Rick Mofina - In Desperation

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In Desperation: краткое содержание, описание и аннотация

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Eleven-year-old Tilly Martin is dragged from her suburban bedroom. Her mother, Cora, pleads for mercy but the kidnappers are clear: if they don't get their $5 million back in five days, Tilly dies. If anyone contacts police, Tilly dies.
Journalist Jack Gannon's estranged sister, Cora, disappeared without a trace decades ago. Now she is frantically reaching out to him for help. Cora tells him about the shameful mistakes she's made – but she guards the one secret that may be keeping her daughter alive.
A twenty-year-old assassin, haunted by the faces of the people he's executed, seeks absolution as he sets out to commit his last murders as a hired killer.
In the U.S. and Mexico, police and the press go flat out on Tilly's case. But as Gannon digs deeper into his anguished sister's past, the hours tick down on his niece's life and he faces losing a fragment of his rediscovered family forever.

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Tape bound her chest to the chair’s back and her ankles to the legs.

Time was slipping away.

She rocked the chair, got up on her feet, only to lose her balance and fall back, sitting in the chair. It wasn’t easy to move. She had trouble directing her weight. She could try smashing the chair but it was metal and heavy. She couldn’t risk hurting herself.

She had to find a way out of this.

You have to do something now!

Again, Cora rocked until she got to her feet. She bent forward, tensed her muscles and, using the weight of the chair, kept herself upright. By carefully shuffling her feet with the heavy chair affixed to her back and legs she painfully inched her way across the kitchen like a grotesque snail.

When Cora reached the drawer where she kept utensils, her heart sank.

The splayed legs and angle of the chair kept her from reaching the handle with her hands.

Cora growled into the tape.

Those motherfuckers better not hurt my baby!

Don’t give up! You have to do this!

Carefully contorting her body with strategic leaning, her fingers blindly brushed the handle to the utensil drawer. Her arms, legs, shoulders were ablaze as she forced herself up on her toes and with one great heave got the drawer open. She rattled it until the plastic tray erupted with utensils. Finally the weight against her position demanded she sit.

She fought the pressure.

Come on! Come on!

She shook as her fingers clawed at the disgorged spoons, forks, knives. There! Battling the weight brought waves of pain before she seized as many knives as she could in one solid grab. Her nostrils flared and her breathing roared as she sat, clenching the knives behind her.

Eyes on the ceiling, fingers sweating, Cora sorted the knives and ran her thumb along each blade, one by one. The first was a butter knife. So was the second. Damn. Wait! The third had sharp serrated edges.

A steak knife.

She dropped the others. Working her fingers down the blade to improve her grip, she delicately sawed at the edges of the tape. The first ripping sound encouraged her to work harder. It was followed by another, then another as she sawed without stopping until the tape gave way.

Relief flowed into her arms as she brought them forward, pulling the tape from her mouth, gulping air as she yanked the remaining strips of tape from her wrists, massaging them before cutting her chest and ankles free.

She reached for her kitchen phone, jabbed the button for 9 then 1-

If you go to the police, your daughter will die.

Recalling the kidnapper’s warning stopped her cold. She wouldn’t risk Tilly’s life. Cora aborted the call. She had to find Lyle.

She called his cell phone, got his voice mail and left a message.

“It’s me! Something bad has happened to Tilly!” Cora broke down. “She’s gone, Lyle! They’re going to kill her! Call me!”

Then she called his home number, her heart racing as it rang. No answer. She left a message. Then she texted him and urged him to call.

Cora fumbled through her bag for her notebook, struggling with her composure as she called his hotel in San Diego.

“Blue Sapphire Regency, how may I help you?”

“I have to speak to one of your guests, Lyle Galviera.”

“One moment please, I’ll connect you-”

The line clicked with the transfer.

“Front desk? May I be of-”

“I need to speak to one of your guests, Lyle Galviera! It’s urgent!”

“Of course, that last name again?”

“Galviera. G-A-L-V-”

Rapid typing on a keyboard.

“Lyle Galviera of Phoenix?”

“Yes, that’s him!”

“I’m sorry. We had a reservation for Mr. Galviera but our records show that he never arrived.”

Cora hung up, called Lyle’s hotel in Los Angeles and got the same result. What was happening? Where was he? She stood there, her mind racing.

Do something! Go to the office. Look there!

She dressed without showering and ran to her car.

Dawn was breaking and freeway traffic was light as Cora sped west then north toward Phoenix Sky Harbor International Airport. Quick Draw Courier’s depot, a squat single-story warehouse, was located amid the industrial buildings southwest of the terminals.

Cora could see the delivery trucks backed to the rear loading bays where the night crew was going full tilt processing orders. She parked out front by the landscaped entrance to the administration office. At the card lock, she swiped her employee card and punched in her security code. She entered and hurried to her desk.

No one was in at this hour.

She closed the door to her office, hit the lights and started her computer. Tilly smiled back from her screen saver before Cora navigated to the itinerary she’d prepared for Lyle’s business trip.

She went to the website of the airline he was using and called. She rushed through the prompts only to be put into the queue for a living, breathing agent. While holding, she checked her cell phone for any response from Lyle.

Nothing.

She opened another file for Quick Draw Courier’s credit card. Lyle used a company card for all business. While still on hold with the airline, Cora used her cell phone to call the credit card company’s security department and report a lost card.

“Could you please give us details on the last transaction?” Cora asked.

The card was last used to pay for a business lunch in Phoenix. The agent provided the time. It was the day before Lyle had left for the trip.

“Would you like us to cancel the card now, ma’am?” asked the agent.

“No, thank you. We’re hoping it will turn up. Thanks.”

Cora finally got through to a human being at the airline. She begged the agent to help her confirm if Lyle had boarded any of the flights she’d booked for him.

“Unfortunately airline privacy policy prevents us-”

“Please! This is a family emergency! The ticket was purchased with our company credit card. I’ll give you the number to verify.”

A tense silence passed.

“Please!” she said. “It’s extremely urgent! Please!”

“Give me the number. I’ll check with my supervisor.”

Cora recited it and the agent said: “One moment please.”

As seconds ticked by, Cora looked at the online news pages showing sports scores; celebrity gossip; international news out of London on the Royal Navy, Hong Kong on business mergers, drug-war murders in Mexico. Then the line clicked.

“Sorry for the delay, ma’am. I can confirm that the departure ticket purchased by your company has not been used, nor has it been adjusted to a different date or flight.”

Cora hung up and concentrated.

Today was Monday. Lyle was to have left Friday morning for San Diego. Tomorrow morning, he was to fly to Los Angeles and return to Phoenix on Thursday. Cora had expected to hear from him later today but was not concerned that he hadn’t called or emailed her over the weekend. She was not clingy and it was no big deal if he didn’t call every day. And, as far as she knew, things were quiet with the business.

But now Cora was desperate.

She dialed the home number for Ed Kilpatrick, the operations manager. It was 5:15 a.m. Ed usually started at 6:00 a.m. Maybe she’d catch him at home. He was accustomed to early calls from the guys in shipping.

“Hello.”

“Ed, this is Cora.”

“Hey, Cora, what’s up?”

“Sorry to bother you at home.”

“I was on my way in. What’s going on?”

“Have you heard from Lyle since he left for California?”

“No. Is something going on?”

“Some people had been asking about him over the weekend.”

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