Tess Evans - Book of Lost Threads

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Life is full of loose ends. Some are merely dusty cobwebs of regret that hang limp and forgotten in the shadowy corners of our past, others are the barbed rusty wires of unfinished business that bind and constrict even the most mundane aspects of our existence. In her debut novel Tess Evans delves into the tangled lives of her characters and explores the unresolved baggage that they must each unpack in order to move on with their lives.
The Book of Lost Threads opens on a wet winter’s night. Moss has just arrived at the doorstep of Finn Clancy, the man she believes to be her father and she is seeking answers. Finn, however, is not immediately inclined to provide them. Immersed in guilt and self pity he has forged a life for himself in the fictional Victorian town of Opportunity. Drawn to fellow lost souls Mrs Lily Pargetter and her nephew Sandy, he has eked out a life attempting to atone for his past sins, both real and imagined.
Moss’s appearance jars the fragile rhythm of his life and kick starts a series of events that affect not only the novel’s four main characters, but also the entire town. Moss, Finn, Mrs Pargetter and Sandy have all been touched by tragedy, and all have developed their own individual coping strategies. Moss denies her talents, Finn retreats into silence, Sandy makes plans for a town memorial, the ‘Great Galah’ and Mrs Pargetter knits – she has been steadily making tea cosies for the United Nations for thirty five years.
With a delicate but deft touch their individual and collective stories are carefully teased out and examined. Tess Evans recently wrote that the Book of Lost Threads begins with a question which, once answered, gives rise to a train of further questions and answers. Its strongest moments are in the stories of Finn, Mrs Pargetter and Sandy. Finn is crippled by the results of one drunken night’s thoughtless actions and Mrs Pargetter struggles with the consequences of horrendous personal loss. Sandy is weakened by a lifetime of failure to stand up to his bullying father. Even his voice is constricted, sounding ‘as though it were being forced out from somewhere high in the throat.’ He is initially a feeble, unattractive character who finally gains strength when he confronts his own demons, for it is only then that his innate kindness can shine through.
Moss’s struggle is perhaps the least convincing of the four, but this is largely because her loss and subsequent regret are only recent and have not warped her beyond recognition – I would have liked even more of her story. In contrast, Finn feels his tragedy is so all consuming that ‘the person he was… no longer existed’, Moss is the catalyst for the others to find resolution and for them to become whole and balanced individuals. It is through her that the lost threads of the title, all of the loose ends and unfinished tales, are woven into a rich tapestry of meaning – although all four characters contribute to each of the other’s healing and growth.
The Book of Lost Threads is Tess Evan’s first novel. She is a Melbourne author who has also written many short stories and poems. Her previous experience in the TAFE system, where she taught and counselled a wide range of people of all ages, professions and life experience, is clearly reflected in the depth of her work. The lyrical writing makes it deceptively accessible, but it is far more than a light easy read. The complexities of the themes and characters are attributes of a much deeper work, one that lingers in the imagination. I would recommend it to anyone seeking a thoughtful exploration of the gentle power of humanity.

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His fellow passenger had turned down a side road, and Michael followed. The man had a bag. Perhaps he was going to a motel. After about five minutes, the man stopped to open a gate and then vanished down a gravel drive. The gate clanged shut behind him. Michael read the words worked into the wrought iron: OUR LADY OF SORROWS BENEDICTINE MONASTERY. AD MAJOREM DEI GLORIAM. He pressed the bell. By the time the porter reached the gate, he was hunched on the ground, dreadful sobs shaking his body.

The abbot, Father Jerome, was a tall, square-faced man with serious grey eyes and wispy salt-and-pepper hair. He took control with quiet authority. Michael was to eat, shower and then go to bed. They would talk in the morning. All he need tell them for now was a number where his family could be contacted. The priest went off to make the call, and Michael was attended by Father Boniface, a small elderly man with fluffy white hair and a sweet smile. He said very little, and Michael obediently ate the bread and soup and allowed himself to be silently led to one of several small cottages behind the main building.

‘May God bless your sleep,’ said Boniface and signed a cross on the younger man’s forehead. He had to stand on tiptoe. ‘Father Jerome will speak with you in the morning.’

Michael showered and then climbed into bed where, for the first time since the accident, he fell into a dreamless sleep, unaware that Father Jerome had asked one of the younger monks, Father Ambrose, to keep watch over him.

‘I don’t think he’ll do anything foolish, Ambrose, but we’d best be sure.’

After breakfast the next morning, Michael met with Father Jerome again. Though his story was somewhat incoherent, the abbot listened without interrupting.

‘So you see,’ Michael concluded, ‘this girl is dead without even one person to care. She had no opportunity to find a home or love, or even a real friend as far as I can see-no opportunity to redeem herself, because I took that away.’ His voice rose in pitch. ‘Because I was angry and drunk and drug-affected, a girl died without a name.’

The abbot nodded and they sat in silence for some time. Michael began to feel the need to fill the silence and started to speak, but Jerome held up his hand.

