Tess Evans - Book of Lost Threads

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Life is full of loose ends. Some are merely dusty cobwebs of regret that hang limp and forgotten in the shadowy corners of our past, others are the barbed rusty wires of unfinished business that bind and constrict even the most mundane aspects of our existence. In her debut novel Tess Evans delves into the tangled lives of her characters and explores the unresolved baggage that they must each unpack in order to move on with their lives.
The Book of Lost Threads opens on a wet winter’s night. Moss has just arrived at the doorstep of Finn Clancy, the man she believes to be her father and she is seeking answers. Finn, however, is not immediately inclined to provide them. Immersed in guilt and self pity he has forged a life for himself in the fictional Victorian town of Opportunity. Drawn to fellow lost souls Mrs Lily Pargetter and her nephew Sandy, he has eked out a life attempting to atone for his past sins, both real and imagined.
Moss’s appearance jars the fragile rhythm of his life and kick starts a series of events that affect not only the novel’s four main characters, but also the entire town. Moss, Finn, Mrs Pargetter and Sandy have all been touched by tragedy, and all have developed their own individual coping strategies. Moss denies her talents, Finn retreats into silence, Sandy makes plans for a town memorial, the ‘Great Galah’ and Mrs Pargetter knits – she has been steadily making tea cosies for the United Nations for thirty five years.
With a delicate but deft touch their individual and collective stories are carefully teased out and examined. Tess Evans recently wrote that the Book of Lost Threads begins with a question which, once answered, gives rise to a train of further questions and answers. Its strongest moments are in the stories of Finn, Mrs Pargetter and Sandy. Finn is crippled by the results of one drunken night’s thoughtless actions and Mrs Pargetter struggles with the consequences of horrendous personal loss. Sandy is weakened by a lifetime of failure to stand up to his bullying father. Even his voice is constricted, sounding ‘as though it were being forced out from somewhere high in the throat.’ He is initially a feeble, unattractive character who finally gains strength when he confronts his own demons, for it is only then that his innate kindness can shine through.
Moss’s struggle is perhaps the least convincing of the four, but this is largely because her loss and subsequent regret are only recent and have not warped her beyond recognition – I would have liked even more of her story. In contrast, Finn feels his tragedy is so all consuming that ‘the person he was… no longer existed’, Moss is the catalyst for the others to find resolution and for them to become whole and balanced individuals. It is through her that the lost threads of the title, all of the loose ends and unfinished tales, are woven into a rich tapestry of meaning – although all four characters contribute to each of the other’s healing and growth.
The Book of Lost Threads is Tess Evan’s first novel. She is a Melbourne author who has also written many short stories and poems. Her previous experience in the TAFE system, where she taught and counselled a wide range of people of all ages, professions and life experience, is clearly reflected in the depth of her work. The lyrical writing makes it deceptively accessible, but it is far more than a light easy read. The complexities of the themes and characters are attributes of a much deeper work, one that lingers in the imagination. I would recommend it to anyone seeking a thoughtful exploration of the gentle power of humanity.

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‘I know a place,’ said Finn suddenly. ‘Can you take me there, Sandy?’

Moss returned to Opportunity in time to watch the program with Mrs Pargetter and Sandy. Hamish had put up at the pub, and he joined them as they switched on the TV, good-naturedly fielding Mrs Pargetter’s sly questions about Moss.

‘We’re just friends, Mrs Pargetter,’ he said, to her evident disappointment, and settled down on the floor while the other three crowded onto the couch.

‘Shh. It’s starting,’ said Moss.

Across the Nation , with Scott Macleod.’

‘Bastard,’ muttered Sandy. ‘Sorry, Aunt Lily.’

Scott Macleod’s pleasant young face beamed from the screen. ‘Good evening and welcome to Across the Nation . Tonight’s stories include the plumber from hell and why diet pills don’t work. But first, Lisa Morgan with another of our series of reports on unsolved mysteries of Melbourne. This time we bring you the tragic story of an unidentified young woman who died in a car accident just over ten years ago. Tonight we reveal a new clue to her identity, but we must ask once again: is this another example of police incompetence and cover-ups? Do our law enforcers show equal concern for all members of our society? Does an Oxford degree put you above the law? Lisa speaks to someone who was there when a young prostitute died on our streets.’ The footage cut to a pretty blonde woman standing on a street corner.

‘Thank you, Scott. Well, I’m standing within a few metres of where a young girl, known only as Amber-Lee, met her tragic end. It was here, on a warm night in March 1996, that Amber-Lee, a young prostitute, went for a hamburger with her friend, Brenda Watson. It was here that she ran out onto the road, when a car came around the corner and threw her into the path of an oncoming truck. Her true identity was never uncovered, but all these years later, Brenda Watson, now Brenda Lefroy, has come forward with a photograph that may well be the clue the police missed.’ Cut to Brenda smirking at a square of paper. ‘Brenda, tell us about the photo.’

