Tess Evans - Book of Lost Threads

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Life is full of loose ends. Some are merely dusty cobwebs of regret that hang limp and forgotten in the shadowy corners of our past, others are the barbed rusty wires of unfinished business that bind and constrict even the most mundane aspects of our existence. In her debut novel Tess Evans delves into the tangled lives of her characters and explores the unresolved baggage that they must each unpack in order to move on with their lives.
The Book of Lost Threads opens on a wet winter’s night. Moss has just arrived at the doorstep of Finn Clancy, the man she believes to be her father and she is seeking answers. Finn, however, is not immediately inclined to provide them. Immersed in guilt and self pity he has forged a life for himself in the fictional Victorian town of Opportunity. Drawn to fellow lost souls Mrs Lily Pargetter and her nephew Sandy, he has eked out a life attempting to atone for his past sins, both real and imagined.
Moss’s appearance jars the fragile rhythm of his life and kick starts a series of events that affect not only the novel’s four main characters, but also the entire town. Moss, Finn, Mrs Pargetter and Sandy have all been touched by tragedy, and all have developed their own individual coping strategies. Moss denies her talents, Finn retreats into silence, Sandy makes plans for a town memorial, the ‘Great Galah’ and Mrs Pargetter knits – she has been steadily making tea cosies for the United Nations for thirty five years.
With a delicate but deft touch their individual and collective stories are carefully teased out and examined. Tess Evans recently wrote that the Book of Lost Threads begins with a question which, once answered, gives rise to a train of further questions and answers. Its strongest moments are in the stories of Finn, Mrs Pargetter and Sandy. Finn is crippled by the results of one drunken night’s thoughtless actions and Mrs Pargetter struggles with the consequences of horrendous personal loss. Sandy is weakened by a lifetime of failure to stand up to his bullying father. Even his voice is constricted, sounding ‘as though it were being forced out from somewhere high in the throat.’ He is initially a feeble, unattractive character who finally gains strength when he confronts his own demons, for it is only then that his innate kindness can shine through.
Moss’s struggle is perhaps the least convincing of the four, but this is largely because her loss and subsequent regret are only recent and have not warped her beyond recognition – I would have liked even more of her story. In contrast, Finn feels his tragedy is so all consuming that ‘the person he was… no longer existed’, Moss is the catalyst for the others to find resolution and for them to become whole and balanced individuals. It is through her that the lost threads of the title, all of the loose ends and unfinished tales, are woven into a rich tapestry of meaning – although all four characters contribute to each of the other’s healing and growth.
The Book of Lost Threads is Tess Evan’s first novel. She is a Melbourne author who has also written many short stories and poems. Her previous experience in the TAFE system, where she taught and counselled a wide range of people of all ages, professions and life experience, is clearly reflected in the depth of her work. The lyrical writing makes it deceptively accessible, but it is far more than a light easy read. The complexities of the themes and characters are attributes of a much deeper work, one that lingers in the imagination. I would recommend it to anyone seeking a thoughtful exploration of the gentle power of humanity.

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‘But I did do all I could. We all did. Have you seen the coroner’s finding? There was never any suggestion of negligence on our part.’ Moss began to apologise again but he cut her off. ‘The problem is, my investigation was hampered by the very fact that I was a police officer. I always felt that Brenda knew more than she let on at the time. But she didn’t trust the police. For instance, when we searched her room, there were so few of Amber-Lee’s belongings that we believe Brenda probably stole the rest.’

‘Did you ask her about them?’

‘Of course we did. She said that Amber-Lee was just a roommate: someone to share the rent. She had no idea what might have been missing. Brenda was a very aggressive witness, and she’d been beaten up badly by the time we spoke to her. I’m not even sure that I trust the description she gave us.’

‘It all sounds hopeless,’ said Moss. ‘We haven’t even started and we seem to have reached a dead end.’

‘Not necessarily.’ Patterson began writing on a pad and tore off the page. ‘Here,’ he said, giving it to Moss. ‘This is the address of the Prostitutes’ Collective. I’ve written a note to Georgia Lalor asking her to help you. You’ll find her there most days. She’s the only one I can think of who might be able to help.’ He stood up and shook hands with them both. ‘I always thought Brenda was the key. Funny-these things stick with you, even after all this time. I hope you find her.’

‘We’ll do our best,’ said Hamish.

Waiting until they were back out on the street, he turned to Moss. ‘Why didn’t you tell me this was for your father? You used to tell me you didn’t know who your father was.’ His tone was aggrieved.

Moss took his arm. ‘I’m really sorry, Hamish. It’s not that I don’t trust you. It’s just that my father told me about Amber-Lee in confidence. In the end I had to tell Judy when she rang me for the details. They needed to know why I was interested in the case.’ She searched his face. ‘Okay now? We’re still mates?’

‘Alright. Still mates. But tell me, how did you find your father?’

