Dean Koontz - The Taking

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The Taking: краткое содержание, описание и аннотация

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Apple-style-span On the morning that marks the end of the world they have known, Molly and Neil Sloan awaken to the drumbeat of rain on their roof. A luminous silvery downpour is drenching their small California mountain town. It has haunted their sleep, invaded their dreams, and now, in the moody purple dawn, the young couple cannot shake the sense of something terribly wrong. As the hours pass, Molly and Neil listen to disturbing news of extreme weather phenomena across the globe. By nightfall, their little town loses all contact with the outside world. A thick fog transforms the once-friendly village into a ghostly labyrinth. And soon the Sloans and their neighbors will be forced to draw on reserves of courage and humanity they never knew they had. For within the misty gloom they will encounter something that reveals in a shattering instant what is happening to their world-something that is hunting them with ruthless efficiency.

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The three ETs had then moved among the people, "taking their faces." What this meant, Molly could not adequately ascertain.

At first, according to Cassie, there was just "smooth" where each person's face had been, and the face that had been removed was "alive in the thing's hand."

Subsequently, for a moment, an alien face-like those of the three who had risen through the floor-formed out of the smoothness where the stolen countenance had been. Then it faded, and the original face, the human face, returned.

This had suggested to Cassie that alien masters had been installed inside these people, but that was definitely movie thinking and might not be the correct explanation.

The girl had not witnessed all of those in the tavern being subjected to this process, because in fear she'd fled to the women's lav, with the dogs accompanying her. She hadn't been willing to risk leaving by the front door, because to get there, she would have been forced to pass too close to the ETs.

Here in the lavatory, Cassie had waited, expecting one of the things to seek her out and to take her face.

Molly wasn't able to sift any useful hard facts from the girl's bizarre account, but she inferred from it that Cassie had been spared neither by accident nor by oversight. The ETs intentionally allowed her to escape. When she'd run, they could have halted her as they had halted any adults who tried to flee.

Abby and Johnny, trapped in a house that was "changing… almost alive," had not been attacked either by the beast that slaughtered their drunken father in the garage or by the agitated multitudes whispering in the walls.

Eric, Elric, and Bethany had not been "floated" through the ceiling and into the storm with their parents and grandmother. And in the attic, they'd been rescued from the amorphous predator visible only in peripheral vision, the thing that smelled of "burnt matches, rotten eggs, and poop."

In the church, although Bethany had a close call, all five of the children had been saved from certain death-and perhaps not entirely because of actions that Molly and Neil had taken.

The inference that Cassie had intentionally been spared led to the further inference that at this point in the taking of the world, the war plan called for the ruthless extermination of most human beings above a certain age-but specified the preservation of the children.

At first this seemed baffling if not inexplicable, but then in the mare's-nest of surreal events, among the tangle of dark wonders and impossibilities that defined the past twelve hours, Molly found and followed a thread of logic leading inexorably to a suspicion that chilled her.

One by one, she met the eyes of each of the three dogs. Mutt, mutt, retriever: They regarded her forthrightly, expectantly, tails wagging tentatively.

She scanned the floor, walls, ceiling.

If her thoughts had been read, her suspicion known, she expected that something would enter the lavatory through one solid surface or another, take her face, and then her life.

Here at the still point of the turning world, she waited to die-and didn't.

"Come on, sweetie," she said to Cassie, "let's get out of here."

51

THE OVERCAST REMAINED LOW, DENSE, PURPLE. THE livid half-light might henceforth be a permanent condition of the day-time, from dawn to dusk.

Elsewhere in the dying town, the weeping of a woman was answered by the weeping of a man, which was answered by the weeping of another woman, each of the three expressing her or his misery in precisely the same series of wretched sobs and wails. The crawling white fungi seemed to be ceaselessly exploring or perhaps seeding new colonies where they found ideal conditions.

Outside the tavern, after turning Cassie over to Neil's care and giving him a hug, Molly took the three Crudup kids aside to revisit the story they had told her during the journey from St. Perpetua's to the Tail of the Wolf. Fresh from her experience with Angie in the tavern receiving room, and with Cassie's account to consider, she should be able to make more sense of Eric, Elric, and Bethany's tale.

Their mother and father had floated up from the family-room floor as if suddenly exempted from gravity. The couple had passed through the ceiling, then through the ceiling of the second-floor bedroom above, and finally through the roof, out of the house. As astonished and amazed as they were terrified, the kids had dashed up the stairs and then scrambled up the attic ladder, following their parents from level to level.

This had occurred during one of the leviathan's transits over the town, when its hovering weight oppressed and when the silent throbbing of its engines could be felt in the bones. Therefore, the kids had reached the conclusion that their parents had been beamed aboard the mother ship.

Their grandmother, of whom the children spoke with an affection that didn't characterize any mention of their parents, reacted with horror to the extraordinary ascent of her daughter and son-in-law. She had not been comforted by her grandchildren's assurances-based on movies and TV shows-that those who were beamed aboard an alien ship were always beamed down again, even if after rude examinations and sometimes painful experiments.

Less than an hour later, when the grandmother abruptly floated off the floor toward the family-room ceiling, she had not let out a scream, as might have been expected, but only a small cry of surprise as her feet left the carpet. Looking down on her grandchildren, she astonished them by smiling, and she waved before she passed through the ceiling.

By the time the kids caught up with her on the second floor, she was laughing. And in the attic, before she vanished through the roof, she said, "Don't worry about Gramma, darlings. I don't feel the arthritis at all."

Now Eric continued to insist that their grandmother had gone "nuttier than a can of Planters," a contention that angered Bethany no less than it had earlier. Elric remained neutral on the issue.

Because of Molly's troubling suspicion, formed while she had listened to Cassie in the tavern, she was especially interested in the post-grandmother part of this story, when the Crudup children had been alone in the house.

The sickening odor of the hostile presence had made them gag when they had clambered into the attic for the second time. Bethany cupped her hands over her nose and mouth, trying to filter out the worst of the stench, but the twins, being named for Scandinavian heroes, breathed through their mouths and endured.

They hadn't identified the source of the stink until their grandmother had passed through the roof, whereupon they spotted a creature that was more easily seen from the corner of the eye than when you looked directly at it, that was more shape than detail, that kept changing shape, that stood between them and the only exit from the attic.

"It wanted us," said Bethany.

Of that, none of the three children had the slightest doubt.

It would have gotten them, too, they agreed, if not for the woman who looked like Obi-Wan Kenobi.

What they meant was not that the woman physically resembled Sir Alec Guinness (in fact, she was pretty), not that she might have been as ancient as Obi-Wan (old, they agreed, but perhaps only a few years older than Molly), not that she had been dressed in a hooded robe of extra-galactic style (they couldn't remember what she wore), but that she'd been a little bit translucent as they remembered Obi-Wan having been when, after his death, he sometimes visited Luke Skywalker to offer guidance.

The kids were not able to agree by what means the woman had made the beast retreat-words of enchantment, a magic ring, elaborate hand mojo that gestured it into submission, the sheer force of her personality-but they did agree that she banished it to a far end of the attic, away from the trapdoor, which had been the only exit. They fled that high chamber and never looked back either at the reeking thing of many shapes or at the apparition that had saved them.

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