Dean Koontz - The Taking

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Apple-style-span On the morning that marks the end of the world they have known, Molly and Neil Sloan awaken to the drumbeat of rain on their roof. A luminous silvery downpour is drenching their small California mountain town. It has haunted their sleep, invaded their dreams, and now, in the moody purple dawn, the young couple cannot shake the sense of something terribly wrong. As the hours pass, Molly and Neil listen to disturbing news of extreme weather phenomena across the globe. By nightfall, their little town loses all contact with the outside world. A thick fog transforms the once-friendly village into a ghostly labyrinth. And soon the Sloans and their neighbors will be forced to draw on reserves of courage and humanity they never knew they had. For within the misty gloom they will encounter something that reveals in a shattering instant what is happening to their world-something that is hunting them with ruthless efficiency.

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From the darkness below the girl, the lost man's tortured cries begged for death and pleaded mercy, for he was not at once broken and sucked dry, but suffered instead an attenuated death that didn't bear contemplation.

40

THE MYSTERY OF EVIL IS TOO DEEP TO BE ILLUMINATED by the light of reason, and likewise the basement of the church, while no more than twelve feet in depth, presented to Molly a blackness as perfect as that you might find gazing outward to the starless void beyond the farthest edge of the universe.

The heavyset man had dropped his flashlight before being dragged into the chamber below. It had rolled against the ambulatory wall; and now it shone toward the sacristy, revealing little.

Molly dared not direct her light into the hole, for fear of exciting the creature that had risen from it-or a host of others. Instead, she thrust the flashlight at the tall man, instructing him to sweep the chancel and pinpoint, for Neil, any looming threats that might be checked even temporarily by a shotgun blast.

She dropped to her knees at the broken-oak rim of the pit and seized the dangling girl by her arms.

The ghastly screams rising from below did not motivate the girl to give herself to rescue, but froze her. She would not relinquish her grip on the shattered plank.

"Let go, I'll lift you out, I'll lift you up," Molly promised.

Containing three greens in striation-apple-green, jade-green, celadon-the girl's eyes were beseeching. She wanted help but had no trust.

Seeking some connection to break the ice that froze the child's nerve, Molly said, "Honey, what's your name?"

From below came shuddering, stuttering miseries of sound out of the lost man, a thrashing, a wet sucking noise-and underlying all the rest, a cold whispering as of a thousand voices expressing eager appetites.

The girl began to sob with terror.

Her twin brothers bent to the hole, and Molly warned them to get back, but one of them urged his sister to relent: "Bethany, she wants to help you. Let her help."

Evidently the thing that wore the mortal coil of the dead priest had gotten to its feet again, for the shotgun boomed.

Through the layered reverberations bouncing back from groin vaults and stained-glass windows, Neil called out to Molly, "Hurry!"

"Bethany," she implored, "let go of the plank."

Another crash of shotgun, so soon, suggested that the cleric's cadaver was not the only immediate threat.

Molly had the girl's eyes now, and she did not look away from them to see what danger loomed, but said with all the passion that her voice could carry, "Bethany, trust me. I'll die for you. If you fall, I'll come in there after you. Trust me."

A yellow radiance flared behind Molly, the shimmering brightness of thriving flames. The rolling candles must have found combustible material.

"Trust me!"

The girl's gaze slid away toward something to the right of Molly, and her sobbing subsided.

The dog. Good Virgil had come boldly to the splintery edge of the hole.

Below, the fat man's last cry spiraled into a groan and then into silence.

Holding fast to Bethany, looking past her, Molly saw nothing more than shades of blackness moving in the basement, different intensities and textures of restless darkness. The many whispering voices might have been angry urgent speech or only sound without substance.

For a moment Bethany seemed to be in communion with the dog. Then she said to Molly, "Help me," whereupon the cloud of panic clarified in her green eyes.

Gripping the girl's upper arms, Molly lifted, as though curling weights, The girl let go of the plank and, kicking as if something were plucking at her feet, came out of the hole, onto the floor of the ambulatory.

Reflections of flames now capered on the walls, whipped bright tails in salamander flourishes across the windows, added luster to wooden surfaces. Molly smelled smoke and saw it curling in greasy coils around her legs.

Urging Bethany and her brothers to move past the shattered floor to safer territory, Molly glanced back and saw real flames, not the reflection of them, in the nave, unfurling and billowing like the flags of a war-mad nation.

Opening the gate in the communion railing, a corpse in fiery clothes came forward, its hair ablaze, but resolute.

Molly turned from that walking tallow and followed the tall man, who followed Bethany and her brothers, around the broken planks, toward Neil and Abby and Johnny, toward the sacristy.

This time the tremors had the power of a seismic event. The floor leaped, fell back, rocked.

The tall man staggered, almost fell into the hole, windmilled his arms, kept his balance, but-

– that cousin to earwigs, brother to centipedes, sister to wasps, that beast which might have been the god of all insects thrummed out of the basement, skewered the man's abdomen with a stinger as long as a knight's lance, and took him screaming down into the pit.

Molly felt sudden blistering heat at her back. In her mind's eye, she saw the fiery hand of the blazing corpse reaching for her hair. She ran.

41

TALL MAN SCREAMING IN THE DARK BELOW, CRACKLE of combusting wood, hissing of undetermined origin, excited cries of frightened children, and Neil shouting words broken into meaningless fragments of sound by the pounding hammer of Molly's heart

He stepped forward, leveling his shotgun at her. She tucked and rolled into the low smoke, and he fired over her.

Although she held her breath, she tasted the greasy vapors and scrambled to her feet, gagging, spitting.

Out of church rows instead of corn rows, across this field where only souls were cultivated, the dead parishioners in their ragged grave clothes approached like scarecrows set walking by sorcery, some on fire and spreading flames as they moved.

The floor quaked, the walls shook, a stained-glass window cracked along a line of leading.

Virgil barked as if to say, Time to go.

Molly agreed.

The shotgun roared.

Johnny had retrieved the flashlight dropped by the fat man. He gave it to Molly.

All energy and instinct, flashlight in her left hand and pistol in her right, she disdained the knob and kicked open the sacristy door.

Although flapping a dazzle of bright wings behind her, firelight feathered into darkness just past the threshold.

She shouldered through the rebounding door, thrusting recklessly into the room, chasing shadows with the beam, ready to shoot anything that light alone could not banish.

The church rocked, cabinet doors flew open, and she fired two rounds into cassocks and chasubles just to be sure that they were only vestments hanging from a closet rod.

Virgil padded past her, unfazed by the gunfire, quick to the outer door.

Hollow haunting groans and semi-electronic yowls, reminiscent of the voices of whales, rose from the very bones of the church, as if out of a hundred fathoms. This time the floor both trembled and sagged.

Turning, shouting for the kids, Molly discovered that all five had already followed her.

Beyond them, Neil stood in the doorway, facing the sanctuary, prepared to defend their retreat.

The floor had turned spongy, quivering like a membrane with each step she took. She threw open the outer door, and the dog dashed from the church.

Alert for hostile forces-known, unknown, and unimaginable-she led the children into the rectory yard, where the purple light had grown no brighter with the progress of the morning. The ceiling of fog still hung low, so dense that the position of the sun could not be discerned.

Except for their little group, there were no signs of life, Earthborn or otherwise. Black Lake lay bound in stillness, wrapped in muffling mist, as ready for eternity as a pharaoh embalmed for the tomb.

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