Dean Koontz - Blood risk

Mellio looked shocked again, apparently decided that this was not one of his better roles, gave up on it and got very businesslike. "Okay, by signing the waiver to get your allowance checks, you'd be endorsing your father's control of the inheritance. But what does that matter, Michael? It's nothing more than a formality, anyway. Your father, by virtue of your mother's will, already has control."

Tucker sighed again, slumped down in his chair, looked at his watch: a quarter of nine. The Klee was beginning to strain his eyes, and the dark teak paneling seemed to be closing in on him. "Signing for the allowance checks, I'd be signing away my right to carry on with the suit we now have in federal court. I'd be limiting myself to the position of a minor for the rest of my life-or for the rest of my father's life, anyway."

"But you've said you only care about having money to spend," Mellio argued quietly. "This way, you would have that nice monthly check."

"I said that I could get along on a hundred and eighty thousand a year, but I can't possibly make it on a hundred and twenty. One thing I did acquire from my father was expensive tastes."

"The allowances could be raised, naturally," Mellio said.

Tucker shook his head. "No. It's not just that. Once I'd signed the waiver and no longer had a lever to use against my father, he'd have more control over me than I want him to have. He could even cut back the allowances until I had to knuckle under and go through the charade of learning the business from him."

"He wouldn't do that," Mellio said.

"You're full of it," Tucker said politely, smiling.

Mellio said, "You must hate him."

"Not merely that; I loathe him."

"But why?"

"I have my reasons."

He thought of many things, but most of all he thought of the women his father had kept, a string of mistresses which, cruelly, he hadn't hidden from his wife. In fact, he seemed to take some strange pleasure in flaunting his adultery in front of her. Tucker remembered sitting with her, once when he had come home over the holidays from the boarding school, listening to her as, hating herself, she told him about his father's women. She had been a strong family-oriented woman, and this was an attack at her base, her sacred foundation. She had huddled in upon herself and cried, silently, shaking, her face cold to his touch. If only his mother had had a bit of Elise in her, less of an old-fashioned outlook and more modern fire, she would have stood up to the old man; she would have left him. Instead, she had stayed on, unable to admit it all had gone bad. Then the cancer, the long slow hospital death, when the old man was too busy to visit her for more than an hour or two a week, her knowing that it wasn't only his financial affairs that took so much of his time.

"Your father is a fascinating man and one of the kindest that I've ever known," Mr. Mellio said. "I can't imagine what reasons he would have given you to loathe him."

"Then you don't know him well."

"Perhaps I know him better than you do."

Tucker smiled frostily. "Considering that you're a banker and that my father was always more interested in money than in his son, perhaps you do."

For the first time the banker seemed to see beyond Tucker's facade and to catch a glimpse of the man behind it. He looked quickly down at the bare top of his massive desk, as if that single glimpse had frightened him, and he said, "What size loan were you considering?"

"Only ten thousand," Tucker said. "I've suddenly found myself short of operating cash."

"Collateral?" Mellio asked, looking up as his courage flooded back in the course of a conversation he must have gone through a thousand times before with a thousand different customers. Familiarity always breeds confidence, especially in men of finance.

"My trust," Tucker said.

"But you do not, strictly speaking, have the right to put up the trust-fund monies as collateral. Only the trust administrator can do that."

"My father."

"Yes."

"Then I can put up that account full of uncollected allowances."

"The same holds true there," Mellio said. "Until you sign for the checks, they aren't legally yours."

Tucker sat up straight in his chair, sensing a battle of wills that he had to win. "What would you suggest I use as collateral, then?"

"Well, you seem to be running a very profitable business," Mr. Mellio said. "You live in the style you like, without touching your inheritance, so you must have other assets."

"Forget that," Tucker said.

Mellio leaned back in his chair, testing the hinged backrest to its limits, looking at Michael across the curious perspective of his raised knee. It was evident that he felt in command of the situation once more. "Now, Michael, there isn't any sense in your attitude. If you'd give me a full picture of this art business of yours, initial capital and estimated income, sources and projections, we could get you a loan. We could make it a sweat loan on the power of your success thus far. And, I might add, if you'd tell your father exactly what you've been doing, he might very well be so impressed with your business acumen that he'd free your inheritance."

"No chance," Tucker said. "My business isn't in the empire-building mold, but erratic and highly chancy. I don't attend board meetings, float stock options or employ thousands of people. My father wouldn't be impressed the way he'd have to be to give me a free hand with my inheritance."

Mellio's voice softened into a patently false sentimentality. "You might at least let him know the nature of your art dealings, inform him of some of your more notable triumphs, as a son extending the minimal courtesy to a father. He's proud of your evident success, believe me. But he's much too proud to come and ask you how you've achieved it."

Tucker grinned and shook his head. "You're still full of it, Mr. Mellio. I'm sure you know how many times my father's had me followed by private detectives, trying to learn what dealers I work with, what prices have been paid for certain objects and what profits other sales have brought me. Unfortunately for him, I've been cleverer than any of them; I've spotted each new tail from the start."

Mellio sighed, still looking across his knees. He said, "Your father wouldn't have you followed, Michael. But, very well, forget about your work. Is there any other collateral that you can offer the bank against this ten thousand you need?"

"My furniture, automobile, some art objects."

"Inadequate, I'm afraid."

"I have some very good artwork."

"Art may be worth a fortune today, nothing tomorrow.

The critics and the connoisseurs are fickle in their approval of any talent."

"And the bank is involved in such unsound investments?" Tucker asked, feigning innocence, pointing at the Klee.

Mellio said nothing.

Tucker said, "These aren't paintings but primitive artifacts, valuable as antiquities and as art."

"I'd have to have them appraised," Mellio said. "That would take a week, maybe longer."

"I can send you to a reputable appraiser who would verify their value in half an hour."

"We'd prefer to use our own man, and we'd need a week."

"God," Tucker said, "I can't wait for the next stockholders' meeting so I can point out how you people are throwing money away on Klee paintings and other such claptrap. By your own admission-"

"You're being childish," Mellio said.

"And you are being dishonest, Mr. Mellio. I'm sure my father directed you to take every step to deny me this loan and to force me into signing the waiver. But you must see that if I don't get the ten thousand now, right now, I've got excellent grounds to level yet another suit against you, the bank and the administrator of the trust. No judge is going to believe that you seriously fear losing what you loan to me. It will be quite evident that your refusal is a spiteful tactic and nothing more."