Greg Rucka - Critical Space

"Because there's a chance Keith's coming here," Bridgett said, squinting at me, as if trying to see the virus clambering about in my bloodstream. "And we don't know where else to look."

"And we're both fans of the show," Scott said. "Where do you want us?"

"If you'd like to head around the front and meet up with Corry, two extra pairs of eyes couldn't hurt."

The door behind us opened and Dale emerged, grinning. "Taken care of," he reported. "I talked to Palmetto, he moved Heckle and Jeckle to the fire exits in the studio."

I nodded, then radioed Corry to tell him that the Lost Boys would be coming around to join him. All posts radioed back a confirmation, and Scott and Bridgett followed me back inside. A new guard was in the hall, and before we had even reached him, he had produced his copy of the handout and held it up for me to see.

"Thank you," I said.

The guard grunted.

When we reached the dressing room Scott and Bridgett kept going, but not before Bridgett stopped long enough to squeeze my hand and give me another kiss.

"Midge wanted to know if we're still friends," I told her.

"We're still friends."

"I'm asking for her sake more than my own."

"That perky bitch wants into your pants. If I sleep at your place tonight, I'll shoot her."

"How do you know she's after me? Maybe she's hoping you're available."

"The only thing that isn't straight about that woman is her perm," Bridgett said.

At oh-nine-hundred, Natalie came on the net to let us know that the house doors were being opened. I passed the news along to Her Ladyship, and we all settled in to wait. After fifteen minutes, the stage manager came back to check on us, saying that if Her Ladyship wished to move backstage, that would be fine.

I got on the radio again. "Wendy and Peter to station two."

The confirmations came back in their normal order, and we headed down the hall toward the stage. The set for the show was designed to look like the living room in some lavish penthouse apartment, with a fake Manhattan skyline painted on the backdrop. The audience noise was muted backstage, but it sounded like a lot of people. We stood to one side while stagehands scrambled back and forth with final preparations, and then Palmetto came by once more, just to check on everything, before heading to his position just off the stage.

"You'd think they'd introduce me to the hosts," Lady Ainsley-Hunter said.

"It's American television," I said. "The assumption is that you already know them."

"Is that really how it works?"

"I have no clue. I don't watch much television."

"Have you ever seen Talk New York!?"

I nodded.

"And?"

It took me a moment to find something to say. "You're going to reach a very large audience."

"Oh, my. That bad, is it?"

"Depends on what you think about papier-mache centerpieces and fad diets."

The lights in the studio dimmed, and the stage lights came up. The audience began applauding, and from the opposite side of the stage the hosts came out, a man and a woman. Both were well dressed and heavily made up, and each carried a mug, presumably full of coffee, that had the show's logo on its front. Both hosts were very white, very friendly, and they began by addressing the audience, telling them that it would be a terrific show, that their "very special guest" today was an actual member of the Royal Family, Lady Antonia Ainsley-Hunter, and that she'd be with them for the full hour. There was a burst of applause, and from the corner of my eye I saw Her Ladyship shaking her head slightly, amused. The host and hostess went on to say who the other guests were, and they mentioned the author's name, so I figured his being bumped wasn't a foregone conclusion.

Then the stage manager announced that they were one minute from air, and everyone took positions, and the lights changed again. The theme came up over the speakers, then the announcer's voice, basically repeating what we'd already heard from the host and hostess. A sign by my shoulder lit up announcing we were on the air.

The crowd went wild.

Chester and I watched from the edge of the set. Across from us, I could see Moore in position, scanning the audience. The radio traffic was almost nonexistent, with Natalie or Corry or Moore occasionally noting some movement or action, but nothing major.

Lady Ainsley-Hunter went out on stage after the show returned from its first commercial break, and she got another thunderous round of applause, and she stopped when it began and faced the audience, giving them a good look and a modest bow. The host and hostess started with the obvious platitudes and questions, and she handled them gracefully and with self-effacing humor. After a couple of minutes they gave her the opening to talk about her work, and she explained why she was in New York, and she talked about Together Now, and the desperate plight of the world's children, and they put a tape up on the monitor, showing sweatshop conditions in Central America. The audience responded with the appropriate noises of sympathy, and when the clip was finished, the phone number, Web, and mail addresses of Together Now went on-screen. Then the show broke for another commercial, and when it resumed, the comedian came out and did a short routine, then joined the party around the table. He made a couple jokes about the English in general and got some laughs, and Lady Ainsley-Hunter was a good sport about it. After the next commercial break, the author came out and talked about his book – it was a cookbook – and everyone gathered in the faux kitchen to bake some low-calorie cookies and have a generally fine time.

Then it was ending, and the host and hostess were thanking everyone for coming and promising that tomorrow's show would be just as fabulous as today's, and the theme music came up again. The crowd was jubilant, perhaps because they loved what they'd seen. Maybe they were just glad the show was over.

Moore came around and got into position with me, and Lady Ainsley-Hunter came off the set. She was perspiring from the heat of the lights, and I took the lead as we made our way back down the hall to the green room, Chester following.

"I could do with some water," Ainsley-Hunter said as we reached the door. "They stick you into a sauna and the only thing they offer you to drink is coffee."

"We'll get you some water before we go," I said, and I opened the dressing room door to find Joseph Keith, the trousers of his new navy blue suit around his ankles, his penis erect and in his hand, masturbating furiously. The lights around the makeup mirror were on, and they lit him completely, and they spared no detail, and it was apparent he'd already climaxed once. His blue tie was flipped over his left shoulder, and around his neck hung a laminated card, and I realized it was a backstage pass at the same time that I realized he'd also brought with him a bouquet of flowers, a box of candy, and what looked like a short sword, all laid out on the table before him.

"Shit," I said, pressing the button in my left palm and grabbing Lady Ainsley-Hunter with my free hand. I had already started into the room, and I pulled her with me and then pushed her back against the wall, covering her with my body.

Chester swallowed a shriek, more of astonishment than of horror, and then Moore was past us. Keith had let go of himself and was now reaching with both hands for either the candy or the sword, but he never made it. Moore took him with a shoulder-check, knocking Keith back from the mirror and into the wall, and then grabbing his hair with one hand and his right wrist with the other. Keith howled in pain, then went quiet as Moore spun him about, and drove him headfirst into the wall.

That was the last I saw of it, because by then I'd turned back to Lady Ainsley-Hunter and started hustling her back down the hall, calling into my radio that we were evacuating, that Timmy should get the car going, that Tinkerbell and Wendy were coming out. Confirmations came back, tumbling over one another, and we were at the exit when Natalie came sprinting around the corner, making for the Benz. Dale had the engine going and Natalie yanked the rear passenger door open, scanning the sides. A cluster of autograph-seekers started to surge forward at the sight of us, then balked when they sensed they weren't watching a traditional, post-show departure. I climbed in first, guiding Her Ladyship after me, and then Natalie tumbled in, and we were moving into traffic when Moore came over the line.