Jonathon King - The Blue Edge of Midnight

Across the lobby I saw Billy in a dark tailored suit standing before a large piece of public art, studying the shape and color as if he were deeply interested. The young woman at the raised reception desk didn't turn at the sound of me bashing the elevator door guard. She was watching Billy with an authentic interest. Billy turned before I got to him. "M-Max," he said softly. "Shall we go?"

As we started to the front entrance the woman called out pleasantly, "Good night." Billy smiled and tipped his hand and we went out.

Through the door he took me on a hard left. The TV trucks, their mechanical necks stretched high, swarmed at the near sidewalk. The standup reporters were under portable lights, filming their introductions to the press conference. I did not see Donna. We got to Billy's car with only a few curious looks, eased out of the parking lot and headed for the interstate. Billy made a call from his cell phone, said, "We're on our way," and hung up. I was quiet for twenty minutes and my attorney indulged me. As he drove north in the far left lane I stared out the window, watching the inside line of sedans and minivans and tractor-trailers slip behind. Billy did not let a single vehicle pass us. He was doing eighty-five. It was his way. But neither his patience nor his impatience was limitless.

"And?" he finally said.

I started the retelling with Nate Brown on the deck of my shack and took him through the day. Billy interrupted only once, when I began to describe taking the knife from the stump and putting it in my boot. Before I got it out he raised his hand to stop me.

"M-More evidence?" he said, in a tone that wasn't pleased. "Max, you're out of it. What's left to p-prove? Why bring a link to yourself?"

I slipped the knife into the wet and muddied fanny pack on the floor in front of me and said nothing.

"So you d-don't think it's done?"

"It could be," I said. "Unless another kid comes up missing."

It was near midnight when we reached the tower. For the last few miles I could almost see Billy's analytical, lawyerly mind working. We were not so different. He just did his grinding in a different way. When we came through the door of the apartment, Dianne McIntyre was in the kitchen, again in her stocking feet, but this time she had Billy's chef's apron tied around her. The rich aroma of paella was coming from the stove behind her and she was just sprinkling a touch of chardonnay over the mixture of seafood and rice.

"Good evening, boys," she said as we walked in. "You are just in time for dinner and a movie."

She reached up and plucked a wineglass from a suspended rack and filled it for Billy and when I sat on a stool at the counter she put her palms on the surface and affected an Old West accent:

"What'll it be?"

I ordered Boodles, but before she turned she scrunched her perfect nose and said: "Hot bath upstairs for two bits."

I looked down at my crusty clothes and smiled. Billy slipped his suit-coated arm around McIntyre's waist, tasted his wine and raised an eyebrow. We had indeed been an interesting pair leaving police headquarters.

"Yes, ma'am," I said and headed for the guest suite.

I showered and dressed in a pair of jeans and a loose Temple University T-shirt that had been snatched up by Billy's maid during my last visit and cleaned and pressed by his laundry service.

I then had my drink and we all sat in the living area with steaming bowls of the paella and watched McIntyre's "movie."

Billy had asked her to tape the television news and she had recorded Hammonds' press conference.

Billy pressed a button on the remote and a panel hung with one of his oil paintings slid silently up into the ceiling to expose a flat, wide-screened television. He punched on the set and hit the play button, and the head of an anchorwoman filled the wall.

"And our top story tonight, the dramatic rescue of abducted six-year-old Amy Alvarez and the discovery of a body in the Everglades of the man police are now saying may be the Moonlight Murderer.

"Tonight we have team coverage including this exclusive footage of the medical examiner's office removing the body of the man police say could be responsible for the abduction and murder of four children from South Florida neighborhoods over this long, hot summer."

It was the video shot at the boat ramp by Donna's cameraman and it opened as the M.E.'s team was hefting the body bag out of the Whaler. The camera caught the men struggle and slip with the load as it hooked on the boat cleat and showed one man go down on a knee. Then in the glare it caught my back as I stepped in and used the knife to slice the strap free. The angle only showed part of my face but the light glinted sharply off the knife blade before the cameraman panned up the slope of the ramp following the body bag up to the black Chevy Suburban.

As we watched the footage I could feel Billy's eyes on me, but I didn't turn from the screen as the report cut back to the anchorwoman.

"More in a moment. But now we take you live to the sheriff's administration building where lead investigator Jack Hammonds is holding a press conference."

The screen changed to show Hammonds standing at a podium flanked by several men in suits, clasping their hands in front of themselves like ushers waiting to take up the collection at Sunday church service.

Richards was the only woman in the bunch. She had cleaned up and was wearing a skirt with a jacket that looked too large. Her blond hair made her stick out even more and I could tell she'd put on some lipstick. I picked up my gin and took a deep draw.

The camera tightened on Hammonds, who had begun to speak.

"As you are already aware, through the joint efforts of the FDLE, the FBI, the Sheriff's Office and the FMD earlier today we were able to ascertain the whereabouts of six-year-old Amy Alvarez at a location in the far Everglades. With the quick action of a medical-response team from the county rescue center we were able to airlift the child to Memorial Hospital where she is now listed in guarded but stable condition."

Hammonds cleared his throat and took a drink of water before continuing.

"Subsequent to our arrival at said location, we were also able to locate the remains of a suspect we have now identified as David Ashley, a thirty-eight-year-old Florida native. The deceased was found hanged in a location nearby."

You could hear the press corp squirm in their chairs and then someone in the back yelled, "Are you saying he committed suicide, Chief?"

Hammonds paused again and seemed reluctant to look up from his notes to face the gathered cameras.

"Mr. Ashley did not leave any correspondence or suicide note to indicate his mindset or motivation, but there were indications at the scene of a troubled and potentially psychotic individual. Evidence was also collected at the scene linking Mr. Ashley to another victim in this summer's string of abductions and although we will continue our investigative efforts into this matter, it is our hope that today's developments put an end to this long and difficult case."

Hammonds gathered his one-page address and turned to his team as some politician took the podium and began, "First of all we want to share in the joy of the Alvarez family in the safe return of their child, but our hearts also go out to the families…"

I stood up and Billy stopped the tape and punched off the set. I made myself another drink and stood at the kitchen counter thinking about Hammonds' "linking" evidence and how even he wouldn't hang himself out that far unless they picked something up at the scene. I was running my memory through the inside of Ashley's cabin when I remembered the blanket. Richards had peeled it off the child and someone had put it in an evidence bag. Hammonds would not have missed it. Every piece of evidence in every abduction would be stuck in his head. He could easily use it as a strong tie-in, proof that Ashley was the right suspect.