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Beverly Connor: Dead Past

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Beverly Connor Dead Past

Dead Past: краткое содержание, описание и аннотация

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“How many people inside? Do you know?” she asked.

White steam rose in front of their faces with each breath. Diane’s nose was growing numb.

“That’s what you’re going to have to tell us.” He paused a long moment. “The neighbors say there was loud music going all evening. They saw kids on the front and back porches. I’m afraid to guess how many.”

“Dear God,” Diane whispered.

“We have a few survivors. Kids who were out in the yard when the house exploded. They’re all badly injured, but alive. So far, our best lead for information is the kid who tried to jack your car. He’s in the best condition of all of them. I understand he’s out of surgery. I’m going to talk with him after I leave here.

The cold was beginning to seep into Diane’s fleece-lined jacket. She bent her knees and rubbed her gloved hands together. The cold didn’t seem to bother Garnett. He stood scanning the burned-out building, his hands in his pockets.

“I’ve called in all the area medical examiners-Rankin, Pilgrim, Webber-we need to do this fast. Anxious parents are calling wanting to know if their child is among the victims.”

At the sound of a generator motor starting, Diane looked a couple of doors down the street at the morgue tent being raised where she and the MEs would work. The white canvas structure covered the entire front yard of an empty house with a FOR SALE sign out front, which made it a good choice to occupy.

City workers were quickly erecting a forensic city in the neighborhood. They had installed blue and white Porta-Johns near the morgue tent. A command post in a small travel camper sat in the driveway. In the street they’d parked a refrigerated trailer from a semi to keep bodies, evidence, and equipment. The forensic complex looked expensive and Diane said so.

“We’ll have to bring in a portable x-ray machine and other equipment to do our job. All this could be done at one of the hospitals for a lot less money and aggravation.”

“Good publicity is priceless,” Garnett said, nodding his head toward the local and Atlanta news media setting up their own tent city on a lawn across the street. “Nothing like seeing your leaders taking immediate action.”

“I guess.” Diane’s attention was caught by a circular saw blade lying half-buried in the snow at the base of a thick oak tree. She squatted beside it. Garnett peered over her shoulder. Diane took a plastic bag full of orange marker flags from her jacket pocket.

“What do you have there?” asked Garnett.

Diane stuck a flag in the snow beside the saw blade. “The red color on the edge here… I think it’s frozen blood.”

Just as she was about to stand, she saw just beyond the blade something else covered in a thin layer of snow but unmistakable in its appearance. She planted another flag beside the object and stood up.

“Is that a hand?” asked Garnett.

“It is. And if I’m not mistaken, I know who it belongs to. The kid who tried to take my car. It would appear that the saw blade came flying from the explosion and caught his wrist. Looks like a clean cut. If he had had his wits about him and taken his hand with him, I wonder if it could have been reattached.”

Garnett didn’t say anything for a moment, but just stared at the hand with his mouth turned down in a frown. “At least he’s alive,” he said.

Diane looked over at the burned-out house. “At least that,” she whispered.

Carefully retracing her previous steps, she walked away from the tree, back out to the road. Next to the media tent a shelter of green-striped canvas was being erected. More media? The tent city just kept growing. “Who are they?” she asked.

“Local church groups are setting up a tent to keep you guys in sandwiches and coffee. A sort of comfort station.”

Diane shook her head and looked him in the eye. “You know, Garnett, this is getting too large. It’s going to get out of hand.”

“We’ll have to see that it doesn’t.” He nodded at the new tent. “It’s also there for the parents. You know that anyone who can’t get in touch with their kid is going to come down here. This will give them a place to sit and wait and someone to talk to besides us.”

Diane conceded that might be a good idea. “What about the people who live in these houses?” She encompassed the neighborhood with a sweep of her hand. “They are going to want back in their homes.”

“Most of the people on the street have been given permission to come back. The houses next to the explosion suffered damage and their owners are staying in a hotel until they can return. A cordon will be put up and the police will keep people out of your way.”

Diane still didn’t agree with the way the city was handling the tragedy. But the decision was made. The mayor loved a good show. It looked like he was going to have one. Instead of arguing the point further, she turned her attention back to the crime scene.

“We won’t be able to walk on what’s left of the floor of the house. What we’ll do is build a network of boards just over the floor, anchored outside… ”

The ambient noise went up several decibels; Diane stopped talking and looked up the street. A line of vehicles was driving through the police checkpoint. The white van she knew. It belonged to her crime lab. It and two cars approached and parked next to the curb in front of a neighboring house. The last vehicle in the line belonged to the arson investigator. Diane groaned inwardly. He parked across the street from the others, pulling up in the yard to keep the street from becoming a bottleneck. The new arrivals drew members of the news media like flies to a corpse.

Diane wanted to tell Garnett that this was going to be trouble, but she remained silent. Nothing she could do. Marcus McNair was the arson investigator, after all. He had right of access to the scene. But Garnett apparently had his own apprehensions. His frown deepened the creases in his forehead and around his mouth when he saw Marcus emerge from the red city vehicle and grin broadly at the swarm of reporters hurrying in his direction.

“I have to cut this off,” he said, and strode across the street to intercept the press.

Diane stayed and waited for her crew who, carrying their crime scene cases, were climbing out of the van. The last thing she wanted was to come between Marcus and publicity.

Marcus McNair wanted her job. He had applied for it when the city announced it was creating a crime scene unit. He thought his bid for the director’s position was a certainty-he was an arson investigator; his brother-in-law was a city councilman with a lot of pull; he was athletic and handsome; and the only person he was up against was a civilian female museum director.

What McNair didn’t know was that the job was wired for the director of the museum where the forensic lab was to be located. He didn’t know about all the political shenanigans the mayor and police commissioner had conjured to force Diane to provide building space in return for relief from an overburdening tax assessment. He didn’t know that the museum director was a former human rights investigator, a crime scene specialist, and an internationally known forensic anthropologist. Judging from the reception he gave Diane at every encounter-scowls, sarcasm, or just plain ignoring her-losing the position had been a blow.

Diane greeted her team and ignored the conversation Garnett and Marcus were having with the news media. David, Jin, and Neva stopped, set down their cases, and scanned the scene before them. They were all bundled in their dark blue winter jackets with CRIME SCENE UNIT printed in large yellow letters across the back. All but Jin wore knit caps and boots.

Jin was bareheaded and wore sneakers. He had worked in New York City as a crime scene specialist, and during the past few weeks he had tried to explain to them many times that this wasn’t really cold weather; they didn’t know what cold weather is. He had wanted to live in a smaller city for a while and Diane felt fortunate to have him. “I hate fires,” he said. “I really hate them.” He covered his straight black hair with the plastic cap that Diane had them wear at crime scenes.

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