Moss related the story of her search as they made their way to the Prostitutes’ Collective, which was only a twenty-minute walk from the police station. They were so engrossed in their conversation that they almost walked past its unremarkable entrance. The Collective was housed in an old red-brick building, and they entered through a single glass door which led to a large room furnished with several armchairs and a cluster of desks. Some young women were looking at a noticeboard, and another was feeding the photocopier.

Moss and Hamish looked at each other. It wasn’t quite what they’d expected. An older woman, dressed stylishly in black, came over to where they were standing.

‘Are you the reporters?’ she said.

‘What? No, we’re here to see Georgia,’ said Hamish.

‘We have a letter of introduction,’ Moss added.

‘Georgia’s in a meeting at the moment. Did you have an 211 appointment?’

Moss was chastened by the woman’s tone. ‘Sorry. We didn’t know we had to have one.’

The woman sighed. ‘Who’s the letter from? I might be able to fit you in later today.’ Moss handed her the letter and she nodded. ‘Graham Patterson. Yes.’ She returned to her desk and referred to a diary. ‘She can see you at three this afternoon.’

With nearly four hours to fill, Moss and Hamish decided to walk along the foreshore and have lunch at one of the bay-side restaurants. It was a clear spring day, with a hint of summer in the sun’s rays. There were a few yachts bobbing on the water, sporting sails of red, yellow and sparkling white.

‘When I was a kid,’ Hamish told her, ‘I always wanted to go to sea. I used to read books about explorers and pirates- anything about the sea-but my parents didn’t even like the beach. We always went up to the mountains for our holidays. Anyway, one day my mate Ben’s parents invited me out for a day’s fishing on their boat. I was so excited, I couldn’t sleep the night before. We’d been on the boat for less than twenty minutes when I started to throw up. It wasn’t even rough. The sea was like a millpond. They were very nice about it, but I was so sick that they had to bring me back and ring my parents to collect me. I was mortified, and Ben couldn’t wait to tell the story when we got back to school.’

Moss grinned. ‘And that was the end of your seafaring ambitions?’

‘No, I’d still like nothing more than to be able to sail the world. But I have to accept that it’s never going to happen.’ He looked at her earnestly. He didn’t want to see her hurt. ‘Some things that we want are just not possible. We can try to find Amber-Lee’s identity, but there may be a point where we can’t go any further. We have to be able to recognise that point when we reach it.’

If we reach it.’

‘Yes. If we reach it.’

At three o’clock they were back at the Collective for their meeting with Georgia. Patterson had told them a little about the organisation, which had been set up as a kind of union for prostitutes. It promoted safe sex and provided information to newcomers. There was a register of violent clients, and staff cooperated with the police to protect the safety of their members and, in some cases, the general public.

Georgia was a full-figured woman in her mid-forties, with rich chestnut hair caught in a clasp at the nape of her neck. She welcomed them in a pleasantly modulated voice and stood aside as they entered her office. They were surprised to find that it was like any other office-an untidy desk with a framed photo and a vase of daffodils, a phone, a computer and some shelves lined with dark blue folders. Quality Procedures , Moss was astonished to read on the spine of one folder. What was I expecting? she asked herself. Crimson velvet curtains? Erotic artworks? Silk kimonos?

‘So Graham Patterson sent you to me. How is he?’

‘He’s well,’ replied Moss, relinquishing her thought with a guilty start. ‘Says to tell you hi.’

Georgia smiled. ‘Now, how can I help you?’

Moss told her story as succinctly as she could, and Georgia listened without comment.

‘… so if we could find Brenda,’ Moss concluded, ‘we might find the key to Amber-Lee.’

Georgia sat back in her chair. ‘I remember the accident. I was working at the Kasbah at the time, but I knew some of the streetgirls. Didn’t know this Amber-Lee, though. I knew Brenda a little. Just enough to pass the time of day. She was one of Vince’s girls. He was a nasty piece of work.’

‘Can you tell us anything about the accident?’

‘Only that it happened and the police were trying to find out who the victim was. Brenda disappeared soon after.’ She looked at them sharply. ‘Look, I might know someone who can help, but I need to know I can trust you. What’s in it for you?’

‘It’s just as I told you. I want to help my father to give Amber-Lee back her name, her identity. Honestly, I don’t have any other motive.’

Georgia measured Moss with her eyes. She was usually a good judge of character, and this girl seemed sincere. So many street people died without a name and were buried without mourners. She’d been a streetworker herself in her younger days and was painfully aware of the fragility of identity in such a world. It was her sense of responsibility that had drawn her to work for the Collective, and in helping Moss discover Amber-Lee’s real name, she was helping all the girls, in a way. There but for the grace of God … she thought grimly as she opened her desk drawer and took out a notepad.

‘I’ll have a word with Damara. I think she kept in touch with Brenda. Give me your number and I’ll let you know if she’ll speak to you. It might take a week or two.’

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