S Rozan - Absent Friends

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The secrets of a group of childhood friends unravel in this haunting thriller by Edgar Award winner S. J. Rozan. Set in New York in the unforgettable aftermath of September 11, Absent Friends brilliantly captures a time and place unlike any other, as it winds through the wounded streets of New York and Staten Island…and into a maze of old crimes, damaged lives, and heartbreaking revelations. The result is not only an electrifying mystery and a riveting piece of storytelling but an elegiac novel that powerfully explores a world changed forever on a clear September morning.
In a novel that will catch you off guard at every turn, and one that is guaranteed to become a classic, S. J. Rozan masterfully ratchets up the tension one revelation at a time as she dares you to ponder the bonds of friendship, the meaning of truth, and the stuff of heroism.

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Chapter 11

картинка 32
Sutter's Mill

September 1, 1979

Jimmy leaves Flanagan's, walking slowly. The late summer day has faded to that purple hour when a mist seems to hang in the air, clouding vision, though this is an illusion: the day has been fine, and the night will continue clear.

Jimmy's heading home, to the basement apartment he rents from the Cooleys. He stops at the deli for a roast beef on rye, picks up a box of Milk Bones for the Cooleys' yellow mutt. (The funny black dog they used to have, he died years ago.) But when he leaves the deli, sipping coffee, he turns left, not right, heads for the firehouse.

When he gets there, the door's up, the floor's wet and puddled: they've just washed down the truck, and it gleams. Jimmy could swear he sees the damn thing grin: it's ready, man. He grins back at it.

Owen McCardle, one of the senior men, sits out front, tipped back in a chair. He's watching the street from half-closed eyes. Hey, Superman, he says, nods as Jimmy walks up. Like Jimmy, Owen's not a talker. Owen's seen it all, lived through it all, could tell you all the stories but he doesn't. Probably he knows it won't do you any good.

Owen, says Jimmy. He squats down beside the chair, leans on the firehouse wall. Jimmy helps Owen watch the street.

You hungry? Vinny made spaghetti, Owen says.

Yeah? That one with the sausages?

Owen grunts. Enough to feed the Polish army.

Yeah, well, says Jimmy, and he doesn't get up.

Two pretty girls, their legs long and their skirts short, walk down the sidewalk on the other side of the street. A whistle cuts their way from inside the firehouse. One girl smiles, one girl laughs, but they don't turn and they don't stop.

Guy asked me to do something for him, Jimmy says to Owen.

Owen asks, You gonna do it?

Thinking about it.

The girls round the corner, stroll out of sight.

Superman. Owen's voice is even quieter than usual. Jimmy looks up at him.

Stay out of trouble.

I don't think, Jimmy says, I don't think this is trouble.

It's not illegal, what Mike the Bear wants. Not Jimmy's part. It's not even a lie: Big Mike wants Jimmy to tell the truth. Sat Jimmy down in Flanagan's to ask for this big favor: Jimmy, do this for me, tell the truth.

But the truth, Mike the Bear says, the truth can't come from just anyone. Some guys, you want them to know what's what, you want them to do something about it, it's got to be done a certain way, he says. It's got to be handled.

Jimmy can see the sense in this. When you're a kid, you don't tell your mom you don't want to go to school because you want to watch the Batman marathon on TV. You say your throat hurts. And it does; but if today were a game day, if you had to go out on the field in front of the whole school and be a hero, slam the ball out of the park, tag the guy sliding spikes-first toward home, if that were today, would your throat matter? But it's not today, so you tell your mom about your throat, and she worries about you so she lets you stay home.

It's the same here. Mike the Bear's worried about Jack. Jack's mom, she's worried even more.

Nine years old: Jimmy sees her, Mrs. Molloy, watching out the window while Tom calms Jack down, Jack all snarly because the kids don't want to climb the tree in Mr. Conley's yard, see if they can jump to the roof of his house from there. They won't do it even on Jack's dare: For Christ's sake, you fairies, the old fart's not even home!

