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Paul Christopher: The Templar throne

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Paul Christopher The Templar throne

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The tower room was lavishly decorated with scattered Persian carpets on the floor, a huge four-poster canopy bed at the far end of the room, a delicately scrolled marble mantel over a sizable fireplace hearth and a gigantic flat-screen television on one wall with a soft, comfortable couch in front of it. An en suite bathroom was next to the enormous bed and there was an antique circular breakfast table with two matching chairs next to the couch. There was even a bar fridge stocked with airline bottles of booze, mixers, cans of soda and a big jar of macadamia nuts. All the comforts of home if home happened to be a Hilton hotel.

After checking to see if the big oak door was locked, which of course it was, Holliday spent a long time pacing out the perimeters of the room and mentally going over his options. He knew he could almost certainly jimmy the old skeleton key lock on the door, but where would that get him? There could easily be a guard posted at his door, and even if there wasn't there were almost certainly lots of armed guards all over the estate.

The top floor of mansions like this was usually given over as the servants' quarters, but it could just as easily be a barracks for the security people. And barracks was the word; the security people he'd seen so far were all ex-military, Holliday was sure of it; none of the ragtag mercenary wannabes from that Blackhawk bunch; these guys were the real McCoy.

He tired of pacing the floor eventually and flopped down on the couch. He picked the remote up off the coffee table in front of him and clicked on the flat screen, scrolling through rock-star reality shows, Maury Povich dealing with an endless supply of pregnant trailer-trash women wanting DNA tests and reruns of CSI and Law and Order.

He watched ten minutes of Claudette Colbert in the title role and Henry Wilcoxon as Mark Antony in the original, 1934 version of Cleopatra on Turner Classic Movies and finally settled on CNN. There was no mention made of any abductions in Israel, but that didn't really mean anything; CNN seemed to think that the only international news worth reporting was plagues, floods, earthquakes and wars. Outside dusk was falling, the air itself glowing with the strange, ozone-heavy yellow light that usually precedes a storm.

At 6:00 p.m. on the dot he heard the sound of his door being unlocked. A few seconds later two of Kate Sinclair's goons appeared, the one in the lead carrying a large silver tray. Behind the two men Meg Sinclair appeared. She was wearing formal riding clothes, including tall black boots and jodhpurs. Her hair was tied back with a black velvet ribbon. The man with the tray set it down on the round table beside the couch and began setting the table for two and unloading the food, including a vacuum carafe of coffee.

"Come to gloat?" Holliday asked.

"I'm not the gloating type," said Meg. "I just thought you might like some company for dinner."

"Very hospitable of you."

"We don't have to be adversarial about this, Doc."

"Yes, we do," he answered. "Your mother had Peggy and her husband kidnapped. You're holding me against my will. You can't get much more adversarial than that."

"They won't come to any harm and neither will you." She sat down at the table.

"As long as I do precisely what you and your mother want."

"Come and eat your dinner, you must be starved."

"You didn't answer my question," said Holliday, sitting down. The dinner was four-star-restaurant grade: porcini-stuffed and balsamic-glazed filet mignon with a baked potato and grilled mushrooms. The soup was lobster bisque, some kind of ironic little joke from Meg, no doubt. Dessert looked like creme caramel.

He ate a spoonful of the bisque; it was perfect right down to the slight brandy aftertaste and the dollop of creme fraiche and flat- leaf parsley stalks floating on the pale pink surface of the white ceramic bowl.

"Why would it be so difficult to do what we ask?"

"Because it's a lie. A setup, a fake."

"In aid of a good cause, though."

"Who says?" Holliday asked, slicing into the filet mignon, the rich stuffing oozing out.

"I say," answered Meg, beginning to work on her own meal.

"From what I gather you're going to use the counterfeit contents of the box as leverage to have your brother made head of your little cult."

"The little cult, as you call it, has combined net assets of half a trillion dollars, and that's becoming a problem. Power tends to corrupt," said Meg.

"And absolute power tends to corrupt absolutely," said Holliday, finishing the quote. "The first Baron Acton. It's the only noteworthy thing he ever said. It was in response to Pius IX's Bull about papal infallibility back in the 1860s."

"Well, that's what's happening within Rex Deus. The order has so much power concentrated in such a small group of people that it has been corrupted. There are some people within the order who see it as a means to an end, that end being personal gain. They've lost sight of the principles that made this country great. They've lost their way, just like the rest of America."

"And your brother's going to get the country back on track?"

"Yes."

"What makes you think he'd be any better able to do that than anyone else in the Senate or anywhere else?"

"Doc, if the president is elected to a second term it will be too late. The country will become a socialist hellhole with the government sticking its nose everywhere, in business, health care, industry, Wall Street. Another Kremlin."

"You really believe that?" Holliday said.

"I not only believe it, I know it," answered Meg, fire in her eyes. "Some of the members of Rex Deus know it too, and they're planning to take advantage of it."

"How?"

"The cadre involved, if they can convince the other members of the order, want to manipulate another market crash, among other things. When the smoke clears they'll be even richer and the entire country will be in extremis. It might never recover; we'd turn into a third-rate power overnight. We can't let that happen, Doc. You can't let it happen." Holliday nodded thoughtfully. She'd used his nickname three times since entering the room, something she'd never done once that he could remember when they were together.

"So you want me to lie for you."

"Not about anything real, about a myth, something that probably never was. Is that so hard?"

"Who's to say I want to put your family at the helm of the ship of state?" said Holliday.

"It's better than sinking it," answered Meg Sinclair.

"This thing has been a lie from the beginning. You lied to me and now you want me to lie for you?"

"I'd lie if it was my family's lives at stake," said Meg.

"All right," said Holliday. "If you promise to release Peggy and Rafi as soon as I've done what you want."

"Of course," said Meg. "You have my word."

Holliday didn't believe it for a minute, but he said nothing. Better to live and fight another day.

"Okay," he said. He put down his fork, his appetite gone.

"What will you need to open up the box when the time comes?"

Holliday thought for a long moment then spoke. "A pencil butane torch and a utility knife or a heavy-duty box cutter."

"Why the box cutter?" she asked, her tone lightly suspicious.

"I'm going to hijack your mother and fly her to Cuba, of course."

"Please," said Meg. "I need you to be serious."

"The butane torch is to soften the lead seal; the box cutter is to slice through the softened lead."

"I see," said Meg. She stared at Holliday across the table, a strange expression on her face. "It could have been different between us, you know, Doc," she continued.

"No, it couldn't," he answered, and that was the end of dinner. Without another word the red-haired woman got to her feet and went to the door. She tapped out a three-two knock code and the door was instantly opened by one of the goons who'd brought in the tray of food. She left without turning around or saying good night and the door was closed again.

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