damned aka The Vanished Hands

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Mario Vega is seven years old and his life is about to change forever. Across the street in an exclusive suburb of Seville his father lies dead on the kitchen floor and his mother has been suffocated under her own pillow. It appears to be a suicide pact, but Inspector Jefe Javier Falcón has his doubts when he finds an enigmatic note crushed in the dead man's hand.
In the brutal summer heat Falcón starts to dismantle the obscure life of Rafael Vega only to receive threats from the Russian mafia who have begun operating in the city. His investigation into Vega's neighbours uncovers a creative American couple with a destructive past and the misery of a famous actor whose only son is in prison for an appalling crime.
Within days two further suicides follow – one of them a senior policeman – and a forest fire rages through the hills above Seville obliterating all in its path. Falcón must now sweat out the truth, which will reveal that everything is connected and there is one more secret in the black heart of Vega's life.

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'Did you manage to start work on the key we found in Vega's freezer?'

'Not yet. By the time I'd dropped Nadia off the banks were all shut.'

'OK. Start work on that on Monday morning,' said Falcón. 'What about the ID trace on Rafael Vega?'

'Nothing yet, but Cristina and I had an interesting talk down at Vega Construcciones this afternoon,' said Ramírez, 'with Golden Boy, the accountant. He was responsible for getting the computer system installed and he's been having a closer look at some of the projects.'

'What is Golden Boy in Vega Construcciones?' said Falcón. 'Is he just Francisco Dourado, accountant, or is he something more?'

'He thinks he should have been made the finance director by now… but he hasn't,' said Ramírez. 'Rafael Vega was not prepared to let go of the money, or rather, he was not happy for someone to know that much about his business.'

'So he's the book-keeper.'

'Exactly, but since Vega's death he's had freedom of access. He had it before, but he was too scared about getting caught. As I said, he knows the computer system inside out and Vázquez isn't IT savvy enough to stop him.'

'So what are we looking at?' said Falcón. 'Do we have any names for a start?'

'Vladimir Ivanov and Mikhail Zelenov,' said Ferrera, handing over two photos and profiles of the Russians. 'These came through just now from Interpol.'

Vladimir Ivanov (Vlado) had a tattoo on his left shoulder, was fair-haired, blue-eyed with a scar under his jawline on the right side of his face. Mikhail Zelenov (Mikhas) was dark and heavy (132 kg) with green eyes that were just slits in the fat of his face. Their illegal activities covered the full spectrum of mafia activity – prostitution, people-trafficking, gaming, internet fraud and money-laundering. They both belonged to one of the main mafia gangs – Solntsevskaya – which had more than five thousand members. Their sphere of operation was the Iberian peninsula.

'On the two projects which those guys are involved in, there are two sets of books,' said Ramírez. 'The first ones have been prepared by Dourado, based on figures given to him by Vega. The second set have been kept by Vega himself and they show how the projects are really being run.'

'Money-laundering has arrived in the Seville construction industry,' said Falcón.

'The Russians are pretty well financing the whole thing. They supply all labour and materials. Vega Construcciones supplies the architect, the engineers and the supervising site workers.'

'So, who owns the building and what did Rafael Vega get out of it?'

'The ownership details are with Vázquez,' said Ramírez. 'All property deeds and deals are handled by him. We haven't moved on him yet. I thought we should talk first. All we know at the moment is that it's a joint project, with all the cash coming from the Russians and the expertise from Vega… There has to be some balancing out somewhere.'

'Vega is providing the shell through which the whole thing can work,' said Falcón. 'So that's significant. But we'll have to fix up a meeting with Vázquez tomorrow. The two of us.'

'What about me?' asked Ferrera. 'I was involved in this part of the investigation, too.'

'I know you were, and I'm sure you've done good work,' said Falcón. 'But Vázquez needs to feel the full weight of seniority in this case. We might even have enough to apply for a search warrant. I'll call Juez Calderón.'

'So what am I going to be doing?' said Ferrera.

'We're losing three men as from tonight,' said Falcón. 'By tomorrow morning we'll all be foot soldiers.'

'But I'll be the only one actually on my feet.'

'We have to find Sergei. He's sixty hours ahead of us now, which means we've probably lost him, but he, at the moment, is our only possible witness. There's got to be one last push at his possible escape routes. I'll ask Juez Calderón if we can put his photo in the press.'

Falcón dismissed them, told them all to go to the bar La Jota and he'd buy them a beer. They filed out. He held Ferrera back.

'I've just had another thought,' he said. 'You got on well with Sr Cabello. I want you to go back to him, and it's going to have to be tonight, because José Luis and I need to go into Vázquez with the information tomorrow morning. I want you to find out from him which properties he sold to Rafael Vega and, in the case of the strategically placed ones, which developments they opened up.'

Falcón drove her to the bar La Jota and bought his round of beers. He called Calderón, no answer. He left the squad in the bar and, on the way to Isabel Cano's office, dropped in on Edificio de los Juzgados. It was silent. The security guard said that Calderón had left at 7 p.m. and that he hadn't seen Inés. Falcón called Pablo Ortega and asked if he could stop by his house to show him some photographs.

'You and your photographs,' said Ortega, irritably. 'As long as you make it quick.'

Isabel Cano's office was open but empty. He knocked on the desktop and she shouted from her office for him to come in. She was sitting at her desk with her heels off, smoking. Her head was thrown back and her hair spilled down the black leather chair. She smiled at him out of the corner of her face.

'Thank God for the weekend,' she said. 'Have you recovered your marbles yet?'

'If anything, the idea has consolidated in my mind.'

'Cops,' she said, wincing at their mental incapacity.

'We lead very sheltered lives.'

'But it doesn't mean you've got to be stupid,' said Isabel. 'Please don't make me capitulate when I've only just started on Manuela. It's bad for my image.'

'Can I sit down?'

She waved vaguely at a chair with her cigarette fingers. Falcón liked Isabel Cano but sometimes she could be abrasive. There was no subject too delicate not to be slapped on the table and filleted like so much fish.

'You know what I've been through, Isabel,' he said.

'Actually, I don't,' she said, surprising him. 'I can only imagine what you've been through.'

'Well, that'll do,' said Falcón. 'The fact is I feel like a man who's lost everything. All the things that made me human were brought into question. People need a living structure to give themselves a sense of belonging. All I have is memory, which is unreliable. But what I do have is a brother and a sister. Paco is a good man who will always do the right thing. Manuela is complicated for a whole bunch of reasons but which all boil down to the fact that she didn't get the love she wanted from Francisco.'

'I don't feel sorry for her and nor should you,' said Isabel.

'But despite what I know about Manuela – her avarice, possessiveness and covetousness – I need her to be my sister. I need to hear her call me her hermanito, her little brother. It's sentimental, illogical and offensive to your legal mind… but it's the way it is.'

Isabel's leather chair creaked. The air conditioning breathed. The city slumped in silence.

'And you think you'll get it by giving her the house?'

'By coming to an agreement on the house, which I no longer want to live in, I will open up the possibility. If I don't, I will have to bear the brunt of her hate.'

'You might think you need her, but she knows she doesn't need you. You have become dispensable because you are no longer a full-blood relative. You are just a barrier,' said Isabel. 'When you give people like Manuela something, all they want is more. They are incapable of love. Your gift will not give what you crave, but it will create resentment, lending her hate more purpose.'

Each sentence was like a slap across his face, as if she was bringing a hysteric back to reality.

'You're probably right,' he said, shaken by her verbal brutality, 'but my nature dictates that I have to take a risk and hope you're proved wrong.'

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