Кей Хупер - Chill Of Fear

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FBI agent Quentin Hayes always knew he had an unusual talent, even before he was recruited by Noah Bishop for the controversial Special Crimes Unit. But, as gifted as he is, for twenty years he's been haunted by a heartbreaking unsolved murder that took place at The Lodge, a secluded Victorian-era resort in Tennessee. Now he's returned one final time, determined to put the mystery to rest.
Diana Brisco has come there hoping to unlock the mystery of her troubled past. Instead, she is assailed by nightmares and the vision of a child who vanished from The Lodge years ago. And an FBI agent is trying to convince her that she isn't crazy but that she has a rare gift, a gift that could catch a killer.
Quentin knows that this is his last chance to solve a case that has become a dangerous obsession. But can he persuade Diana to help him, knowing what it could cost her? For something cold and dark and pure evil is stalking the grounds of The Lodge. Something Diana may not survive. Something Quentin never felt before: the chill of fear.

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"You're staring at me," Diana said.

Quentin debated silently, but decided in the end that telling Diana she might be a healer wasn't important at the moment, and could even compromise her dawning acceptance of her mediumistic abilities. So all he said was, "Next time I get a wall-banging headache, I'll know who to come to for the cure. Thanks."

"You're welcome."

He wondered what she was thinking, and in wondering halfconsciously narrowed his focus even more, blocking out everything else around him to concentrate on her. It was surprisingly easy.

Even more strongly than the previous morning in the observation tower, he was aware of her scent, the sheen of her hair, and flecks of gold in her eyes. Aware of her breathing. Aware of —

"You're cold," he said.

Diana sent him a quick glance, hesitated, then said, "That's another thing about the gray time. It's cold."

"You're remembering more, aren't you?"

She nodded slowly. "It's — I'm different in the gray time. Comfortable, even confident. When I'm there, I understand. When I'm there, I have no doubts."

"You're the same person in both worlds, Diana. It's just that in this world you weren't allowed to explore and understand who you were meant to be. The medications prevented that."

"But they're gone now," she murmured.

Quentin wanted to continue the discussion, but it was cut off when Cullen Ruppe stalked angrily toward the opposite end of the barn hall and Nate and Stephanie Boyd turned and came to meet them.

The cop was triumphant but didn't let it show. Much.

The manager of The Lodge was merely resigned. "Well, he's not happy," she told them. "What do you want to bet he hits me up for a raise before the day is out?"

Diana shook her head. "I'm really sorry about all this."

"He'll get over it," Stephanie replied with a shrug and a sudden smile. "Anyway, I'd much rather there were no doubts in anybody's mind that The Lodge cooperated fully with the investigation into the discovery of that child's remains."

Uncomfortably, Diana said, "This might not be connected. I mean — I think it is. It's not something I can prove, though. And I'm not sure what we'll find. Or even if we'll find anything in there. It's just... I just believe..." She sent Quentin a frustrated glance. "Say something, dammit."

"Welcome to my world," he said.

Stephanie looked between the two of them curiously. "I gather from what Nate told me that this hunch of yours is of the psychic variety?"

Quentin lifted a brow at the cop, who responded by saying dryly, "Well, I couldn't think of anything else to tell her. It was the truth or no search of the tack room."

"I much prefer the truth," Quentin said. "Bizarre as it often sounds to those hearing it."

"I found it bizarre," Stephanie admitted. "But then, I found the discovery of a child's skeleton in one of our gardens bizarre. And in my experience, bizarre things are often connected in one way or another."

"In my experience as well," Quentin agreed.

"So let's see if there's a connection here. As manager of The Lodge, I'm hereby granting permission for Captain McDaniel to search the tack room — assisted by whomever he deems necessary and appropriate. I ask that you please not destroy property, but I do grant permission to open up the walls or remove floorboards, as long as it's done carefully."

"Which," Quentin said appreciatively, "is much more than we had any right to expect. Thank you, Ms. Boyd."

"Stephanie. And don't mention it. You'll find a toolbox in there somewhere you may use. You also have my permission, Agent Hayes, to go through whatever records and other paperwork are stored in the basement of The Lodge."

Quentin was about to ask that she drop the formality when Diana spoke.

"And the attic?" she asked.

Stephanie appeared mildly surprised, but shrugged. "I doubt there's anything useful up there; as far as I can determine, it's a dump for old furniture, outdated decorations, and decades of lost-and-found items. But feel free. Search to your heart's content. All I ask is that absolutely nothing be removed from the tack room, the basement, or the attic without my express permission."

"Agreed," Quentin said.

"Fine. Then you guys have at it. I've got to go up to the main building for a while, but I'll be back. Always assuming, of course, that you don't find very quickly that there's nothing in the tack room to interest you."

Nate checked his watch, and said, "We've got a couple of hours before anyone's expected to need the use of the tack and equipment in that room, right?"

Stephanie nodded. "And Cullen has been asked to go on with his daily routine rather than hover in there watching you. I'd take advantage of the time, if I were you." She half lifted a hand in a casual salute and left them.

"I say we listen to the lady," Nate said. "Quentin, I'm assuming you'd prefer we conduct the search ourselves?"

"Yeah. Time enough to bring in more of your people when we find something."

"You're very confident we will find something," Diana murmured.

"I know we will." And, suddenly, it was true. Quentin knew without a doubt that they would find something in this old barn, something important. But this time it wasn't a whisper in his mind that told him. It was an echo of that chill foreboding he had felt earlier.

It's coming.

He didn't know what it was, not yet. All he knew was that it was what he had sensed here during a childhood summer twenty-five years ago. What Bishop had sensed here five years ago. And what Diana had in some way touched only hours ago.

Something old, and dark, and cold. Something evil.

It was near. And for the first time, he could feel it.

Nate McDaniel had argued for the search because Quentin had asked it of him. But he never expected to find anything, not really.

Which made it all the more ironic that he was the one who found it.

The preliminary search of the fairly large, open room had been quick and simple. And revealed, as expected, nothing. So then it was time to begin tapping the plaster-over-lath walls in search of a hollow spot, with Nate and Quentin beginning at the same point and moving in opposite directions around the room. They used the handles of a couple of screwdrivers to more effectively sound out the walls.

"Think they could have a few more saddles in here?" Nate demanded in exasperation, stretching to reach around and above one hanging on a wall-mounted rack nearly as tall as he was.

"It is a tack room," Quentin reminded him dryly.

"There are maybe a dozen horses in this barn, and I've never seen one wear more than one saddle at a time; there must be thirty saddles in here."

Diana said, "It's easy to accumulate tack over the years. Different-sized saddles for different horses, changing styles, the preferences of different riders. Plus tack that gets worn or damaged and never repaired. Every tack room I've ever seen looks a lot like this one."

Surprised, Quentin paused to say, "For some reason, I didn't expect you to be a rider."

"Oh, yeah." She didn't elaborate.

He frowned slightly as he looked at her. She was standing in the center of the room, her gaze almost idly wandering from saddle to saddle, from bridle to halter to utility tray. Anyone watching her might suppose she was slightly bored, paying little attention to the search going on around her, even daydreaming.

But Quentin recognized the expression. He'd seen many psychics wear it in moments of quiet, that inward-turned, almost meditative waiting. The half-conscious stilling of the usual five senses so that the other ones could be heard.

Since she'd had no training, he didn't know whether someone else could help her focus or would merely be a distraction. He flipped a mental coin.

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