Tess Evans - Book of Lost Threads

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Life is full of loose ends. Some are merely dusty cobwebs of regret that hang limp and forgotten in the shadowy corners of our past, others are the barbed rusty wires of unfinished business that bind and constrict even the most mundane aspects of our existence. In her debut novel Tess Evans delves into the tangled lives of her characters and explores the unresolved baggage that they must each unpack in order to move on with their lives.
The Book of Lost Threads opens on a wet winter’s night. Moss has just arrived at the doorstep of Finn Clancy, the man she believes to be her father and she is seeking answers. Finn, however, is not immediately inclined to provide them. Immersed in guilt and self pity he has forged a life for himself in the fictional Victorian town of Opportunity. Drawn to fellow lost souls Mrs Lily Pargetter and her nephew Sandy, he has eked out a life attempting to atone for his past sins, both real and imagined.
Moss’s appearance jars the fragile rhythm of his life and kick starts a series of events that affect not only the novel’s four main characters, but also the entire town. Moss, Finn, Mrs Pargetter and Sandy have all been touched by tragedy, and all have developed their own individual coping strategies. Moss denies her talents, Finn retreats into silence, Sandy makes plans for a town memorial, the ‘Great Galah’ and Mrs Pargetter knits – she has been steadily making tea cosies for the United Nations for thirty five years.
With a delicate but deft touch their individual and collective stories are carefully teased out and examined. Tess Evans recently wrote that the Book of Lost Threads begins with a question which, once answered, gives rise to a train of further questions and answers. Its strongest moments are in the stories of Finn, Mrs Pargetter and Sandy. Finn is crippled by the results of one drunken night’s thoughtless actions and Mrs Pargetter struggles with the consequences of horrendous personal loss. Sandy is weakened by a lifetime of failure to stand up to his bullying father. Even his voice is constricted, sounding ‘as though it were being forced out from somewhere high in the throat.’ He is initially a feeble, unattractive character who finally gains strength when he confronts his own demons, for it is only then that his innate kindness can shine through.
Moss’s struggle is perhaps the least convincing of the four, but this is largely because her loss and subsequent regret are only recent and have not warped her beyond recognition – I would have liked even more of her story. In contrast, Finn feels his tragedy is so all consuming that ‘the person he was… no longer existed’, Moss is the catalyst for the others to find resolution and for them to become whole and balanced individuals. It is through her that the lost threads of the title, all of the loose ends and unfinished tales, are woven into a rich tapestry of meaning – although all four characters contribute to each of the other’s healing and growth.
The Book of Lost Threads is Tess Evan’s first novel. She is a Melbourne author who has also written many short stories and poems. Her previous experience in the TAFE system, where she taught and counselled a wide range of people of all ages, professions and life experience, is clearly reflected in the depth of her work. The lyrical writing makes it deceptively accessible, but it is far more than a light easy read. The complexities of the themes and characters are attributes of a much deeper work, one that lingers in the imagination. I would recommend it to anyone seeking a thoughtful exploration of the gentle power of humanity.

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What more did he want of life? Why was he so reluctant to let go of the corrosive remorse he’d nurtured over the years? It had seen him retreat from the world and from all his former attachments, living a monkish existence in a forgotten country town. But life has a way of continuing. He’d formed new attachments. Not because he sought them, but because he lived in a real place with real people, all of whom demanded time and respect. He could live a hermit’s life like Jim, a contemplative life like the Benedictines, or he could live, an imperfect man in an imperfect world.

Back at his camp now he squatted on his heels in front of the fire. He pushed a twig into the coals and touched the spark to his cigarette. This is who I am , he thought. This is who I can be.

Finn had sloughed off his old skin, but the new skin was still raw and tender. He didn’t feel ready to return to Opportunity. This reborn Finn was not a return to the old Michael. Michael Clancy was a person Finn looked back on as he might a naive younger brother or a feckless but charming friend: with affection and a little regret.

The old Finn, trapped in his self-imposed penance, was still too recent, too ingrained to be discarded lightly, and remained as a shadow of the possible future. The new Finn needed time to grow into his skin.

He decided then to linger a while by the Two Speck, walking the five kilometres to Tungally pub each day for a meal. There he could mix a bit with the locals or the passing truckies who stopped for lunch on their way to or from Melbourne. Strangers wouldn’t ask difficult questions; even if they did, he owed them no answer.

For two weeks he was a familiar sight at the bar, eating his counter lunch or drinking his Coke. Once or twice, a truckie stopped to give him a lift, but mostly he was content to walk. The locals were curious, but the first conversations he had were the general conversations of strangers passing the time.

G’day, mate. Where you from, then?

Camping on the Two Speck, eh?

What about the Magpies? Can they win without Johnson?

No bloody rain in sight, eh?

Fuckin’ politicians haven’t got a clue, mate.

You don’t have a beer, then?

Later, the conversations became more specific and personal.

Me daughter’s gone to Melbourne for work. Nothin’ for her here, mate. You got kids?

