Stephen Cannell - King Con

"Victoria, if you want justice for Carol, I promise I'll get it for you. I'll get Tommy and Joe to rat each other out, but you gotta stick with me."

"I know. Hold on by letting go, multiply by dividing. It's just that I've always held on by holding on, multiplied by multiplying. This is a big change for me." She was silent for a minute. "My whole life I've tried to stand for something, something I could be proud of."

"And that thing you were standing for… did I miss a beat or didn't it just chew you up and spit you out?"

"That doesn't mean it wasn't worth believing in."

There was a deep silence in the car, and then Victoria smiled. "Well, that's over with now. We're near Modesto. Let's go find our moose pasture."

"Gotta pick a company color first. There's a hardware store up ahead."

They pulled up in front of a turn-of-the-century wood-frame building called Hobbs Ranch and Farm Supplies, got out, and went inside. The store had metal racks, neon ceiling lights, and a linoleum floor. Beano moved past the farming displays to the back of the large, brightly lit store. The entire back wall was devoted to outdoor paint products. He stood with Victoria, looking at a paint-chip sampler that was on the wall.

She reached out and took an emerald-green chip and showed it to him. "This is pretty. Tennessee is a green state, looks kinda like what I think a Fentress County, Tennessee, company should look like."

"When I say the words 'ferrous oxide,' what color comes to mind?"

"Some kinda rust, I guess…"

"We need something that looks like it could contain ferrous oxide. This hustle has to work in two directions."

"Of course you're right." She turned and picked out a bright orange chip and handed it to him.

"Yuck." He winced.

' It's not such a bad choice when you remember everything our government does is intentionally ugly," she said.' it's part of the government's design-cost-use equation. It promotes function over style, and cost over function. It's why everything looks like hell and doesn't work."

"Okay." He smiled. "But this orange is just a little bright for a corporate folder. What if we dulled it down by adding one-third of this?" He picked out a deep ox-blood red and held them side-by-side. "Kinda rusty copper, just like you said," he reasoned. "Then we could use the rust-copper paint for the moose pasture and on our annual reports."

He turned and, for the first time, saw her give him a full smile. It lit her face, softening it. She was truly beautiful. In that second, he saw what she must have been like as a little girl, before the self-driving compulsions took over.

"Copper it is," she said.

Beano went up to the front of the store and held out two chips to an old man behind the counter wearing a name tag identifying him as GARY HOBBS, OWNER AND COMPLAINT DEPARTMENT. "I may need as much as four hundred gallons of this"-Beano held up the orange chip, then the red-"and two hundred of this. And I need spray-painting equipment and compressors. Just bought a farm up in Marysville, and I need to paint all my outdoor metal."

"That'll make a nice little order," Hobbs smiled. He picked up a catalogue and started thumbing through it.

"I'd like to know your discount for volume," Beano said, and Hobbs nodded. "I'd also like to get this in a day or so. I'll pay the shipping. I may need to cut the order slightly, or add to it, depending what my painter thinks. I just want to be sure the paint is readily available. I'll give you a down payment to hold the order."

"Lemme check the inventory in Bakersfield." Hobbs picked up the phone and dialed the number.

"Can I borrow your phone book?" Beano said, and Gary Hobbs pushed it across the table at him while he checked with the warehouse in Bakersfield. Beano took the phone book over to where Victoria was standing. "You still got that note pad?" he asked. She nodded and pulled it out of her purse.

Beano looked up "Bates" in the Central California Directory. When he found "Steven X.," he wrote down the number.

They cut a deal with Hobbs for the paint, which he said could be delivered anywhere in the San Joaquin Valley within a day. Beano paid him a thousand dollars cash in advance, to hold the available stock. Inside the little chain-linked stock yard at the back of Hobbs Ranch and Farm Supplies, they picked out a compressor and some spray equipment with three tanks. They took two cans of orange and one of red with them. Before they left, Beano bought three sheets of yellow decal letters, two inches high, and three sheets of half-inch white letters. He also bought two green jump-suits.

With Gary Hobbs's card in his pocket, Beano went out to a pay phone in the parking lot and dialed up Steven Bates.

"Bates Roofing," a young boy answered the phone.

Victoria couldn't hear what was being said on the other end of the line, but looked up sharply as Beano whistled three notes into the receiver and waited. Beano took the phone away from his ear; then she could hear the faint sound of three other notes being whistled back. It was some kind of secret identification code.

"This is Beano Bates," he said, pressing the phone back to his ear. "Who am I talking to?"

"I'm Lawrence Bates," the young boy said proudly over the receiver… "Come on, really, who is this?"

"It's your Uncle Beano."

"This is King Con?" the boy said, awe in his voice.

"Yeah, but I hate that name 'cause it brings too much heat."

"Just a minute, sir," and the phone was dropped. Beano could hear the boy yelling for his father at the top of his lungs. After a moment a man came on the line.

"This here's Steven Bates," the man said. "Who is this again?"

"This is Beano Bates, Steve."

"Can I hear them notes again?"

Beano whistled them again.

"Son-of-a-bitch! I seen you 'bout three, four weeks ago on America's Most Wanted."

"In our game, celebrity ain't always a blessing."

"Imagine so."

"Listen, Steve, I'm running a moose pasture up here in Modesto. I could use a little help."

"Modesto ain't bad for it, but you seen them farms around Oak Crest? Real good, and pretty too. Lotta pipe above ground."

"I haven't been over there, but I'll check it out," Beano said. "Can I buy you and your family dinner tonight?"

"You bet," Steven answered. "We'd be honored."

"Where do you like to go?"

"There's a place called the Red Barn up near Keats. It's on Highway Seventeen. How 'bout there?"

"Around seven-thirty, and Steve, I'm looking for somebody to be the painting contractor. You think you could pull some family together for that?"

"I figured that was what you wanted. There's a bunch of us up here for the summer. You think ten would do it?"

"Oughta do. We'll cut the deal tonight."

"Be a pleasure, sir."

Beano hung up. Victoria whistled the three notes at him. They sounded slightly familiar. She shot him a puzzled look.

"The first three notes of Brahms's 'Lullaby,'" he answered, before she could ask. "He whistles back the last three."

"So now I know a family secret."

He moved to the car. "Only it changes every month, and you've gotta know what music publication to look in, what list of songs, and what number on the list. It's a variation of the key book code used by spies during World War I. It's basically an unbreakable code unless you know the keys."

"And everybody in the family goes out and buys the music publication and memorizes the melody each month?" she said, cocking an eyebrow, thinking that was a hell of a lot of trouble to go through.

"It beats doing prison time because you trusted the wrong person."

"What if you're tone-deaf?"

"We take all our tone-deaf children out in a field and shoot 'em," he said, a smile playing on his expressive features.