Gerald Seymour - Red Fox

Dwarfing the boy were the great white stone walls and archway of the University. Designed for immortality, designed to stand for a thousand years as proof to a grateful worker class of the power wielded by the black shirt and the leather boot. Giancarlo took in the daubed slogans of the paint spray aerosols, bright colours of graffiti that disfigured the impression of omnipotence, but only as high as a student's arm could rise. Above the reach of the protestor was the clean-cut stone of the rejected regime.

The slogans of the Autonomia were here at shoulder height. The painted outline of the closed fist with the first and second fingers extended – the P trent' otto. Here were daubed the cries of hate against the Ministers of government, the parties of democracy, the polizia, the carabinieri, the borghese. He had arrived at the place where succour might be found.

Stretching away in front of him was the wide avenue between the Science and Medical Faculties and the Administration buildings. Many doors were closed, many windows shuttered, because the academic year and examinations had terminated six weeks earlier. But there would be some students here, those who had taken a cause and rejected the cloying parental hand over the family holiday, they would have stayed. Giancarlo broke into a run. He lifted the weariness from his legs, lengthened his stride, till he was sprinting down the gentle hill.

The taxi, its driver displaying caution rare in his vocation, nudged up the hill at a crawl and rounded the three police cars straddled in front of the Mercedes. Charlesworth saw the driver's side window breached and shattered, frozen glass glittering in the gravel surface of the road.

The polizia, in blue and mauve trousers with the thin maroon cord astride their thighs and open blue shirts and caps pushed back on their foreheads, were working round the smitten vehicle.

They dabbed on fingerprint dust and a tin was beside them in which plaster glistened wetly and which would be used if the impression of a tyre grip needed recording. It was too Warm for the polizia to move with energy and their inertia was augmented by the very familiarity of the scene. There was nothing new, the scene of crime procedures for a kidnap. As the taxi circumvented the blockage, Charlesworth saw two men in civilian suits, and they were the only ones that mattered. Only two. Not the young boys in their crumpled uniforms recruited from the Mezzo Giorno who knew less of crime than a Neapolitan pickpocket or a Milanese burglar and wore the uniform because it was the only escape from the region of unemployment. Just two, the trained ones who took the privilege of wearing their own clothes, enough to make him heave and throw up. Dear old Carboni, with his courtesy and his compromise, who had promised nothing, he knew the limitations of his force. And why should they bust a gut – because the man who'd been lifted had a blue passport with a lion rampant and English scroll inside the front flap? Carboni had marked Charlesworth's card, said there should be a payout, that they should get the misery over, forget the games. So what's in it for a policeman, standing on his big flat feet, when more money will be paid than he'll see in a lifetime, and it won't be missed, won't be noticed, and his own chief says that's the way to do business?

He paid the driver, stepped out of the taxi and looked around him.

A wide street on a sloping hill. Flats which owned areas of neat lawn in front and flower-bushes that had been tended and cropped and watered that morning by the porters. Blocks of five floors with deep terraces and canvas awnings and jungles of foliage. The ladies' cars parked bumper to bumper; the little runabout city motors. Dust floated softly down on to Charlesworth's jacket and the maid in the starched apron stared him out as she shook her mop. Not much poverty here, not much malaise from the economic crisis, not up here on the hill. And there was the reaction to the affluence for him to see, provided by those who crept up the slope under cover of night: paint-sprayed swastikas, the daubed MORTE AL FASCISTI that could never be scrubbed from the marble veneer surfaces.

Didn't do badly for their people, the old multinationals. If International Chemical Holdings had put their man in here, then they were solvent, they had no liquidity problems. And the bastards would have known that, or Geoffrey Harrison would be sitting at his desk right now, clobbering his secretary for the lateness of the post, straightening his tie for his next appointment.

Money here, and plenty of it, and these people knew where to sniff the air for it, where to strike, where the dividend was assured.

Charlesworth walked into the hallway of the block, paused at the porter's nook where a man with a saddened and troubled face sat, mentioned the name and was told which floor. A slow lift creaked and swayed upwards. Two policemen lolled against the wall beside the door of the flat. They straightened when they saw the diplomat, not dramatically but enough to swing the holstered pistols that hung from waistbelts. Charlesworth said nothing, merely nodded, and pressed the bell.

Soft, slippered feet shuffled to the door. An age passed while four sets of locks were unfastened. The door opened an inch and a half, as far as a chain would allow. Like a bloody fortress, he thought. But they all lived like that on the hill and damn-all good it did them when the vultures began to circle. It was dark inside and he could see nothing through the gap.

'Who is it?' A small voice, invisible and inanimate.

'It's Charlesworth, Michael Charlesworth. From the Embassy.'

A pause, and then the door was closed. He heard the button on the end of the chain being withdrawn from its socket. The door opened again, not extravagantly, but sufficient to admit him.

'I'm Violet Harrison. Thank you for coming.'

He turned almost startled, two steps inside the hall, as if he had not expected the voice to materialize from behind – a quick movement that betrayed his unease. She came out of the shadows and her hand took his elbow and manoeuvred him towards the living-room where the blinds were drawn and the low table lights lit. He followed meekly behind the tented swirl of her trailing cotton dressing-gown with the big flowers embroidered across the shapes of her back and her buttocks and legs. He stole a glance at the silhouette against a light and dug his nails into the palm of a hand. You'd have thought she'd have dressed by now, on a morning like this, with a bloody deluge of visitors about to come tripping in. You'd have thought the woman would put some clothes on.

He saw her the first time when she reached her chair and angled her face at him. She might not have dressed but she'd made her face, had worked at it long enough to give the tears scope to smudge and spoil her efforts. She would have been crying from the time he telephoned. The eyelids were puffy and bulging, red above the dark broad painted eye shadow. A small tight-turned nose that had taken the sun and the freckles offset her cheeks that were smooth and bronzed. Attractive but not remarkable. Well shaped but not beautiful. His eyes flickered over her, unwilling but compelled, and she gazed back at him, no hint of embarrassment. Charlesworth looked away, the blush rising in him. Been caught like a schoolboy hadn't he? Been seen peering in the Soho bookshop windows during school holidays. Been noticed ogling a woman who wore a sheer nightdress and a light cotton wrap.

'I'm very sorry for what has happened, Mrs Harrison,' he said.

'Would you like some coffee… there's only instant.'

'You're very kind, but no. Thank you.'

'There's tea, I can make a cup.' A small, far voice.

'No, thanks. Thank you again, but I won't. Would you like me to put the kettle on for you? Can I make you some tea?'