‘Well, I was, like, her friend, and when she died, I kept the photo as a sort of keepsake. It shows her family at the beach somewhere. England, I think. She reckoned she was English.’ Cut to close-up of photo.

‘Did she tell you about her family?’

‘Not really. Only that the dog was called Mr Pie. She thought it was a stupid name for a dog.’ For effect Brenda tossed back her hair, which had been cut and coloured especially for her TV appearance. (The appearance payment allowed her to splurge a little.)

Lisa affected a frown. ‘So why didn’t you give this to the police at the time? It may have helped them identify this poor girl.’

‘I was beaten up by my pimp. He wanted her money. The photo was the only thing I could save. I was really out of it for a while, and by the time I was feeling better, I was too scared to go back to the police. I was, like, only young at the time.’ Cut to a photo of a young Brenda, surely taken when she was still at school. (The current Brenda took on a tragic air. She thought it suited her.)

‘Well, that’s all we have, but maybe there is someone out there who recognises the photo, and we can help a family find closure. Back to you, Scott.’ One lingering shot of the photograph, and then a cut to Scott in the studio.

‘Thank you, Lisa, and thank you to Brenda for coming forward. In the interest of balance, we asked for an interview with the officer in charge of the case, without success. We’ve been given an official statement that the lead would be followed up once they have the photograph, which a courier is delivering as we speak.’ (Pause to emphasise the program’s integrity.) ‘The question remains, however. Why wasn’t this case investigated fully at the time? Why wasn’t the car’s driver charged? We have a filmed interview with a witness who says that the driver was speeding.’

Cut to an elderly man, blinking into the camera. ‘He was going a bit fast, I suppose,’ the man said doubtfully.

Scott oozed virtuous outrage. ‘We wanted to allow the driver, former Oxford Fellow Michael Finbar Clancy of Opportunity, to answer these serious allegations, but he bolted before we could speak to him.’ Cut to reporter and camera crew knocking on Finn’s door. ‘The neighbours were less than helpful.’ Cut to Sandy pushing away the camera. ‘Let’s hope that if this photograph is recognised, the family will demand a full investigation.

‘We’ll return after the break with the rogue plumber who preys on the vulnerable.’

The producer was happy. ‘Not a bad filler for a slow news week. We can milk it some more if the rellies turn up.’

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‘I can’t believe it,’ said Sandy. ‘They managed to insinuate that Finn was to blame. I wish I’d beaten the shit out of them. Sorry, Aunt Lily.’

I wish you’d beaten the shit out of them, if you’ll pardon my French,’ said the old lady grimly. ‘They’re vultures, that’s what they are.’

Moss sat in appalled silence. She knew that Finn already blamed himself, although Channel 8 wouldn’t know this. And poor Senior Sergeant Patterson. He’d simply tried to help her, and now they were accusing him of dereliction of duty. She’d made a complete mess of things and could think of no solution.

‘Finn and I were getting along so well, and now he’ll hate me,’ she said miserably.

‘Not true, Moss,’ said Sandy. ‘He knows you were just trying to help. He particularly asked us to look after you.’

‘And so we shall,’ confirmed Mrs Pargetter stoutly. ‘We’re all family, here in Opportunity.’

Hamish hugged Moss sympathetically. ‘I have to go now. Take care,’ he said. ‘I’ll give you a call tomorrow.’

The young man returned to the hotel. He couldn’t help but smile at Mrs Pargetter’s obvious interest in what she thought was a budding romance. She was wrong, but surprisingly that was okay. Despite his disappointment at the hotel in Adelaide, he realised that when he thought of Moss now it was with affection and concern, not passion. We’ve been mates for too long to be lovers , he decided with surprisingly little regret.

19Sandy and Helen Porter

THOUGH DISTRACTED BY HIS ANXIETY for Finn, Sandy had a few problems of his own. On the day of the TV broadcast, a letter had arrived from the shire council.

At the time he perused it hastily, groaned aloud and threw it on the desk to be dealt with at a later date. But once Finn was safely settled with friends, he read it through again.

Dear Mr Sandilands,

Your design for the ‘Great Galah’ will come before Council at our November meeting. The plans submitted by Constanopolous and Son have been approved in principle by the Office of the Shire Engineer and the Business Subcommittee.

The Town Planning Department has called for submissions regarding your plans, and to date we have received four hundred and twenty-two responses, four hundred and fifteen of which are negative.

We request that you meet with the Planning Committee on 7 November with your engineers and, may we suggest, your lawyer, to address the issues the community has raised, a detailed list of which has been attached.

Yours faithfully,

Merriam Douglas

Executive Officer, Planning Committee

Sandy’s first thought was to talk to Finn, but he remembered that was impossible. How on earth did he get himself into this mess? Since Sandy read his mother’s journals, the Great Galah, once his passion, had become an albatross. The mere thought of building a memorial to his father made him feel ill. He decided to write to the council to withdraw his plans in the hope that the fuss would die down.

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