Tess Evans - Book of Lost Threads

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Life is full of loose ends. Some are merely dusty cobwebs of regret that hang limp and forgotten in the shadowy corners of our past, others are the barbed rusty wires of unfinished business that bind and constrict even the most mundane aspects of our existence. In her debut novel Tess Evans delves into the tangled lives of her characters and explores the unresolved baggage that they must each unpack in order to move on with their lives.
The Book of Lost Threads opens on a wet winter’s night. Moss has just arrived at the doorstep of Finn Clancy, the man she believes to be her father and she is seeking answers. Finn, however, is not immediately inclined to provide them. Immersed in guilt and self pity he has forged a life for himself in the fictional Victorian town of Opportunity. Drawn to fellow lost souls Mrs Lily Pargetter and her nephew Sandy, he has eked out a life attempting to atone for his past sins, both real and imagined.
Moss’s appearance jars the fragile rhythm of his life and kick starts a series of events that affect not only the novel’s four main characters, but also the entire town. Moss, Finn, Mrs Pargetter and Sandy have all been touched by tragedy, and all have developed their own individual coping strategies. Moss denies her talents, Finn retreats into silence, Sandy makes plans for a town memorial, the ‘Great Galah’ and Mrs Pargetter knits – she has been steadily making tea cosies for the United Nations for thirty five years.
With a delicate but deft touch their individual and collective stories are carefully teased out and examined. Tess Evans recently wrote that the Book of Lost Threads begins with a question which, once answered, gives rise to a train of further questions and answers. Its strongest moments are in the stories of Finn, Mrs Pargetter and Sandy. Finn is crippled by the results of one drunken night’s thoughtless actions and Mrs Pargetter struggles with the consequences of horrendous personal loss. Sandy is weakened by a lifetime of failure to stand up to his bullying father. Even his voice is constricted, sounding ‘as though it were being forced out from somewhere high in the throat.’ He is initially a feeble, unattractive character who finally gains strength when he confronts his own demons, for it is only then that his innate kindness can shine through.
Moss’s struggle is perhaps the least convincing of the four, but this is largely because her loss and subsequent regret are only recent and have not warped her beyond recognition – I would have liked even more of her story. In contrast, Finn feels his tragedy is so all consuming that ‘the person he was… no longer existed’, Moss is the catalyst for the others to find resolution and for them to become whole and balanced individuals. It is through her that the lost threads of the title, all of the loose ends and unfinished tales, are woven into a rich tapestry of meaning – although all four characters contribute to each of the other’s healing and growth.
The Book of Lost Threads is Tess Evan’s first novel. She is a Melbourne author who has also written many short stories and poems. Her previous experience in the TAFE system, where she taught and counselled a wide range of people of all ages, professions and life experience, is clearly reflected in the depth of her work. The lyrical writing makes it deceptively accessible, but it is far more than a light easy read. The complexities of the themes and characters are attributes of a much deeper work, one that lingers in the imagination. I would recommend it to anyone seeking a thoughtful exploration of the gentle power of humanity.

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She had heard the door open and saw Linsey’s dark shape materialise beside her bed. Amy, a much larger woman, always moved on cat-feet, but Linsey, who barely cast a shadow, was inclined to stomp and crash about in her nervous haste. That morning, though, she was like a wraith. Moss felt a hand linger on her cheek and smelled the familiar musky hand cream. A kiss like a breath, a whispered I love you , and she was gone.

Moss saw her young self lying still, hands clenched, averting her eyes from the void she now sensed in the house. Linsey had always been there for her. There was a strength in her mother Linsey that made Moss feel safe. Linsey had always discussed things seriously with her, showing her the kind of respect one would show to an equal. Moss didn’t appreciate this approach as a child, but with adolescence she began to value it more. Now Linsey was gone. Bereft, Moss continued to lie stiffly in her bed until she heard Amy pad down the hall. Jumping out of bed and flinging herself at the pyjama-clad figure, she cried out in real fear: ‘Mum! Mum! Don’t you go too!’

Amy gathered her in. ‘Of course I won’t go. You know that. Linsey will come back to see you. You can visit her like we said. She’s your mum too, remember. Don’t cry, sweetheart. I’m here.’ She smoothed the tangled brown hair. ‘We talked about it, Miranda-you said you understood.’

They had talked about it, but Moss hadn’t wanted to listen. For a long time she had tried to ignore the obvious fact that her two mothers were growing apart. Now she couldn’t ignore it any more. On the contrary, she clung to it as the best explanation for Linsey’s departure and never allowed herself to explore the other, more disturbing possibility that she, Moss, might be the real reason that Linsey left them.

By that time, Amy was a plump, untidy woman in her early forties, with sleepy blue eyes and a slow, tantalising smile. The dimple gave her a girlish air and her skin remained remarkably fine. She had never fulfilled her early promise as a musician- but perhaps she never was very good, her grown daughter thought suddenly. Linsey was always so careful to speak well of Amy.

