Кей Хупер - Chill Of Fear

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FBI agent Quentin Hayes always knew he had an unusual talent, even before he was recruited by Noah Bishop for the controversial Special Crimes Unit. But, as gifted as he is, for twenty years he's been haunted by a heartbreaking unsolved murder that took place at The Lodge, a secluded Victorian-era resort in Tennessee. Now he's returned one final time, determined to put the mystery to rest.
Diana Brisco has come there hoping to unlock the mystery of her troubled past. Instead, she is assailed by nightmares and the vision of a child who vanished from The Lodge years ago. And an FBI agent is trying to convince her that she isn't crazy but that she has a rare gift, a gift that could catch a killer.
Quentin knows that this is his last chance to solve a case that has become a dangerous obsession. But can he persuade Diana to help him, knowing what it could cost her? For something cold and dark and pure evil is stalking the grounds of The Lodge. Something Diana may not survive. Something Quentin never felt before: the chill of fear.

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"The guides. Spirits, I guess."

"Nice to see you're coming to terms with their reality," Quentin said.

A little laugh escaped Diana. "Reality? I'm not sure I know what's real anymore. Actually, I'm not sure I ever did."

"You know. You just have to trust yourself."

"Forgive me, but that sounds a lot like the psychobabble I've been listening to for years."

"There's a major difference," Quentin said, taking her hand as they climbed. "I know damned well you aren't sick and you aren't crazy, and I'll never try to convince you that you are. You can trust me. And you can trust yourself, you know."

"Can I? How do you know that?"

"Diana, what you've been through just in the past couple of days would have sent half the psychics I know into shock or into a coma." He nodded as she glanced up at him. "You're a hell of a lot stronger than you realize."

"I hope you're right," she murmured.

A few minutes later they reached the attic, and looking around the vast, cluttered space, Diana really did hope he was right. Because it was going to take plenty of strength and energy just to go through everything up there, never mind coping with anything unexpected they might find.

"Damn," she said with a sigh. "Why can't things ever be easy?"

"The universe frowns on that." Quentin sighed as well. "Want to flip a coin, or should we just start at opposite ends and work our way toward the middle?"

"You're the seer," she said, only slightly mocking. "Why don't you see where we should start?"

"It doesn't really work that way."

"Figures." Diana looked around, absently admiring the beauty of the stained-glass windows illuminated by the afternoon sunlight. There were shafts of colored light shining in, almost beaming in, she thought, so that a stack of old storage trunks in the fairly clear aisle down the north/south axis of the attic seemed to glow in a brilliant spotlight.

Spotlight.

"Or maybe," she murmured, "it can be easy, after all."

Quentin followed her gaze. "Well, well. Almost as good as a sign, huh?"

"You sound a bit doubtful."

"I mistrust signs, as a rule. They tend to point me in directions I probably should avoid."

Diana lifted her eyebrows and waited.

"This is your sign," he said. "Let's go."

As they worked their way toward the stacked trunks, Diana said somewhat ruefully, "I can't decide if I should blame you for all this or just be glad you're here to help me steer."

"I vote for the latter."

"I'll just bet you do."

"Like I said from the beginning, you and I are both here for a reason. We both need answers."

Reaching the trunks, Diana eyed them and said a bit tentatively, "Yeah, but what are the questions? You want to know who killed Missy, and I want to know if I'm nuts?"

"We've already established you aren't nuts."

"Then what answer do I need?"

"Maybe the one Rebecca told you was up here." Quentin reached for the side handle of the topmost trunk. "Hang on, and let's see if this is as heavy as it looks."

It wasn't, thankfully, and they were able to line all three trunks up end-to-end along the aisle. None of the trunks was locked, and when all the lids were raised, Diana and Quentin found themselves contemplating semi-organized chaos.

"Lovely," Diana said with another sigh. "The one on this end looks like it has mostly old clothes inside." She pulled out a feather boa that more or less disintegrated in her fingers, and sneezed. "Mostly."

"Bless you. The one on this end and the one in the middle also have old clothes, but — " He knelt at the trunk on his end and pulled out a creased box filled with loose papers. " — we also have what look like letters, invoices, receipts. At least a couple of ledgers and journals. Jesus. It's going to take hours to go through all this."

"No kidding." Diana knelt at the middle trunk and pulled out a scrapbook that was barely holding together. She checked a couple pages, and said, "You'll love this. Lots and lots of photos of The Lodge, some of them from when it was being built."

"Great. Set it aside to take downstairs, will you? We'll get Stephanie's permission to look over anything interesting somewhere more comfortable. The light up here is very colorful, but not the best for studying this sort of thing."

"That's for sure." Diana set the scrapbook aside, along with another one she found in the trunk. Then she pulled out an old box with lost and found stamped on its lid. She opened the box, discovering bits of costume jewelry, several hair clips and combs, a beaded change purse, other small items, and a number of loose photographs.

She lifted up the photos to see what lay under them, and one slid out to the side. In the bright, colorful light spilling into the box, the old black-and-white image seemed to glow.

Diana reached for the picture, allowing the box to tumble back into the trunk. She saw her fingers tremble, and wasn't surprised.

"What is it?" Quentin asked. He shifted a bit closer, looking at the photo she held, and sucked in a surprised breath. "That's Missy."

She sat on what looked like the front steps of an unidentifiable house, dressed for summer in shorts, her long dark hair parted in the middle and caught up by ribbons beneath each ear. She was smiling, one hand stretched out to touch the big dog lolling beside her.

And on the other side...

Diana's finger lightly touched the image of the little girl on the other side of the dog. She too was dressed for summer, but her fairer hair was shorter and less restrained, her grin not so shy as Missy's.

"She looks familiar," Quentin said. Then he swore under his breath as he looked at Diana.

"My father carries this picture in his wallet," she said slowly. "But only half of it." She touched the image of the fair little girl again. "This half. The part with me in it."

"You might as well use this lounge," Stephanie told Quentin, adding, "It isn't used much even when the hotel is full, and with the early check-outs we've had since yesterday..." She looked across the beautifully furnished third-floor room at Diana, who was standing by one of the windows gazing out over the gardens, and added in a lower voice, "Is she all right?" All Stephanie knew about the photograph they had found was that it might indicate a familial relationship between Diana and one of the children killed here at The Lodge; she hadn't asked for details.

"I don't know," he replied honestly. "The last twenty-four hours have been... Christ,' rough' isn't the word for it. Her entire life has changed." He shook his head. "I don't know what happens now."

Stephanie eyed him uncertainly. "Aren't you supposed to? I mean, isn't that your psychic thing, seeing the future?"

Quentin didn't bother to once again explain that he never saw anything. Instead, he merely said, "The irony hasn't gone unnoticed, believe me. With a couple of minor exceptions, my abilities have pretty much been absent since I got here. Maybe the explanation is that I've been so focused on the past, the future's been out of my reach. At least that's what my boss says, and he's usually right."

"I don't pretend to understand any of it," Stephanie said frankly. "Look, do you want me to have some coffee sent up? It looks like you guys are going to be here for a while."

"That'd be great, thanks."

"Okay. Good luck finding something helpful in that lot." She nodded toward the two boxes filled with stuff Quentin had transferred, with her permission, from the trunks in the attic.

The lounge could be closed off from the hallway outside by pocket doors, but Quentin didn't bother to draw those closed after Stephanie left. The Lodge really did feel practically deserted, and he doubted they'd be interrupted or disturbed by a guest wandering casually into the room.

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