Tess Evans - Book of Lost Threads

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Life is full of loose ends. Some are merely dusty cobwebs of regret that hang limp and forgotten in the shadowy corners of our past, others are the barbed rusty wires of unfinished business that bind and constrict even the most mundane aspects of our existence. In her debut novel Tess Evans delves into the tangled lives of her characters and explores the unresolved baggage that they must each unpack in order to move on with their lives.
The Book of Lost Threads opens on a wet winter’s night. Moss has just arrived at the doorstep of Finn Clancy, the man she believes to be her father and she is seeking answers. Finn, however, is not immediately inclined to provide them. Immersed in guilt and self pity he has forged a life for himself in the fictional Victorian town of Opportunity. Drawn to fellow lost souls Mrs Lily Pargetter and her nephew Sandy, he has eked out a life attempting to atone for his past sins, both real and imagined.
Moss’s appearance jars the fragile rhythm of his life and kick starts a series of events that affect not only the novel’s four main characters, but also the entire town. Moss, Finn, Mrs Pargetter and Sandy have all been touched by tragedy, and all have developed their own individual coping strategies. Moss denies her talents, Finn retreats into silence, Sandy makes plans for a town memorial, the ‘Great Galah’ and Mrs Pargetter knits – she has been steadily making tea cosies for the United Nations for thirty five years.
With a delicate but deft touch their individual and collective stories are carefully teased out and examined. Tess Evans recently wrote that the Book of Lost Threads begins with a question which, once answered, gives rise to a train of further questions and answers. Its strongest moments are in the stories of Finn, Mrs Pargetter and Sandy. Finn is crippled by the results of one drunken night’s thoughtless actions and Mrs Pargetter struggles with the consequences of horrendous personal loss. Sandy is weakened by a lifetime of failure to stand up to his bullying father. Even his voice is constricted, sounding ‘as though it were being forced out from somewhere high in the throat.’ He is initially a feeble, unattractive character who finally gains strength when he confronts his own demons, for it is only then that his innate kindness can shine through.
Moss’s struggle is perhaps the least convincing of the four, but this is largely because her loss and subsequent regret are only recent and have not warped her beyond recognition – I would have liked even more of her story. In contrast, Finn feels his tragedy is so all consuming that ‘the person he was… no longer existed’, Moss is the catalyst for the others to find resolution and for them to become whole and balanced individuals. It is through her that the lost threads of the title, all of the loose ends and unfinished tales, are woven into a rich tapestry of meaning – although all four characters contribute to each of the other’s healing and growth.
The Book of Lost Threads is Tess Evan’s first novel. She is a Melbourne author who has also written many short stories and poems. Her previous experience in the TAFE system, where she taught and counselled a wide range of people of all ages, professions and life experience, is clearly reflected in the depth of her work. The lyrical writing makes it deceptively accessible, but it is far more than a light easy read. The complexities of the themes and characters are attributes of a much deeper work, one that lingers in the imagination. I would recommend it to anyone seeking a thoughtful exploration of the gentle power of humanity.

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Finn’s alarm had returned when he heard the name Linsey. ‘You said before that your mother knows me,’ he said. ‘What’s her name? Where do I know her from?’

Moss licked honey from her fingers and stole a look at his face. Now the moment had come, panic constricted her throat. The bravado with which she had set out had been washed away with the rain. She swallowed painfully. ‘Amy,’ she mumbled. ‘Her name is Amy Sinclair. You knew her from before I was born.’

Finn slopped his tea as he set down the mug. ‘Amy Sinclair… Amy and Linsey.’ He stood up abruptly and fussed with the kettle. It was so long ago. The person he was then no longer existed. What was he supposed to say to this… this interloper who had materialised on his doorstep? Crouching down on his haunches, he poked at the fire and looked at her covertly from under his eyebrows. She was obviously waiting for him to say something. He frowned. There was something not quite right… What was it? It came to him suddenly.

‘Obviously you didn’t turn out according to plan,’ he observed in what he hoped was a normal voice. ‘What did Linsey have to say about that?’

Moss flinched. Despite Linsey’s assurances to the contrary, she had always believed she was a disappointment and here at last was confirmation. She’d been right all along. Her resentment was justified. Her pain was real. She looked straight at Finn, her tone carefully neutral.

‘She left just before my fifteenth birthday. Mum says it was for the best.’

