Curt Colbert - Seattle Noir

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Brand new stories by: G. M. Ford, Skye Moody, R. Barri Flowers, Thomas P. Hopp, Patricia Harrington, Bharti Kirchner, Kathleen Alcalá, Simon Wood, Brian Thornton, Lou Kemp, Curt Colbert, Robert Lopresti, Paul S. Piper, and Stephan Magcosta.
Early Seattle was a hardscrabble seaport filled with merchant sailors, longshoremen, lumberjacks, rowdy saloons, and a rough-and-tumble police force not immune to corruption and graft. By the mid-50s, the town had added Boeing to its claim to fame, but was still a mostly blue-collar burg that was infamously described as 'a cultural dustbin' by the Seattle Symphony's first conductor. Present-day Seattle has become a pricey, cosmopolitan center, home to Microsoft and Starbucks. The city is famous as the birthplace of grunge music, and possesses a flourishing art, theatre, and club scene that many would have thought improbable just a few decades ago. But some things never change – crime being one of them. Seattle's evolution to high-finance and high-tech has simply provided even greater opportunity and reward to those who might be ethically, morally, or economically challenged (crooks, in other words). But most crooks are just ordinary people, not professional thieves or crime bosses – they might be your pleasant neighbor, your wife or lover, your grocer or hairdresser, your minister or banker or lifelong friend – yet even the most upright and honest of them sometimes fall to temptation.
Within the stories of Seattle Noir, you will find: a wealthy couple whose marriage is filled with not-so-quiet desperation; a credit card scam that goes over-limit; femmes fatales and hommes fatales; a delicatessen owner whose case is less than kosher; a famous midget actor whose movie roles begin to shrink when he starts growing taller; an ex-cop who learns too much; a group of mystery writers whose fiction causes friction; a Native American shaman caught in a web of secrets and tribal allegiances; sex, lies, and slippery slopes… and a cast of characters that always want more, not less… unless…

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A man stands in front of him, twenty feet tall. The familiar face scowls down from under his cap.

He’s crazy , says Lenin. That’s what’s wrong with him.

Petey can’t move, caught in the big man’s glare.

It’s just freaking Lenin! screams Fox. The statue they brought from Russia! You’ve seen it a thousand times!

Now hold on, says Strabo. It doesn’t make sense, does it? Why would anyone put up a monument to a dead Communist in the middle of this merchant kingdom? No, I’d say the lad is delusional.

Out of his capitalist mind , says Lenin, and somebody hits Petey from behind. He slams into the base of the statue and bangs his head.

He rolls over on the plaza tiles and Widmark lands on top of him. Petey sees the knife going up but his left hand is tangled in his jacket. He can’t stop the blade.

Freeze!

Widmark stops, looks up. He slides off and drops the knife.

Thank god you’re here, officer! This man just confessed to murder.

Get away from him, says the cop, who looks a little like Matt Damon.

It’s true, says Mineo. He told us he killed a woman near the bridge last night.

Damon’s eyes widen. He’s heard about the dead woman.

Is that true?

I didn’t kill anybody, says Petey. They did it. You saw them attack me.

We took the knife away from him, says Widmark.

Ask him why she died, says Mineo.

The cop is frowning, not sure where to point the gun. Why’d she die, sir?

Be silent, boy, says Strabo, but Petey can’t help himself.

She was a spy. For Starbucks.

See? says Mineo.

Petey shakes his head, trying to clear it. They attacked me by the dinosaurs. Then I came up here, past the rocket, and saw Lenin.

Damon nods. You were attacked by a dinosaur and came here by rocket. Was that after you killed the woman?

Dear, dear, says Strabo. The constable’s not from around here.

Damon has his handcuffs in one hand, gun in the other. Put your hands on your… What happened to your arm?

He’s afraid you’ll get his cuffs bloody. Har har.

Your honor, says Strabo, my client pleads not guilty by season of inanity.

Petey falls back on the tiles. He’s crying.

You’re under arrest , says Lenin.

The detective is Bill Cosby, except his hair is gray and he has a thin mustache. He is scowling and Petey figures it is because he’s only a TV star and the movie stars outrank him.

Mr. Gottesman, he says, you say you saw those two men following Ms. Mantello, but you didn’t do anything about it.

I was scared. Did you see him in Night and the City?

Who?

Petey explains about Richard Widmark. Cosby frowns more. Mr. Gottesman, where do you think you are right now?

