Кей Хупер - Chill Of Fear

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FBI agent Quentin Hayes always knew he had an unusual talent, even before he was recruited by Noah Bishop for the controversial Special Crimes Unit. But, as gifted as he is, for twenty years he's been haunted by a heartbreaking unsolved murder that took place at The Lodge, a secluded Victorian-era resort in Tennessee. Now he's returned one final time, determined to put the mystery to rest.
Diana Brisco has come there hoping to unlock the mystery of her troubled past. Instead, she is assailed by nightmares and the vision of a child who vanished from The Lodge years ago. And an FBI agent is trying to convince her that she isn't crazy but that she has a rare gift, a gift that could catch a killer.
Quentin knows that this is his last chance to solve a case that has become a dangerous obsession. But can he persuade Diana to help him, knowing what it could cost her? For something cold and dark and pure evil is stalking the grounds of The Lodge. Something Diana may not survive. Something Quentin never felt before: the chill of fear.

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Unlike her mind. Thoughts skittered through it, half formed, just bits and pieces. She couldn't concentrate at all, couldn't focus on anything except the haunting question of whether twenty-five years of her life had been virtually wasted in a futile search for a "cure" that had never existed.

Because she had never been ill.

Sitting down on an iron bench near a beautiful three-tier fountain, she considered and then discarded the impulse to pull out the sketchpad and draw something. Instead, she stared at the fountain, trying and failing to put the question out of her mind.

"Hello."

Startled, Diana saw a little boy standing only a few feet away. He was perhaps eight years old, an angelic child with fair hair and big brown eyes.

"Hi," she said.

"I'm sorry you're upset."

Diana forced a smile, hoping she hadn't been wearing the sort of expression that gave children nightmares. "I'm just having a bad day, that's all."

He nodded, solemn, then said, "My name is Jeremy. Jeremy Grant."

"Hi, Jeremy. I'm Diana." She hadn't been around kids much and felt a bit awkward with this one. "Where are your parents?"

He gestured vaguely toward the main building of The Lodge. "Back there. Can I show you something?"

"Show me what?"

"A place." He tilted his head slightly to one side, still solemn. "Sort of a secret."

She wanted to ask him why he'd want to show his secret place to a stranger, but instead said, "It'll be getting dark soon, you know."

"I know. We have time. It isn't far."

"Okay, sure." Anything beat sitting there while her mind chased itself in useless circles, she thought. "Lead the way." She got up and followed as Jeremy turned and began walking along the gravel path toward the far end of the Formal Garden.

Diana thought idly that if this child wanted to go beyond the gardens, she'd protest. The sun had set behind the mountains now, and there was a growing chill in the air. It would be dark in less than an hour. And she had no intention of being responsible for someone's child, not even on a good day.

Even as she thought that, she realized that Jeremy had paused beside one of the raised planting beds to allow her to catch up, and when she did, reached confidingly for her hand.

"It's just over here," he told her.

Diana allowed herself to be guided down another path to where the Formal Garden intersected the English Garden. This area was filled with riotous blooms on shrubs and plants, the paths wound leisurely among them, and it possessed a more natural, less manicured feeling than the other gardens.

"Jeremy—"

"This way." He led her toward one corner where the landscapers had apparently decided to allow an existing granite rock formation to become part of the garden. Several large boulders jutted up from a bed of smaller rocks and gravel, softened only by moss and a very few tenacious flowers growing in the stony area.

"They were going to put in a waterfall," Jeremy said. "Changed their minds, I guess. The gardeners never dig here."

"No wonder, with so much rock," Diana said. "Is this what you wanted me to see?"

"Around to the side," Jeremy said. "See that rock with all the moss near the bottom? Look behind that."

Suddenly suspicious, Diana said, "Nothing's going to jump out at me, is it, Jeremy? A frog, or some kind of bug? Because I don't like those."

He smiled sweetly. "No, I promise. No frog or bug. Something you need to see." He released her hand. "Just look behind the rock."

Diana looked at him for a moment longer and then, still wary, picked her way carefully among the rocks until she could see behind the one the child had indicated. At first, she had no idea what it was she was supposed to see. More rocks, looked like, more grayish granite, most of them jagged except for a piece that was paler and smoother, worn by a river somewhere, she supposed.

"Jeremy, what—" She looked back over her shoulder, surprised not to see him there. She turned completely around, gazing all around the area, but saw no sign of him. "Fast little kid," she muttered, trying to figure out how he had moved so quickly and so silently.

She looked back down at the rocky ground at her feet, more warily sure now that some nasty surprise lay in store for her if she poked around here. Even so, she found her gaze fixed on the rounder, smoother stone, and hesitated only an instant before crouching to touch it.

It didn't really feel like a rock, she thought. When she tried to move it, the gravelly soil imprisoning the lower part of it gave it up easily. And it wasn't until she turned it slightly that she realized in horror what it was.

It fell from her nerveless fingers, clattering against the stone, and came to rest so that the empty eye sockets stared up at her and small white teeth seemed to grin.

The skull of a child.

"Are you sure?" Bishop asked.

"As sure as I can be," Quentin replied. "She only told me as much as she did because it freaked her out and her guard was down. God knows if she'll talk to me about it again. All I know is what it sounded like to me."

"And she was touching your hand? When she said she was alone on the veranda except for you and Missy?"

"Yeah. Said there were flashes, like a strobe, and that's when she saw us. Said something about me being there only because she was touching me, keeping me partway there. In the — what did she call it? — the gray time in between, I think she said, she was completely alone out there. Didn't see anybody else, including me. Or Missy."

"You weren't aware of anything paranormal?"

"Nothing I saw or sensed." Quentin leaned back against the headboard of his bed, the cell phone to his ear. "But I could tell something was going on with her. She was pale, her eyes were fixed and dilated, and her hand was like ice. But the storm was about to break, and we both know storms scramble all my senses as often as not. I'm either blocked or really distracted."

"Obviously they don't block Diana."

"No. If anything, I'd say they affect her strongly the other way. Isn't Hollis like that too?" he asked, naming the unit's only medium.

"Yes. Much more apt to sense spiritual energy, and her spider sense is intensified as well. She says it's like all her nerve endings are raw and exposed."

"That can't be fun," Quentin noted.

"She's still learning to cope with all her abilities, so, no, not fun. And it must have been terrifying for Diana."

"I'll say. She's clearly a medium, and a strong one. Probably how she was able to draw that sketch of Missy. She doesn't know the first thing about sorting through psychic impressions, so to her it's all a jumble. What she feels, what she thinks, what she senses. Hell, probably what she dreams as well. Pretty much a state of constant confusion. And all the doctors and meds and therapy over the years have only made things worse for her."

Bishop was silent for a moment, then said slowly, "Quentin, you do realize that virtually all psychics with a background and condition similar to Diana's never learn to incorporate their abilities into their lives and function normally?"

"Those we know about so far, yeah. But she's strong, Bishop. Really strong. If I can just get through to her, I know I can help her."

"I just don't want you to be... disappointed... if you aren't successful. Talented as they may be, some psychics really are beyond our ability to help."

"Not Diana."

Accepting the other man's determination, Bishop said, "All right. Then, judging by what you've told us, probably the most important thing is for you to keep her grounded. Literally."

"What do you mean?"

"She told you that she was able to see you and Missy at the same time out on the veranda because she was touching you, keeping you partway there. Right?"

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