‘Possibly… Possibly…’

Finn lapsed again into silence. What more could he say? He saw that the fire was burning low, and with some relief escaped out the back door, muttering that he needed to get more wood. He grabbed his tobacco pouch on the way out and stood on the back verandah, rolling a cigarette. Shielding the flame he lit up and drew deeply, his mind a kaleidoscope of shifting images-a tall blonde woman, a small dark woman, a rose garden. Gilt chairs. A glass jar…

Moss was grateful for time in which to compose herself and looked curiously around the room. Considering the outside of the house with its sagging verandah and peeling paint, inside it was, well- cosy . The kitchen was warmed by the wood-fired stove where the large black kettle bubbled and steamed on the hob. On the mantelpiece above, a sturdy little clock measured the minutes with an uncompromising tick. The table, piled at one end with newspapers, was old and heavy, with a slight depression in the middle from years of scrubbing. None of the chairs matched. Two were padded dining chairs, one with worn green velvet upholstery, the other with a brocade of doubtful pattern and hue. The sideboard, probably quite handsome in its day, retained some of its former dignity if little of its original surface. It had what antique dealers call patina -years of patina, she guessed. On every inch of its shelves, glasses jostled with plates, bowls and mugs, and books teetered in ziggurat formation among cooking utensils, pens, pencils, notebooks and a self-important orange ashtray. A steel spike speared an alarming amount of what were probably bills, and a brave little jar of wild violets sat precariously but hopefully on the edge of it all. The walls, roughly plastered, were a cheerful if streaky yellow, and several tattered art posters were affixed with what must have been whole rolls of sticky tape. They were bold and colourful. Matisse? It didn’t matter; she felt comfortable here. Living with Amy, Moss was used to clutter. She closed her eyes for a moment, starting guiltily when she heard Finn stamp his feet on the backdoor mat as he returned with an armload of wood.

‘Still raining,’ he said. Perhaps if he ignored those wounded eyes, she would go away and leave him be. She had breached his first line of defence and he felt besieged. Rightly aggrieved. At all costs, they mustn’t continue where they’d left off. Change the topic of conversation-to what? Anything. Anything but Amy and Linsey.

He sat down, not sure what to do with his hands. ‘I understand what you were saying about being called Moss. I like people to call me Finn-for Finbar, you know. Your mother, and my mother too, for that matter, called me Michael, but he was an archangel, you see-not me at all.’ His tone became judicial. ‘Now, you might well point out that Saint Finbar was a bishop. And that’s certainly true. From Cork, he was. But most of his life was spent in a monastery. Did you know he was even a hermit at one time? You can see that’s more me than an archangel. I just shortened Finbar to Finn. It’s easier.’ Having completed his story Finn sat back, hoping his diversion had been successful.

Moss was defeated. She was warm now, and tired. So tired that her head was sinking under its own weight. Fearing that Finn would continue to babble about bishops and angels, she decided to take the initiative.

‘Look, I know it’s a bit of a cheek, but can I doss down in front of the fire? It’s too late to find somewhere else to stay and I brought a sleeping bag and a blow-up mattress. I won’t be any trouble. You can send me away in the morning, if you want. I guess we both need time to think before we, you know, talk properly.’ Did he understand her meaning? she wondered, both hoping and fearing that he did.

Despite the abruptness of her request, Finn was relieved, on two counts. There was no accommodation to be had in town now that it was past closing time at the pub, and he couldn’t simply send a young woman away into the night. Regardless of why she had come, he was now responsible for her safety, at least in the short term. There was also his realisation that his Finbar story had seriously depleted his fund of small talk. The only things left to say were too big to approach tonight.

‘Good idea,’ he said. ‘Let’s call it a night. Bathroom’s through there.’ He put the covers on the stove top and ensured that the back door was secure. Picking up the orange ashtray, he headed off down the short corridor, but hesitated at his bedroom door. ‘Um… goodnight, then, Moss.’

‘Goodnight, Finn.’

Finn sat on the edge of his bed and rolled another cigarette. He was trying to give up yet again and was down to four a day. His routine had always included a cigarette before bedtime and he often smoked in bed even though he knew it was dangerous. But tonight he sat upright while he drew in the acrid smoke. With someone else in the house, his carelessness could have serious consequences. Abstracted, he smoked his second and then third cigarette before climbing into bed. His sleep was fitful and he struggled to keep at bay the dreams that drew him back to the house with the rose garden, back to the house where Amy and Linsey had greeted him with so much hope, all those years ago.

2Michael, Amy and Linsey

WHEN FINN WAS STILL MICHAEL, his stork-features were not at all evident. At twenty-two, he was tall and supple in the way of an athlete or dancer, or even an archangel, and his thick blond hair bore no trace of corrosive yellow. It was whiteblond, a Viking blond that matched his deep blue seafaring eyes. Further blessed, he was one of the brightest in his year at university, where he was majoring in pure maths.

Women found him variously handsome, gorgeous, scrumptious, sexy, funny, clever, attentive, charming: infinitely attractive, in fact. They loved his hard, lean body, the silver-gilt halo of his hair, his kind, vulnerable blue eyes. But despite his undoubted good looks and charm, he had an air of innocence that turned the minds of his female acquaintances to dark thoughts of passion, seduction, and, in some extreme cases, corruption. Every one of them wanted to see lust in those dark blue depths and Michael, who was nowhere near as innocent as he seemed, was happy to oblige. Strangely enough, as he moved easily from one conquest to the next, he left behind very little resentment. Disappointment, yes. But very little resentment.

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