Gerald Seymour - The Journeyman Tailor

The foreman wasn't going to cross a man who might be senior in the Organization.

He said he'd meet you up by the Back Bridge, up Altmore Forest, some time past six, said you'd know who he was, wouldn't give me the name, cocky frigger. He said you was doing rabbits with lamps. He said to be sure you was there…"

He had gone on with his painting. He had left at the normal time. He hadn't rung Siobhan and he hadn't rung the number that would go through to the bitch's people. He might have been watched, and he might not. The man had been more impatient than curious. Not a bad excuse. Fine good rabbits on Altmore, and money to be had for them in the village. It was only sensible to think that he might be watched, followed.

He had pressed the button, hard, three times, when he had left the work site, and again before he was past the Golf Club, again going through Donaghmore and again at Skea Bridge. Damn near pushed the button through the box when he had turned off the Pomeroy road at Corrycoar, and the rain coming. Il was as if he was shouting and could hear no answer. He could only trust that they heard.

Mossie saw, on more than one occasion, lights on the road behind him. He couldn't be sure, but he thought the lights kept the distance between them. He swore to himself because the back window was running mud and water, and the road wound and climbed. He couldn't be sure. He came to the crossroads. His wipers were going hard, bailing the water from his windscreen. The foreman would now be in front of his fire with the rain hitting his windows, and he'd be thinking it was a feckin' awful night to be out for gun sport.

He pressed the button at the crossroads, and turned left. It was the road past the deep reservoir, leading to the Back Bridge. He pressed the button again.

He had no one else to trust, only the bitch.

"Straight on." "You said he'd turned left." "Do as 1 bloody tell you."

Bren went over the crossroads. Jimmy had said over the radio that the track on Song Bird's car showed it had gone left at the crossroads.

He looked once, but the tail-lights were lost.

"Round this corner, stop. Cut the lights. Turn here. Back like a rat up a sewer. Move it, Bren."

The adrenalin pumped in him. It would have been her litle game.

Lights off, hitting a stone behind as he turned, bouncing off it, scraping the tyres. He was hunched over the wheel and peering through the rain.

He understood. Anyone watching the approach of Song Bird's car would have seen the lights behind, and seen them go straight on, and lost them behind the outline of the hill they called the Sentry Box. He wound down his window and navigated by the right-hand verge, going as smoothly and as quietly as he could in third, praying that no one else would be using this road. They were back at the crossroads. He turned right.

Cathy was hunched forward, her hands clamped over her ears, she whispered, "He's stopped."

"How far?"

"They reckon less than a mile… Christ…"

Bren threw the wheel over… Some lunatic with his dog… He didn't know how he had missed him. He'd bloody near put the man in the ditch. He registered the long overcoat, the woollen cap, the dog cringing back against the man's legs, and they were past him, as the man stumbled and swore, and Bren knew in an instant that it was the spycatcher from the Library in Dungannon.

"Well left, sunshine," Cathy said.

There was her light chuckle. He thought he would rather have vomited than laugh. She reached back and pulled the rucksack through the space between their seats. She laid one of the rifles across his lap.

She reached inside the rucksack and he heard the click of a switch. It would be the homing signal for the back-up. He heard her breathing, calm and controlled, as if that was the way she had been taught.

‘’Far enough,’’ Cathy said. She armed her rifle.

They were out of the cat She threw him the rucksack, didn't help him to sling it. She was on the move.

They were the men who waited.

Hobbes had the call from Jimmy, that they were going forward, that Song Bird was close to his rendezvous with Donnelly. He poured himself a second glass. What he called, at times like this, Headmaster’s whisky. .

Rennie was still in his office. He said he would telephone Dungannon and put Scenes of Crime on stand-by as soon as he had finished cleaning the graveside mud off his shoes.

Colonel Johnny stamped away down his corridor to alert the Quick Reaction Platoon and to ask the two helicopter pilots assigned to him to begin at once the checks for take-off.

Ernest Wilkins had the call on the fifth floor of Curzon Street high above the evening traffic clog of the rush home and pushed aside the tray from which he had eaten the Stilton salad brought by Bill from the canteen, and felt an old and tired man.

It would be the next call that they waited for… to tell Hobbes he had won or failed, to tell Rennie he had been right or wrong, to tell Colonel Johnny whether he should hug that sweet super girl or speak a quiet prayer for her, to tell Ernest Wilkins whether it was Downing Street in triumph or the Director General's office in failure.

Each man in his own place, quiet and waiting for a telephone to ring.

Mossie stopped the car and killed the lights. He climbed out of the car and he slammed the door shut. The rain in the wind spattered on his face. The cold bit into the cotton of his work overalls. He peered into the darkness. He strained his ears. He could see the parapet of the bridge and the trees all round. He could hear the wind and the sigh of his fast breathing and the tumble of the floodstream on the rocks under the bridge. He left his windcheater in the car. No way he was going to obscure his white overalls. He put both hands in his trouser pockets, one hand through the slit at the hip of the overalls and down into his trouser pocket with his handkerchief and his change, and his finger rested on the button of the bleeper box. He thought the elastoplast was loosening. Before he had left the site he had gone to the lavatory and tried to rearrange the elastoplast so that it held better. The roll of elastoplast was at home. He didn't know where she, the bitch, was. He didn't know whether the triple signals had been received. It was his instinct to stand away from the car. To be out of the car gave him…

The light beam hit his face.

Mossie screwed his eyes shut, then blinked, then turned away from the light. He looked back into the light, into the blindness. The light wavered off him and swept the car.

"'Tis you, Jon Jo…?"

The light came back to him, held him. He put his left hand out to shield his eyes.

"… It's a fine thing that you're back, Jon Jo… It's you, Jon Jo…?"

Never moving off him, holding him like the rabbit that the foreman thought he had come to shoot.

"Heh, can you take the feckin' light off me, Jon Jo…?"

The rain was in his face. His finger was on the button. He thought that the movement of his finger would be seen.

"Put the thing off, Jon Jo."

The light died.

Mossie pressed the button. He pressed it twice.

"Where is you, Jon Jo? Will you stop your games? Where's you at?"

Only darkness in front of him.

"I was your friend, Mossie…" Behind him.

Mossie turned. The wind now pricking at the back of his neck.

"My friends are for keeping, Jon Jo."

He started forward towards the voice.

"Well, I've a problem with that friendship."

"You've no problem with me…"

Sideways on to him now, the voice.

"Stay where you are, Mossie… There's people telling me about Patsy Riordan."

"What's they telling you?"

"That Patsy Riordan never had the wit to tout."

"Security said he did."

In front of him. Mossie spun again to face the voice.