Petey looks around. I’m sitting at a patio table in a Mexican-style plaza in the middle of Seattle. Dozens of tourists are watching me. I’m handcuffed to an umbrella, staring at Lenin’s giant butt, while a medic patches up my arm and a cop interrogates me. How much of that is real?

Cosby shrugs. All of it.

Petey repeats something Fox had said before disappearing again. Just because you’re paranoid doesn’t mean there aren’t two men chasing you with a knife.

The detective thinks that one over. He looks at the movie stars standing on the other side of the plaza by the taco shop, talking to Matt Damon.

You said Ms. Mantello was a spy for a coffee company.

They told me that.

Cosby sighs.

Okay. Here’s what’s gonna happen. You’re still under arrest. We’re gonna take you to the hospital to get that arm looked at. Then I think a judge will order an examination-

No hospitals, says Fox. They wipe your freaking memory there. You know that.

Think , Petey, says Strabo. Make him see the truth and the truth will set us free!

Listen, Bill, says Petey, I followed that woman because she looked like Abby, my ex-wife. I didn’t go near those guys because they scared me. But I didn’t kill her, and when it happened I couldn’t get near them because of the drawbridge.

The drawbridge? She came from Queen Anne?

We all did. But the drawbridge went up-

You didn’t mention that.

Nobody asked, says Petey.

I’m asking now. Tell me the whole route.

Petey does. Cosby nods and stands up.

He calls for Officer Bestock and Damon hurries over.

There’s a bank on Nickerson Avenue and they’ve got a security camera out front. Tell ’em we need the tapes from last night. He looks at the movie stars and raises his voice. If that woman was over there, we’ll know. And if someone was following her, we’ll see who it was.

Mineo starts to cry. Widmark tells him to shut up, but it’s too late.

Cosby turns to Petey. How’d you know my name is Bill?

It’s in the credits.

Petey tells them he has no insurance, which usually saves him from medical care, but this time they insist he’s going to the hospital.

Cause you’re a hero, says Fox.

Indeed, says Strabo. A veritable Hercules or Adonis.

The paramedics strap him on a gurney and are ready to wheel him into the ambulance when another cop comes up, one who doesn’t look like anybody.

Jesus, Petey, is that you?

You know him? asks Cosby.

Yeah. I do security shifts at the clinic downtown. He used to be a regular. Remember me, Petey? Officer Lazenby.

He shakes his head.

You went off your meds, didn’t you, pal?

Had to. My friends didn’t like them.

What friends?

Fox and Strabo.

They aren’t your friends, pal. They’re just voices in your head. You don’t have any friends.

Thanks a lot.

I didn’t mean it like that, says Lazenby. Oh, Jesus.

Should we notify anybody? asks the ambulance guy.

About what?

Tell ’em you’ll be in the hospital.

No. There’s nobody.

What about your ex-wife? asks Cosby.

Ex-wife, Lazenby repeats.

He said her name was Abby.

Jesus. Lazenby shakes his head. Abby wasn’t his wife. She was just a nice barista who used to sneak free coffee to the homeless people. When she quit and moved away, Petey went on a one-man WTO against Starbucks. He got locked up for a while for throwing rocks through their windows. Didn’t you, pal?

They took her away from me.

Lazenby pats his arm, the one that isn’t cut. It’s gonna be okay, pal. The drugs keep improving. You just listen to the docs and pretty soon you’ll be back in the real world.

What else’ve you got? asks Petey.

PART II. WHAT COMES AROUND

BLUE SUNDAYBY KATHLEEN ALCALÁ

Central District

It was a blue night, a blue car, and Danny was full of shots of blue tequila.

“Slow down, man. Aren’t you going too fast?”

“Can’t catch me, I’m the gingerbread man.”

“Shit, man, I thought I was the crazy one. Just get me back to my old lady in one piece.”

“No problem, bro. How’s she doing, anyway?”

“Good. She’s happy to see me alive.”

Chucho gunned it to make a light. That’s when a cop car came out of the parking lot and the sirens started.

When Danny came to, he was lying on the ground.

“Get up… I said get up!”

A foot prodded him.

“Okay, okay,” said Danny.

Danny was on his back. He slowly rolled over and got to his hands and knees. Chucho’s car was nearby, the passenger door open next to Danny. He vaguely recalled Chucho’s nervous laughter as they had careened past the fancy new condos on 23rd, past Garfield and the fire station to Jackson. The Seven Star Mini Mart was still open. Chucho made a bat turn left onto MLK in front of half a dozen cars and flew past the playground to Cherry.

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