Dean Koontz - The Taking

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Apple-style-span On the morning that marks the end of the world they have known, Molly and Neil Sloan awaken to the drumbeat of rain on their roof. A luminous silvery downpour is drenching their small California mountain town. It has haunted their sleep, invaded their dreams, and now, in the moody purple dawn, the young couple cannot shake the sense of something terribly wrong. As the hours pass, Molly and Neil listen to disturbing news of extreme weather phenomena across the globe. By nightfall, their little town loses all contact with the outside world. A thick fog transforms the once-friendly village into a ghostly labyrinth. And soon the Sloans and their neighbors will be forced to draw on reserves of courage and humanity they never knew they had. For within the misty gloom they will encounter something that reveals in a shattering instant what is happening to their world-something that is hunting them with ruthless efficiency.

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After a hesitation, the thing drew its hand away from her.

The ET stared at her for a moment, and though its expressions were as alien as its face, she knew that it was filled with hate and fury and frustration.

As if it were suddenly weightless, the thing rose from the floor, floating upward as, moments ago, she had feared that she herself might have done. It passed through the ceiling, perhaps drawn up into the colossal ship passing over Black Lake.

62

IN THE MARBLE LOBBY, THE FOUR FACELESS PEOPLE were gone.

With five children in tow, led by a scampering Virgil, Molly joined Neil and his brood in the street as the low fog bank began to lift and dissipate.

Through the shrouds of purple mist, the passing mother ship was visible. So low, just above the treetops. The vessel revealed such a radically different surface from what movies had prepared her to see that Molly stood gazing up in a state beyond astonishment, so far beyond awe and terror that a curious calm befell her.

No metallic sheen as in a thousand films, no festival of lights as in Close Encounters of the Third Kind, no battleship architecture as in Star Wars, but instead something that appeared to be organic and infinitely strange. Here passed a silently gliding leviathan armored in places with chitinous plates similar to those of an insect, but in places scaled, in places smooth and pale and tender and pulsing as if a gargantuan slow heart boomed within, in other areas bristling with rows of spikes or horns, also cratered with what appeared to be wounds, lesions, sores, stippled with writhing knots of tissue resembling snarls of tentacles, deeply crusted with malignant-looking excrescences.

The most incredible features of this corpus malignus were the human faces embedded like blinking eyes throughout its surface, tens of thousands of faces, millions of faces, men and women of all races, revealed and then occluded only to be revealed again as membranes opened and closed over them.

On and on it came, vast in length and breadth, its entire shape too large to be extrapolated from this one aspect, in mass and volume greater than the combined mass and volume of all the ships of sea and air that humankind had constructed throughout its history, a thousand times greater, a thousand times a thousand. Although its propulsion system-and the process by which it defied gravity-continued to produce not one decibel of sound, the leviathan accelerated until the features on its surface began to blur, came faster and faster across Black Lake, mile after mile, and faster still, and then as it continued coming, it began also to rise through the gradually thinning fog, which soon shrouded it again, and rose out of sight.

Seconds after this massiveness vanished, the soundless throb of its engines ceased to wash waves of phantom pressure through Molly. Still in the leviathan's thrall, however, she stood gazing into the purple mist for half a minute, perhaps longer, as did Neil and the children, until a sudden downpour drenched them.

63

WHEN THE STORM BROKE, THEY RETREATED TO THE bank, which was brightened by Coleman lanterns and which seemed to be safe. A search of the rooms turned up no menace, human or otherwise.

Torrents pounded the earth, though perhaps only half as hard as in the first deluge. This rain was not luminous, and it smelled like rain should smell, fresh and clean.

The downpour gradually washed the murk out of the sky, and for a while the day beyond the windows brightened from the unnatural plum-purple gloom to the familiar gray light of an autumn storm.

Some supplies had been transported to the bank before the ETs had interrupted the fortification plans. Molly discovered cases of lantern fuel that for weeks would provide them with well-illuminated quarters. Neil found blankets, cartons of canned meats and fruits, boxes of crackers, cookies, candy, fresh bread and cakes.

They piled blankets three thick to make a series of comfortable beds on the lobby floor. The wealth of dogs would provide additional padding and warmth. A fourth blanket, tied in a loose roll with lengths of cord, made an adequate pillow.

As the day waned, a watery twilight sluiced through the town. The streets were quiet, and except for the rush of rain, so was the sky. Remarkably quiet, considering recent events. Molly did not trust such stillness.

By nightfall, after taking the dogs out for a last toilet, they had checked all the window locks, engaged the deadbolts, and dragged barricades of furniture in front of the doors. The ETs themselves could not be kept out if they chose to phase through ceilings, walls, or floors, but the strange beasts of their home-world ecology would be held at bay.

Molly continued to believe that the children were sacrosanct and that, as their tutelaries, she and Neil were also untouchable, but she wasn't taking any chances. Besides, there might be men like Render still loose in the world, and from monsters of the human kind, they had no protection except guns.

They could prepare only a cold dinner, but the variety and quality of treats qualified as a feast. They sat in a lamplit circle on the floor, thirteen children and two adults, surrounding an array of open cans and boxes, passing one another whatever was wanted.

At first they ate in a silence born half of weariness and half of shock. Soon, however, the comfort of food and the sugar content of warm soft drinks enlivened them.

Quietly, they spoke of their daunting experiences, swapped stories, groped toward an understanding and acceptance of what had happened. And tried to imagine what might happen next.

The five rescued from the vault told of watching parents and others abducted before their eyes, floated off the floor and through this very ceiling, during a period when the mother ship must have been passing over at too high an altitude to be felt. Some of the abductees had wept in the ascent; others had laughed; but none had resisted.

"Yeah, laughing," said Eric Crudup, recalling his grandmother's extraction through two ceilings and a roof. "Going up, they lose it. Nuttier than a can of Planters."

Their losses were so monumental that they could not yet grasp the dimension of them; therefore, they were not yet cast into grief. But Molly knew that grief would come when the shock subsided.

Curiously, no one raised the issue of the organic appearance of the mother ship, perhaps because it differed so dramatically from anything they had seen in movies that they didn't know what to think about it-or were afraid to consider possibilities.

By eight o'clock, they bedded down for the night.

Neil insisted on taking the first watch and promised to wake Molly for her shift at one o'clock in the morning.

She expected to lie awake, tormented by images of horrendous destruction and by nervous speculation about the future, but she fell asleep within seconds of putting her head on the makeshift pillow. She did not dream.

Five hours later, Neil woke her. In spite of his promise, he had intended to let her sleep, but the depth of his exhaustion convinced him that he would soon doze off, leaving them vulnerable.

With the pistol at her side, Molly sat in a chair in the soft lamplight, listening to the rhythmic breathing of the sleeping children, the occasional snores of the dogs. For the first time, she had the solitude and the peace to brood about what difference might exist between the wonders she had seen and her interpretation of them. Some elusive truth still teased at the limits of her reason, but she could not quite seize it.

Tutelary. A guardian, a protector, especially one with special powers. Although it wasn't an archaic word, it wasn't one that she remembered having used before in either her writing or conversation; yet it had come into her mind as precisely the right word to ward off the ET in the bank vault. Tutelary.

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