Thomas Cook - Instruments of Night

“Inside the house?”

“In the basement,” Graves said. “She told Portman that she was coming down the stairs at around eight-twenty-five that morning when she saw Faye standing at the entrance to the corridor that leads from the basement to the boathouse. Edward and his girlfriend, Mona, were already in the boathouse, so Faye was alone when Greta saw her.”

“What was Faye doing in the basement?”

“Mr. Davies had a room down there. The door was open, and things had been scattered around inside it. Portman believed Faye-or someone else-might have been looking for something.” He thought again of the strained, curiously secretive look in Greta’s eyes as she’d told him what Portman had said. “The truth about Riverwood.”

“The truth about Riverwood…”

Graves could tell that Eleanor was already searching for some way to rethink all she’d learned so far.

“It’s a question of working out timetables, isn’t it?” she said after a moment. “For everyone at Riverwood? Where they were when Faye went into the woods that morning? What have you learned so far?”

“Well, Faye left her house and walked to the front door of the mansion at around eight o’clock.” Graves’ mind swept from the broad exterior world of Riverwood to its various enclosed rooms, the whole complex interior of the mansion suddenly exposed to his vision, so that looking down upon it, he saw it as a large wooden dollhouse, its roof removed, all its elegant rooms now visible, figures in those rooms. Mr. Davies and Edward in the foyer. Allison watching them from the entrance of the dining room. Mrs. Davies and Andre Grossman in the library. Mona on the stairs, headed for her room. The household servants at their morning chores.

“Everyone else was in the house,” Graves said. For a moment all was still, the players locked in the long-vanished sunlight of that distant summer morning. Then, as if at a signal, the denizens of Riverwood began to move as time inched forward, setting them in motion.

As if from a great height, Graves watched the scene as he narrated it. He saw Faye turn from the front door and head for the gazebo, where, minutes later, Warren Davies joined her. Andre Grossman dabbed at his palette, Mrs. Davies took her seat in the high leather chair by the sunlit window. Mona, now dressed for a morning sail, darted down the stairs to where Edward waited for her on the side porch.

“By approximately eight-fifteen, Mr. Davies had left Faye in the gazebo and gone back inside the house.”

He outlined each person’s subsequent movements as Portman had so meticulously traced them in his investigation. As he did so, he saw time move forward to 8:25 A.M. By then Faye had left the basement where Greta Klein had seen her staring down the corridor toward the boathouse, and was now crossing the lawn. Homer Garrett, Frank Saunders, and Jake Mosley watched intently from the unfinished cottage until she reached the forest edge, then vanished up the mountain trail.

“Faye went into the woods at just before eight-thirty. A few minutes later Preston saw her go around Indian Rock and down the opposite slope.” Graves glanced toward the ridge she’d moved up that morning. He imagined the great stone that rested at its crest, the steep trail that led away from it, Faye moving down it, her blond hair glistening in the dappled light.

“And no one saw her after that?” Eleanor asked. “Except her killer.” She rose, walked to the window, faced the pond for a moment, then turned back to Graves. “So, you’re in the same position you always put Slovak in. Maybe you should try to figure it out the same way he does.”

“How is that?”

“Don’t you read your own books, Paul?”

“Not after I’ve written them.”

“Well, Slovak has certain powers.” She ticked them off. “Imagination. Intuition. A feeling for the heart of things. They’re the key to his understanding. Slovak always looks at the person. Not where a victim was or what a victim was doing. But the victim… from the inside.”

Graves knew where she was headed, dreaded where she was urging him to go.

“You know where Faye was and where she went on the day she died, Paul. But you don’t know who she was. That’s the mystery Slovak would solve first. The mystery of Faye’s character. You haven’t looked into that yet.”

She was right. But Graves knew all too well why he had remained so aloof from Faye. It was simple. He could not discover Faye without revisiting her terror. Eleanor had clearly sensed his pulling back. Had she also begun to probe the reason for it?

“Would you mind if I went over the files Miss Davies gathered for you in the library?” Eleanor asked.

Graves hesitated. “Don’t you have your own work?”

“I think this is my work, Paul.” She regarded him with the same intensity he’d observed earlier. “When I was a little girl-eight years old, to be exact-my parents took me to the summer house we had in those days. It was in Maine. By a lake, surrounded by woods. Just like here.”

Graves could tell that she was assembling the tale in her mind, arranging each scene, building the set, writing the dialogue.

“One day, I went walking in the woods. Just like Faye Harrison did. It never occurred to me that there might be any danger. Then I saw him. A tall man with slick black hair. He was just standing in the woods, looking at me. I didn’t know what the look meant. Only that there was something about it that made me feel… afraid.”

Graves could see her small body motionless, her long, dark hair falling over her shoulders, her eyes, bright, evaluating, all her vast intelligence now focused on the grim figure who blocked her path, her mind working furiously to take in this new and strangely terrifying data.

“That’s when I experienced what all women at some point discover,” Eleanor went on. “That your body is distinct from yourself, that it can arouse-without you wishing it or even being aware of it-a terrible force. I looked at that man’s face, at the way he was looking at me, and I knew that just by being alive, living inside my body, that this in itself was an incitement.”

Graves saw Ammon Kessler lift his sister from the floor near the end of it, when he’d finally played enough games, finished with her, and dawn was breaking over the wide green fields. For a moment he’d cupped her face in his hands, caressed it almost tenderly, though with mocking words, Pretty, pretty. Once so pretty. At the time Graves had not been able to fathom the cruelty he’d glimpsed in Kessler’s face as he’d whispered such words to his sister. Now he realized to what dreadful degree Gwen’s beauty had stirred Kessler’s fury, driven him to give the brutal orders Sykes had so slavishly carried out, all the burning and scarring of a once-lovely face.

“He said, ‘Come here, sweetie,’ and started walking toward me,” Eleanor told Graves, trapped in her own memory. “I turned and ran out of the woods as fast as I could. My legs and arms were all scratched up by the time I got back to our house. My father asked me what had happened, but I didn’t have any way to tell him what I’d felt when I saw that man, how much the look in his eyes had frightened me. So I told him a lie. I said that I’d come across a big white dog and it had chased me through the woods. That was the first story. Later I embellished it. The dog was foaming at the mouth, I said, it had rabies. Ten or fifteen men searched those woods for that dog. They carried rifles, shotguns. They must have terrified the chipmunks and the squirrels. Of course, they never found the dog. Or the man they should have been looking for instead. It was because of me that he got away.”

Graves saw the red dawn spread across the morning sky, Kessler standing on the porch beside him, his black car idling in the dusty drive. He’d grinned with a hideously confident glee as he spoke his final words: I could kill you, boy, but I don’t have to. You’ll never say anything. You’ll never say a word.