Patrick Lee - Ghost Country

"It makes sense," Bethany said. "They'd have to build it so that the hole stayed open, even if part of the beam were blocked. Otherwise, think about it: you'd block the beam with your body before you could climb through the opening."

Travis wondered how much of the beam could be cut off before the opening failed. Keeping the menu in the light cone, he moved it slowly toward the couch. Toward the cylinder's lens, and the narrow part of the beam.

He watched the opening as he did it. Watched the rectangle of blocked-out light grow until it was well over half of the beam. Then three fourths. The opening showed no effect at all. It didn't so much as flicker.

It stayed that way until only a sliver of blue light reached the hole. Maybe five percent of the total. When Travis blocked it further, the opening vanished. At the same time the projected light on the leather menu began to flash symbols in the same text that was engraved on the cylinder. Maybe it said obstruction error. Maybe it said stop blocking the light, asshole. Travis pulled the menu out of the way and the opening immediately reappeared.

He pressed his other hand to the menu. It felt as cool to the touch as when he'd picked it up. He held it close to his eyes and tilted it so that the gleam of sunlight showed him the surface in detail. It didn't appear damaged.

He went back to the opening. He still held the menu. He shared a look with Bethany: Here goes.

He put the menu fully into the cone of light, and then he put half of it through the hole in the air.

It met no resistance. The leading half of the menu simply went through, as if the opening were no more than a hole in a wall, with a darkened room on the far side. They could still see the entire menu. It was right there with them-even if part of it was also far, far away from them, in the night air of some rural place halfway around the world.

Travis drew it back into the room and tossed it onto an armchair a few feet away.

He turned back to Bethany. "Unless you know a place in D.C. to get lab mice, I'm out of things to try."

"I think we're the lab mice at this point."

They closed all the drapes in the suite's living room and shut the doors to the adjoining areas. The resulting near darkness allowed their eyes to adjust a little, but it made no difference as far as the opening was concerned. The place on the other side still looked pitch-black.

Travis stepped into the projected beam of light and faced the hole directly. If the blue light had any effect where it shone on his back, he couldn't feel it. Even the exposed skin on his neck and arms felt normal.

Travis stood there a moment and let the wind rush over him. He closed his eyes. He listened. Behind him he could hear the ambience of D.C., even through the closed windows of the suite. The rumble of traffic. The beeping of some kind of construction vehicle on a build site. The drone of a propeller aircraft.

But there were sounds coming from in front of him too, through the opening. Night sounds of insects and maybe frogs. They were very faint. He hadn't noticed them earlier. He tried to isolate them now. The sounds seemed to come from only a few point sources, far away in the darkness. Which made sense. If it'd been a summer night on the other side, the chorus of insect song would've been overwhelming. Literally billions of tiny noisemakers within the nearest mile, any one of them loud enough to be heard at a distance. But the location on the other side of the opening-Canada or wherever it might be-was long past its local summer. The night air called to mind the trailing edge of the living season, when most things had already gone to ground or simply died off. Travis had the sense that he was listening to the region's last few holdouts. A few nights from now, even those would probably be silenced, and there would be nothing but the dead quiet of the oncoming winter.

Travis put his hand through the opening.

In the corner of his eye he saw Bethany flinch a little, even though she'd expected the move.

His hand felt fine.

He lowered it to the bottom edge of the hole, but stopped just shy of touching it. He wondered what the margin was like. Was it a kind of blade-edge between the space on this side and the space on the other? If he ran his hand into it, would it pass right through, cutting his fingers off and dropping them away into the darkness over there? It seemed like Paige would've warned them about something like that, but she hadn't had a lot of time to go into details.

Travis was tempted to grab the bound menu again and test the edge of the hole with it. Instead he lowered his hand another inch, slowly, ready to retract it.

His fingers settled onto a smooth, rounded edge. Like the tubing of a hula hoop. It was cool and rigid as steel. Travis applied a few pounds of force to it. It didn't budge. Strange-the cylinder's movement on the couch a few minutes earlier had made the opening bob up and down easily, but the opening itself couldn't be moved by direct force against it. It was as fixed as a hole cut into an iron wall.

Travis ducked and leaned his upper body through the hole, into the night on the other side.

At once he saw what'd been impossible to see from inside the suite: a sky shot full of stars, sharp and clear in the unhindered darkness. The hazy band of the Milky Way defined a long arc from one horizon to the other. A crescent moon hung like a blade, an hour from setting or having risen-Travis wasn't sure which. But it was definitely the same moon he'd grown up under. He was staring at a nightscape somewhere on Earth, at least.

His eyes were already adjusting to the dark, much deeper on this side of the opening than in the suite, even with the drapes closed.

As the seconds drew out he began to discern details in the night around him, both near and distant. He saw the canopy of a forest, the treetops maybe twenty feet below his viewpoint. Spires of pine trees and the rough curves of hardwoods, all of them pale in the faint light of the moon.

There were other shapes, but he couldn't make sense of them. Strange geometric forms, like huge scaffolding assemblies or bamboo towers, jutted up from the forest here and there. The light was too poor to offer any detail about them. Even their distances were hard to gauge. Travis looked down and saw the footings of one of the structures right below. Its complex form rose into the darkness just behind his position.

The only other shape he could resolve was something very tall and narrow, and solid in appearance, standing on the horizon at least a mile away. Its height was imposing even at that distance: it towered above the trees, easily five times their height. He focused on it but could perceive no detail beyond its bulk and rough size. He thought of an enormous smokestack rising from a factory complex. The problem was that there was no smoke, and no factory, either, unless all its lights were shut off.

He saw movement in his peripheral vision and then Bethany was there, leaning into the darkness beside him. He edged over a few inches to give her room.

For a moment they just stood there in silence, side by side. They listened to the night. Travis looked at the moon again and judged that it was higher than when he'd first seen it. The crescent was very narrow, which meant the sun couldn't be far below the horizon. Dawn was no more than an hour away, though there was no hint of it yet.

"I've never seen any place this dark," Bethany said. "There's not the least bit of light pollution on the horizon. We'd have to be over a hundred miles from even a mid-sized town for it to look like this. But at the same time it's a place where people have built large structures, whatever these are. And whatever that is." She waved a hand to indicate the towering form in the distance. "It has to be forty stories tall. Maybe taller." She was quiet for a moment and then she turned to him. "Where the hell are we?"