‘Enough talk for today, Michael. I’d like you to rest a little more and then go to help Brother Kevin in the vegetable garden. It’s just behind your cottage.’ He stood up and walked with Michael to the door. ‘We go to prayer now. Meet Kevin in the garden in about forty minutes. He’ll tell you what to do. And you need to respect the fact that we have periods of silence here. Even at other times we speak quietly and only when necessary.’

Brother Kevin proved to be about Michael’s own age, a nuggetty little man who might once have been a jockey. He handed Michael a hoe. ‘Nice to have some help. Do the beds over there while I work on this.’

‘This’ was tying the beans onto a long trellis. The day was warm, and Michael sweated as they worked in silence until the chapel bell rang again.

‘That’s Sext. I’m off,’ said Kevin. ‘Take a break, if you like. Or you might like to wash up. Lunch is at one.’

Michael chose to work on. In the weeks when he had tried to walk out his fever, he had instinctively understood that physical activity relieves stress, but his mind still stubbornly churned over the same bitter thoughts. Here in the garden, though, his activity was purposeful and his thoughts less insistent. His body and mind were taken over by the rhythm of the hoe, and the silence, awkward at first, held some sort of promise that seemed to hover around the periphery of his consciousness. His palms quickly developed blisters, but he worked on despite the pain because he didn’t know what else he could do. He had put himself solely in the hands of these monks and felt incapable of decision.

In the end, physical exhaustion forced him to stop. He’d eaten very little for weeks and his clothes hung loosely on his tall frame. He returned to his cottage, washed and changed, and followed the monks who were leaving chapel for the refectory. They ate without speaking while another monk read from The Imitation of Christ in a dusty monotone .

The outdoor activity had made him hungry, but Michael found that he could eat only half his modest portion. He felt guilty, like a child, and waited to be admonished, but his plate was collected without comment. As he left the table he was summoned once more to Father Jerome’s office.

‘How are your hands?’ the abbot asked as they sat down. Michael showed his red, swollen palms. ‘After this, go and see Father Timothy at the infirmary. Some of those blisters are broken and we don’t want them to become infected.’

Michael didn’t care, but he nodded.

The priest went on: ‘I’ve spoken to your mother and told her you want to stay with us for a while. That is what you want, isn’t it?’

Michael nodded again.

‘We’re happy for you to stay, but we need to set the ground rules.’

Michael wasn’t going to argue. Rules were good. Rules meant you didn’t have to make decisions. ‘Firstly, Michael, you are free to go whenever you want, and we are also free to ask you to leave.’ Michael’s eyes widened in panic, and Jerome was quick to reassure him. ‘Don’t worry. We aren’t going to do that for a while yet. But I must ask what you expect of us.’

Michael shook his head. ‘I don’t know. Absolution, maybe? Aren’t priests supposed to have the power to forgive?’

‘Would our forgiveness help?’

‘No. At least, I don’t think so. Not really.’

‘Stay a while. Work with Brother Kevin. Pray if you can. And keep our rule of silence. At first you’ll want to talk, to fill the silence, but if you pay attention, eventually the silence will fill you. That’s all we can offer you. But it’s a powerful thing.’

‘Thank you, Father. I’d like to stay, if that’s okay.’

Jerome became businesslike. ‘I’m pleased. But we do have another problem: we already have a Michael in the monastery. It’s not uncommon to choose a new name here. Do you have another name we can use for your stay?’

Michael thought for a moment. ‘What about Finbar? That’s my second name.’

‘Finbar it is, then. Saint Finbar was Bishop of Cork, you know. But he spent most of his life as a monk. Off you go, Finbar, and let Father Timothy deal with those hands.’

Finn spent nearly four months at the monastery. The days unfolded quietly and rhythmically as the monks went about their liturgical tasks at the appointed hours. The days were measured in units of prayer: Matins, Lauds, Terce, Sext, None, Vespers, Compline.

In awe of Jerome, Finn came to love Kevin and Boniface. Boniface said very little, even at the times appointed for social intercourse, but his faded blue eyes looked out on the world, and on the damaged Finn, with a candour, a beneficence, a simple goodness that was innate. Finn wanted to be like Boniface more than anyone he had ever met.

Jerome was Finn’s counsellor and Boniface his spiritual mentor, but Kevin was his friend. Kevin was different from the other monks. An irascible fellow, he spent much of his time trying to atone for his impatience. Jerome had given the garden to his keeping to help him find the tranquillity that so often eluded him, but it didn’t always work.

‘I don’t know why they keep me here,’ he would say ruefully, after another outburst directed at the recalcitrant tractor.

Finn would grin. ‘Neither do I, old mate. Perhaps it’s the vegies. Or maybe the wine.’

In the tradition of Saint Benedict, the monastery had a vineyard and produced its own boutique wines; Kevin also worked in the vineyard. On Sundays, the monks were allowed social conversation from lunchtime to Compline and could enjoy a glass of wine or beer with their meals. Finn was surprised to find himself listening more than talking.

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