Phil Rickman - Crybbe
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- Название:Crybbe
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Crybbe: краткое содержание, описание и аннотация
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She listened to Ashpole asking all the obvious questions.
'Oh yes,' she said. 'Impeccable sources.'
Fay put down the phone, picked up the pad and began to write.
CHAPTER IV
The police station was at the southern end of the town centre, just before the road sloped down to the three-arched river bridge. Attached to the station was the old police house. Murray Beech strode boldly to the front door and rapped loudly with the knocker, standing back and looking around for someone he might say hello to.
He very much wanted to be seen. Did not want anyone to think there was anything remotely surreptitious about this visit, indeed, he'd been hoping Police Sergeant Wynford Wiley would be visible through the police-station window so he could wave to him. But he was not. Nobody was there.
As a last resort Murray had been round to Alex Peters's house, hoping to persuade the old man lo come with him as adviser, witness and… well, chaperone. There'd been no sign of Alex or his daughter, no answer to his knocks.
But Murray didn't have to knock twice on the door of the old police house. She must have been waiting behind it.
'Good afternoon, Tessa,' he said loudly, putting on his most clergymanly voice.
Tessa Byford looked at him in silence. Eighteen. Dark-haired, dark-eyed, pale-faced. Often seen leather-jacketed on street corners with the likes of Warren Preece.
But not an unintelligent girl. A talented artist, he'd heard. And more confident than most local girls. Born here, but brought up in Liverpool until her mother died and her father had dumped her on his parents in Crybbe so he could go back to sea.
Murray could understand why she'd never forgiven he father for this.
He thought: sullen, resentful and eighteen. Prime poltergeist fodder… if you accept the tenets of parapsychology.
About which Murray, of course, kept an open mind.
He smiled. 'Well,' he said, 'I'm here.'
Tessa Byford did not smile back. Without a word, she led him into a small, dark sitting-room, entirely dominated by an oppressive Victorian sideboard, ornate as a pulpit, with many stages, canopies and overhangs.
Murray felt it was dominating him, too. He was immediately uncomfortable. The room seemed overcrowded, with the sideboard and the two of them standing there awkwardly, an unmarried clergyman and a teenage girl. It hit him then, the folly of what he was doing. He should never have come.
She looked down over his dark suit.
'You've not brought any holy water, have you?'
Murray managed a weak smile. 'Let's see how we get on, shall we?'
It occurred to him that, while she might be an adult now, this was not actually her house. He'd allowed himself to be lured into somebody else's house.
'You should've brought holy water,' she said sulkily.
Murray tried to relax. His plan was merely to talk to the girl, say a helpful prayer and then leave. He found a straight-backed dining chair and sat on it squarely – always felt foolish sinking into someone's soft fireside furniture, felt it diminished him.
'I still wish your grandparents were here.'
'Gone shopping,' she said, still standing, 'in Hereford. Won't be back until tonight. I only stayed to wait for you. I was going to give you another five minutes. Wouldn't stay here on me own. Not any more.'
Why did he think she was lying?
'I wish you'd felt able to discuss this with them.'
She shook her head firmly. 'Can't. You just can't.' Her thin lips went tight, her deep-set eyes stoney with the certainty of it.
'Have you tried?'
Tessa's lips twisted. 'Me gran… says people who are daft enough to think they've seen a ghost ought to keep it to themselves.'
'So you have tried to talk to her about it.'
Tessa, grimacing, went through the motions of wiping something nasty off her hands.
Murray tried to understand but couldn't. Neither Mrs Byford nor her husband appeared to him to be particularly religious. They came to church, if not every week. He'd watched them praying, as he did all his parishioners from time to time, but detected no great piety there. Just going through the motions, lip movements, like the rest of them. A ritual as meaningless as Sunday lunch, and rather less palatable.
There was no Bible on the shelf, no books of any kind, just white china above a small television set. No pictures of Christ on the wall, no framed religious texts.
And yet the room itself stank of repression, as if the people who lived here were the narrowest type of religious fundamentalists.
Tessa was standing there expressionless, watching him. The next move was his. Because he was trying so hard not to be, he was painfully aware of her breasts under what, in his own teenage days, had been known as a tank top.
'I know what you're thinking,' she said, and Murray sucked in a sharp breath.
'But I'm not,' she said. 'I'm not imagining any of it. You don't imagine things being thrown at you in the bathroom, even if.. .'
Her lips clamped and she looked down at her feet.
'If what?' Murray said.
'Show you,' Tessa mumbled.
Murray felt sweat under his white clerical collar. He stood up, feeling suddenly out of his depth, and followed Tessa Byford into the hall and up the narrow stairs.
All right, Fay?'
'I don't know.'
She was going hot and cold. Maybe succumbing to one of those awful summer bugs.
All she needed.
'Give me a minute… Elton. I want to make a few adjustments to the script.'
'OK, no hurry. I've got a couple of pieces to top and tail. Come back to you in five minutes, OK?'
'Fine,' Fay said, 'fine.'
She took off the cans and leaned back in the studio chair, breathing in and out a couple of times. Outside it was still raining and not exactly warm; in here, she felt clammy, sticky, she pulled her T-shirt out of her jeans and flapped it about a bit.
The air in here was always stale. There should be air-conditioning. The Crybbe Unattended itself was probably a serious infringement of the Factories Act or whatever it was called these days.
And the walls of the studio seemed to be closer every time she came in.
That was psychological, of course. Hallucinatory, just like. .. She slammed a door in her mind on the icy Grace Legge smile, just as she'd slammed the office door last night before stumbling upstairs after the dog. She wondered how she was ever going to go into that room again after dark. She certainly wouldn't leave the dog in there again at night.
How primitive life had become.
'Fay!' A tinny voice rattling in the cans on the table. She put them on.
Ashpole.
'Fay, tell me again what he's doing…'
'Goff?'
She told him again about the New Age research centre, about the dowsers and the healers. She didn't mention the plan to reinstate the stones. She was going to hold that back – another day, another dollar.
'No rock stars, then.'
'What?'
'All a bit of a disappointment, isn't it, really,' Ashpole said.
'Is it?' Fay was gripping the edge of the table. Just let him start…
'Nutty stuff. New Age. Old hippies. Big yawn. Some people'll be interested, I suppose. When can we talk to the great man in person?'
'Goff? I'm working on it.'
That was a laugh. Some chance now. I'll ask my ex-husband – he owns all the broadcasting rights. God, God, God!
'Hmm,' Ashpole said, 'maybe we should…'
Without even a warning tremor. Fay erupted. 'Oh sure. Send a real reporter down to doorstep him! Why don't you do that? Get him to claim on tape that he's the son of God and he's going to save the fucking world!'
She tore off the cans and hurled them at the wall, stood up so violently she knocked the chair over. Stood with her back to the wall, panting, tears of outrage bubbling up.
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