Jack's going to do it himself, but Marian runs up to him and whispers. Jack stops, answers her. Jimmy hears Marian laugh. Jack says a swearword, but now, it's not like he's mad, it's like a joke, and Jack laughs with Marian. Next thing, Tom's calling, Hey, Jim, you coming or what? and Jack's pounding a fist into his mitt, and they're going off to play some ball. But Jimmy catches a look between Tom and Mrs. Molloy, something he doesn't understand, but he knows it's about Jack. And Mrs. Molloy keeps watching them out the window until the kids turn the corner and Jimmy can't see her anymore.

And back in Flanagan's, this is what Mike the Bear says to Jimmy: Trouble's coming. The cops're fed up, they're ready to jump on Jack and his crew. If Jack doesn't back off, he's going down.

Jimmy frowns. You sure? he asks Mike the Bear. I mean, maybe it's not true. You know, rumors, you hear stuff.

From where I heard it, Mike says, it's a safe bet.

Jimmy doesn't ask where that is. Firemen and cops, there's no love lost. A cop would rather bust on you than help you, rather knock you down than pick you up, because he figures probably you deserve it, anything bad you didn't do you just didn't get a chance yet.

That's what the firehouse says, and Jimmy knows some cops like that. But still, mostly they're straight. Mostly they want to fight crime and stop the bad guys, and mostly they want to be Superman just like he does. He thinks what happens, after a year or two on the street, they still want the same thing, but they forget how to tell who they're for and who they're against.

Bent cops, cops on the take-that's something else. They're against everybody, even their brother cops. Everything's for themselves, and thinking about them makes Jimmy feel like he did when the kids found a dead dog once down under the bridge, its skinny legs tied together, someone threw it in the water and made it drown on purpose. Jimmy remembers how mad he was, how he didn't know who to be mad at, how he wanted to do something and the dog was already dead and there was nothing he could do. So when Mike the Bear says what he hears about Jack, where he hears it from it's a safe bet, Jimmy just drinks some beer and waits.

I can't just tell Jack, Big Mike says. Sure, yeah, I can, but it's what I've been telling him all his life. Jimmy, you know him, he's always been like this.

Jimmy nods. He knows.

I can't say, kid, this time it's real, this time you have to back off, because I can't do anything about it, this time. He won't believe me, Jimmy. He'll think I can fix it, like I always have.

Mike the Bear's talking to Jimmy, but he isn't looking at him, he's looking across the room at the pictures on the walls, racing pictures, trotters winning and losing. Jimmy wonders how many guys have ever heard Big Mike Molloy say this, that there's something he can't do anything about.

Big Mike says, Jimmy, if your father, he worries about you, he worries about your mother worrying about you, he told you to stay out of burning buildings, what would you do?

Jimmy's thinking about Mrs. Molloy's eyes; but when Mike the Bear asks him this, he has to laugh, because his father almost did say exactly this, Jimmy's first week at the Academy. He said, It's not me, son, it's your mother, she's thinking she'll be worried every day when you go to work.

He tells Big Mike, and Mike asks, And what did you do?

I took my mom to the firehouse, Jimmy says. I showed her the salamanders over the door. They always come back after a fire, I told her. Then I gave her flowers, chocolates, too, a really big box, shaped like a heart. I told her she was lucky. I told her, Not every pretty woman gets presents from a fireman.

Big Mikes smiles. Tom's right about you, he says.

Jimmy smiles, too. He's thinking about his mom, how the day after he gave her the flowers she gave him a present, too, a St. Florian medal, said, Jimmy, keep this with you, I'll feel better if you keep this with you. It's in his pocket now.

Big Mike says, And you kept going to fires.

Yes, sir, says Jimmy.

Yes. Because Jimmy, this is you. And what Jack was like, since he was a kid, he's still like that, too. That's why I've been digging Jack out of holes all his life. Because it's not his fault he gets in them. You know what I mean?

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