These thoughts were only contributing to her wakefulness. Moss returned her head to the pillow, trying to make her mind blank. She was beginning to drift off to sleep when she became aware of a soft footfall and saw Finn’s unfamiliar shape as he crept into the kitchen. She didn’t stir, but watched as he paused at the table for a moment before opening the door and disappearing into the half-light outside. She heard the gate squeak and then silence. The birds had momentarily ceased their morning song. She wriggled deeper into her sleeping bag. She was so tired.

The next thing she heard was the sound of the back door opening again. It was now full daylight, and a watery sun lit the figure of Finn as he stooped to pass beneath the low lintel.

She sat up, running her fingers through her tangled hair. ‘Hello, Finn. What time is it?’

Finn looked startled, as though he had not expected to find her still there. He pointed to the alarm clock on the mantelpiece, put a plastic shopping bag on the table and continued on down the hall. It was seven fifty. Moss climbed out of her sleeping bag and went into the bathroom. There was a striped towel on the handbasin with the name MOSS written on card with a magic marker. She turned on the shower and waited. Tepid water flowed sluggishly from the old-fashioned showerhead, and she found that she needed to duck and weave to get wet, washing herself in sections. Her shower was understandably short, and she was grateful for the roughness of the towel that warmed her a little with its friction.

When she arrived back in the kitchen Finn had lit the fire and was once more engaged in stuffing bread into the toaster. ‘I got Vegemite,’ he said with a shy smile, indicating the jar. ‘And some cheese. For lunch.’ He returned his attention to the toaster and lapsed into silence.

‘I’ll make the tea if you like,’ Moss offered. Finn took down a canister from the mismatched assortment lined up beside the clock, then nodded towards the teapot with its colourful knitted cosy. Moss was puzzled. Puzzled and hurt-he wasn’t making any effort to speak to her, and she began to feel like the intruder she undoubtedly was. The kettle boiled, and soon two steaming mugs of tea joined the wedges of toast which Finn had liberally coated with Vegemite.

‘You found the towel, then?’ Finn, unused to visitors, had been inordinately proud that he’d thought of the towel. ‘It just came to me,’ he said. ‘The idea of the towel.’ He looked at her hopefully.

‘Just the thing,’ Moss said. ‘Thank you.’ She couldn’t work him out. Was he a bit-well, simple ? Hadn’t he been a mathematician? A brilliant one, from what she’d learnt. Perhaps he was just absentminded. Genius tended to be that way- at least in popular folklore. She bit thoughtfully on her toast and suppressed a grimace. For some reason Finn thought she liked Vegemite. Still, she ate her toast without complaint: she needed time and didn’t want to offend him.

The salty taste of the Vegemite was sharp on her tongue, and as she and Finn carefully chewed their toast, the sound of crunching mingled with the ticking of the clock. Neither of them spoke until Moss poured them both a second mug of tea. She could wait no longer. Her plan had been to let Finn broach the subject, but his silence was resolute.

‘You do know who I am, don’t you?’

‘What year were you born?’

‘Nineteen eighty-three.’

‘Your mother was Amy Sinclair? Partner of Linsey Brookes?’

Moss felt a sudden wave of nausea. Dear God, don’t let me vomit. Not now. She forced herself to breathe slowly, deeply, before replying. ‘Yes. Amy and Linsey-my mothers.’

‘Then you must be my daughter.’

And he just sat there, sipping his tea.

Moss had pictured this moment quite differently. This was when her father was supposed to open his arms wide and hold her for the first time. She had even imagined the roughness of his whiskers against her cheek. They would both cry a little and then laugh, and he would look at her with wonder and regret. Instead, he went on relentlessly sipping his tea. She tried to read his face but it was blank. Even the kindness she had recognised last night had been erased. Say something , she begged silently . Please.

But Finn was struggling. He had lived alone for so long that he found even small talk a challenge. Last night, before sleep claimed him, he had tried to cobble together some thoughts, some words that might at least be adequate . I’m so happy to meet you at last. That was patently untrue and Finn was a bad liar. I’ve often thought about you. Also untrue. And dangerous. It might make her think she was welcome. The last thing he wanted was another person in his life. Why was she here, anyway? Keep the conversation as neutral as possible , he advised himself.

‘How did you find me?’ he asked.

Moss swallowed her disappointment. ‘Maths,’ she said. ‘I followed the maths trail.’

A few months ago, while looking through some of Amy’s sheet music, she’d come upon the contract that had brought her into being. It was typical of Amy to be careless with such an important document. Her mother snatched it away, but not before Moss had seen the name: Michael Finbar Clancy. So, as she explained to Finn, at that point she had both his name and his profession. Fortunately, Michael was a prolific writer in his years as an academic, and had been making quite a name for himself in probability theory. Her search was temporarily frustrated when, after a few years of regular publication, his name suddenly disappeared from the learned journals. It seemed he had vanished without a trace, but by then Moss’s initial curiosity had hardened into resolve. She saw that he’d written quite a few of the articles with a Philip Cousins who was now Associate Professor of Mathematics at Monash University. It was Phil who told her where to find Michael Clancy.

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