So what do you do for a crust? Maths, eh? Wasn’t much good at maths meself. Me son’s an accountant, but. Since he moved to town we don’t see the grandkiddies much.

I can last one more season, I reckon. Poor old Dad’ll turn in his grave if we’re forced to sell.

I applied for a country school. I love it here, but we’re running out of kids. It’ll close in two years if we don’t get more families.

You don’t fancy pulling on the boots, do you? No, we’ve got older blokes than you in the team, I reckon.

Finn listened to them all; all the concerns of ordinary lives, all the same, yet all unique. He offered something of himself in return.

I moved from Melbourne to Opportunity about ten years ago.

Yeah, I like the country life.

No, never played for the Knockers.

A daughter. She comes and stays with me sometimes.

No. No grandkids.

He wasn’t so different. Soon, he told himself. Soon he would return.

One morning he woke up and knew it was time. Methodically, he began to gather his things, taking care to collect his rubbish in a plastic bag, which he stowed in his backpack. Finally, he doused the fire with river water and smothered it with earth. With one last look at Jim’s disintegrating shack, he swung the pack lightly over his shoulder and set off downriver, back to Opportunity. He suddenly wanted, more than anything, to be home for Christmas.

25Sandy and Rosie; Moss and Linsey

WHILE FINN CAMPED OUT ON the Two Speck, Sandy had been very busy. He spent nearly three weeks in Melbourne, visiting printers and art suppliers, poring over manuscripts, testing the quality of the softest leather. He learned about gold leaf, and explored the mysteries of the labyrinth. The Great Galah faded to nothing. Sandy Sandilands had a new plan, and this time it was shared. He and Helen had talked long into the night about a suitable new project to replace the Great Galah.

‘What we need is something that not only honours Mum’s memory, but which Opportunity can be proud of.’ These were the simple specifications they had discussed over pasta and a bottle of cab sav in Sandy’s kitchen. The discussion was animated. Helen had even risked teasing Sandy a little about the Great Galah and was pleased to see that he was able to laugh along with her. Something has happened to Sandy , she thought, looking at his affable grin. Even his body seemed more solid; the soft, sprawling flesh gathered in and disciplined as he sat with his shoulders back and his chin high.

So Sandy went to Melbourne and Helen stayed in Opportunity. There was a lot of work to be done. Before he left Melbourne, Sandy collected an order from the workshop of a master craftsman.

‘It’s first rate,’ Sandy said simply. ‘I hadn’t imagined anything so… fine.’

‘Thank you for the opportunity, Mr Sandilands,’ the man replied. ‘I have to say, it’s the best thing I’ve ever done.’ He touched the leather in a final tribute and reluctantly began to wrap it. ‘I really hate to let it go.’ Sandy looked alarmed, but the other man shook his head. ‘Don’t worry, mate. I can’t afford to keep it.’

As he drove home, Sandy also felt the need to touch the parcel several times. Having no artistic talent himself, he was in awe of the beauty that flowered under other, more skilful hands.

Meanwhile, Hamish booked into the Opportunity Hotel again and began his work on the project. He had been slumped in front of his computer when Sandy rang, and had listened with increasing interest to the big man’s proposal.

‘So, if you’d like to go and work with Helen, I’ll catch up with you in a couple of weeks. Could you have something ready for me to look at by, say, the second week of December? And a ball-park quote?’

Hamish was only too happy to comply. Here was the major project he’d been seeking-and he was going to be paid! He began to pack, gleefully throwing an assortment of clothes and textbooks into his backpack. Then he stopped. Sandy was gambling a large amount of money, not to mention his reputation, on the skills of an inexperienced student. Hamish prided himself on his integrity. He couldn’t let Sandy run away with another idea that might come to grief, so he picked up the phone. ‘Sandy,’ he said. ‘I know how important this is to you, but you have to remember, I’m still just a student. You need someone with qualifications. Someone who’s done this kind of thing before.’

Sandy was firm. ‘No, Hamish. What I need is someone with passion and a fresh vision. Someone who knows Opportunity. I think you fit the bill nicely.’

There was much discussion at the bar and the supermarket about what Helen Porter and that young Hamish were doing as they wandered around town, heads bent over notebooks, taking photographs and measuring all manner of things (they even had a theodolite). They spent a lot of time at Helen’s too, it was noted.

Tom Ferguson didn’t trust Sandy one bit. ‘If it’s that galah thing again, by the living Harry I’ll…’ He stopped. He couldn’t think of a punishment horrible enough.

Cocky chuckled into his beer. ‘You tell ’im, Tom.’

‘Marl reckons Helen’s sweet on him,’ Merv offered.

‘Helen sweet on that young bloke? Give us a break, Merv. She’s twice his age and not exactly an oil painting.’ Milo D’Amico, sensing he’d gone too far, back-pedalled as fast as he could. ‘Don’t get me wrong. Helen’s a lovely woman. Salt of the earth-it’s just the age difference…’

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