Robert Wilson - The Silent and the Damned aka The Vanished Hands

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Mario Vega is seven years old and his life is about to change forever. Across the street in an exclusive suburb of Seville his father lies dead on the kitchen floor and his mother has been suffocated under her own pillow. It appears to be a suicide pact, but Inspector Jefe Javier Falcón has his doubts when he finds an enigmatic note crushed in the dead man's hand.
In the brutal summer heat Falcón starts to dismantle the obscure life of Rafael Vega only to receive threats from the Russian mafia who have begun operating in the city. His investigation into Vega's neighbours uncovers a creative American couple with a destructive past and the misery of a famous actor whose only son is in prison for an appalling crime.
Within days two further suicides follow – one of them a senior policeman – and a forest fire rages through the hills above Seville obliterating all in its path. Falcón must now sweat out the truth, which will reveal that everything is connected and there is one more secret in the black heart of Vega's life.

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'You're anxious again.'

'I had another "shit" dream during my siesta,' said Falcón. 'They always come in the afternoons.'

'We've talked about them before,' she said. 'So what are you anxious about?'

'The shit dream was different this time. I woke up with a clear idea in my head and a sense of purpose.'

He told her about the Sebastián Ortega case, what he knew about it at the time of the dream (including the state of Pablo Ortega's house), and what he discovered subsequently from Montes.

'Is that a common occurrence?'

'Quite often evidence that's not admissible in court shows unquestionable proof of a defendant's guilt,' said

Falcón defensively. 'Police and prosecutors will then use nuance and emphasis to secure the "right" conviction.'

'But that's not the case here, is it?' said Aguado. 'A victim has been manipulated to give an exaggerated account of what happened to him. Who was the judge on the case?'

'The conviction was never in doubt. What they wanted to secure was the maximum sentence, but… I don't want to get into specifics and personalities,' said Falcón. 'The point was that I didn't know about that before the dream and yet I woke up with a strong sense of wanting to help this young man, who is not connected to me in any way.'

'That's good,' said Aguado.

'I think so, too. It's the most boring thing about depression – the time you have to spend with yourself,' said Falcón. 'I'm glad to be breaking out of my self-absorption.'

'What drew you to Sebastián Ortega's predicament?'

'There are some interesting connections there. Pablo Ortega knew Francisco Falcón. He was a friend of his. He had even met me before, when I was eighteen, but I didn't remember him. Like Francisco, he's charismatic and someone who can summon up tremendous fury. He also said things which I subsequently found out were not true. It was quite difficult to disentangle the truth from performance. It's possible that he is hiding things from himself. In a later interview someone said that they'd always assumed that he was either homosexual or asexual.'

'My God… we are talking about Pablo Ortega the actor, aren't we?'

'Yes, but don't go ringing the Diario de Sevilla,' said Falcón. 'He'd kill himself if that broke.'

'I can see the comparisons with your own situation,' she said.

'I think I've subconsciously identified with Sebastián, which is why I want to help him.'

'Because?'

'Because I want to help myself.'

'This is good, Javier,' said Aguado. 'I just want to go back to Pablo Ortega…'

'That stuff about him being homosexual – there's no proof. It was just something that this particular interviewee had always assumed to be the case.'

'That's not what concerns me,' she said. 'Why was Pablo Ortega so angry?'

'He was furious at Juez Calderón…'

'So he was the judge on Sebastián Ortega's case as well?'

'You found me out.'

'I thought there was something more complicated at work there.'

'If there is, I don't know what it is.'

'I remember you saying while you were investigating the Jiménez murder that you liked Juez Calderón. You told me that he was one of the first people you'd considered a possible friend since your training in Barcelona.'

'That was before I knew he was seeing Inés.'

Her fingers jumped off his pulse as he said her name.

'Has something happened with Inés?'

'Yesterday he told me they were getting married,' said Falcón. 'I nearly called you.'

'We've dealt with Inés.'

'I thought we had.' 'You were expecting them to get married, ' said Alicia Aguado. 'And you told me that you'd accepted it.'

'The concept, yes.'

'And the reality was different?'

'I was surprised at how bitterly disappointed I was by the news.'

'You'll get over it.'

'That's why I didn't call you,' said Falcón. 'But just before I came out to see you this evening I found a photograph of her stuck up on the noticeboard above my desk with a red pin through her throat.'

Silence. Falcón thought he felt Alicia shiver.

'Did you stick it up there?' she asked.

'That's what concerns me,' said Falcón. 'I don't know.'

'Do you think you might have done it subconsciously?' asked Aguado.

'I don't even recognize the photograph.'

'What about the other prints?'

'I bought a digital camera last week. Work has been slack until yesterday and I've been out on the streets taking snaps, getting used to the technology and then downloading stuff on to the computer, erasing shots, printing out others, throwing some stuff away. You know, playing around with it. So… I… I just can't be certain. Maybe I did snap her without realizing it. We don't live that far from each other. I see her occasionally in the street, as you do in Seville.'

'How else could it have got on to your noticeboard?'

'I don't know. I did get very drunk last night and passed out…'

'You shouldn't let this worry you,' said Aguado.

'But what do you think it means?' said Falcón. 'I don't like the idea that my mind is operating independently of me. This was what was happening to one of the victims in my investigation.'

Falcón explained Vega's bizarre note, how he'd traced over it.

'The positive side of this incident is that it seems to indicate that by pinning Inés by her throat to your board you're releasing yourself from this hold you believe she has over you.'

'Well, that's one interpretation,' said Falcón. 'There could be some darker ones.'

'Don't dwell on it. You're on the move. Keep up the momentum.'

'All right, let's talk about something else – Sebastián Ortega. What do you think about his behaviour, psychologically? Why did he do what he did?'

'I'd need to know a lot more about him and the case before I ventured an opinion on that.'

'My theory is that he was reliving an ideal,' said Falcón. 'He was being to the boy what he'd wanted his father to be to him.'

'I can't comment.'

'I'm not asking you for a serious professional opinion.'

'And I don't give amateur ones.'

'OK, so what shall we talk about that's not Inés?'

'Talk to me some more about Juez Calderón.'

'I don't know what I think about him any more,' he said. 'I'm confused. Initially I was attracted by his intelligence and sensitivity. Then I found out that he had a relationship with Inés, which I couldn't and can't talk about with him. Now they're getting married. I've watched his star consistently rising, but then I hear from others that it's vanity propelling this trajectory…'

'I think you missed something out.'

'I don't think so.'

'Has Juez Calderón done something to you?'

'Not to me,' said Falcón. 'I can't talk about it yet.'

'Not even to your clinical psychologist, who you've been seeing for over a year?'

'No… not yet. I can't be certain about it,' said Falcón. 'It could have just been a moment's madness, now forgotten, or there could be clearer intent.'

'To do someone wrong?'

'Not wrong exactly… although it would be wrong,' said Falcón. 'All I can promise you is that it has nothing to do with me.'

The appointment finished soon after. Before walking Javier to the door she deviated to a cabinet, fumbled around and took out a dictaphone.

'I don't mind thinking about Sebastián Ortega for you,' she said. 'My summer is quiet. Since my blindness has become complete I've been getting agoraphobic. The idea of hundreds of people on the beach, and me amongst them, makes me feel nervous. I'm staying in town, despite the heat. Put everything you know down on tape and I'll listen to it.'

She gave him the dictaphone and some tapes. Javier shook her cool white hand, their professional relationship never having got beyond this formality, apart from some madness on his part in the early stages of treatment. But this time she pulled him to her and kissed him on both cheeks.

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