Dean Koontz: The Taking

This night, however, she intended to return eventually to bed. After switching on the light in the vent hood above the cooktop, she flavored a mug of milk with vanilla extract and cinnamon, then heated it in the microwave.

In her study, volumes of her favorite poetry and prose-Louise Glück, Donald Justice, T. S. Eliot, Carson McCullers, Flannery O'Connor, Dickens-lined the walls. Occasionally, she took comfort and inspiration from a humble sense of kinship with these writers.

Most of the time, however, she felt like a pretender. Worse, a fraud.

Her mother had said that every good writer needed to be her own toughest critic. Molly edited her work with both a red pen and a metaphorical hatchet, leaving evidence of bloody suffering with the former, reducing scenes to kindling with the latter.

More than once, Neil suggested that Thalia had never said-and had not intended to imply-that worthwhile art could be carved from raw language only with self-doubt as sharp as a chisel. To Thalia, her work had also been her favorite form of play.

In a troubled culture where cream often settled on the bottom and the palest milk rose to the top, Molly knew that she was short on logic and long on superstition when she supposed that her hope for success rested upon the amount of passion, pain, and polish that she brought to her writing. Nevertheless, regarding her work, Molly remained a Puritan, finding virtue in self-flagellation.

Leaving the lamps untouched, she switched on the computer but didn't at once sit at her desk. Instead, as the screen brightened and the signature music of the operating system welcomed her to a late-night work session, she was once more drawn to a window by the insistent rhythm of the rain.

Beyond the window lay the deep front porch. The railing and the overhanging roof framed a dark panorama of serried pines, a strangely luminous ghost forest out of a disturbing dream.

She could not look away. For reasons that she wasn't able to articulate, the scene made her uneasy.

Nature has many lessons to teach a writer of fiction. One of these is that nothing captures the imagination as quickly or as completely as does spectacle.

Blizzards, floods, volcanos, hurricanes, earthquakes: They fascinate because they nakedly reveal that Mother Nature, afflicted with bipolar disorder, is as likely to snuff us as she is to succor us. An alternately nurturing and destructive parent is the stuff of gripping drama.

Silvery cascades leafed the bronze woods, burnishing bark and bough with sterling highlights.

An unusual mineral content in the rain might have lent it this slight phosphorescence.

Or… having come in from the west, through the soiled air above Los Angeles and surrounding cities, perhaps the storm had washed from the atmosphere a witch's brew of pollutants that in combination gave rise to this pale, eerie radiance.

Sensing that neither explanation would prove correct, seeking a third, Molly was startled by movement on the porch. She shifted focus from the trees to the sheltered shadows immediately beyond the glass.

Low, sinuous shapes moved under the window. They were so silent, fluid, and mysterious that for a moment they seemed to be imagined: formless expressions of primal fears.

Then one, three, five of them lifted their heads and turned their yellow eyes to the window, regarding her inquisitively. They were as real as Molly herself, though sharper of tooth.

The porch swarmed with wolves. Slinking out of the storm, up the steps, onto the pegged-pine floor, they gathered under the shelter of the roof, as though this were not a house but an ark that would soon be set safely afloat by the rising waters of a cataclysmic flood.

IN THESE MOUNTAINS, BETWEEN THE TRUE DESERT to the east and the plains to the west, wolves were long extinct. The visitation on the porch had the otherworldly quality of an apparition.

When, on closer examination, Molly realized that these beasts were coyotes-sometimes called prairie wolves-their behavior seemed no less remarkable than when she had mistaken them for the larger creatures of folklore and fairy tales.

As much as anything, their silence defined their strangeness. In the thrill of the chase, running down their prey, coyotes often cry with high excitement: a chilling ululation as eerie as the music of a theremin. Now they neither cried nor barked, nor even growled.

Unlike most wolves, coyotes will frequently hunt alone. When they join in packs to stalk game, they do not run as close together as do wolves.

Yet on the front porch, the individualism characteristic of their species was not in evidence. They gathered flank-to-flank, shoulder-to-shoulder, eeling among one another, no less communal than domesticated hounds, nervous and seeking reassurance from one another.

Noticing Molly at the study window, they neither shied from her nor reacted aggressively. Their shining eyes, which in the past had always impressed her as being cruel and bright with blood hunger, now appeared to be as devoid of threat as the trusting eyes of any household pet.

Indeed, each creature favored her with a compelling look as alien to coyotes as anything she could imagine. Their expressions seemed to be imploring.

This was so unlikely that she distrusted her perceptions. Yet she thought that she detected a beseeching attitude not only in their eyes but also in their posture and behavior.

She ought to have been frightened by this fanged congregation. Her heart did beat faster than usual; however, the novelty of the situation and a sense of the mysterious, rather than fear, quickened her pulse.

The coyotes were obviously seeking shelter, although never previously had Molly seen even one of them flee the tumult of a storm for the protection of a human habitation. People were a far greater danger to their kind than anything they might encounter in nature.

Besides, this comparatively dark and quiet tempest had neither the lightning nor the thunder to chase them from their dens. The formidable volume of the downpour marked this as unusual weather; but the rain had not been falling long enough to flood these stoic predators out of their homes.

Although the coyotes regarded Molly with entreating glances, they reserved the greater part of their attention for the storm. Tails tucked, ears pricked, the wary beasts watched the silvery torrents and the drenched forest with acute interest if not with outright anxiety.

As still more of their wolfish kind slouched out of the night and onto the porch, Molly searched the palisade of trees for the cause of their concern.

She saw nothing more than she had seen before: the faintly radiant cataracts wrung from a supersaturated sky, the trees and other vegetation bowed and trembled and silvered by the fiercely pummeling rain.

Nonetheless, as she scanned the night woods, the nape of her neck prickled as though a ghost lover had pressed his ectoplasmic lips against her skin. A shudder of inexplicable misgiving passed through her.

Rattled by the conviction that something in the forest returned her scrutiny from behind the wet veil of the storm, Molly backed away from the window.

The computer monitor suddenly seemed too bright-and revealing. She switched off the machine.

Black and argentine, the mercurial gloom streamed and glimmered past the windows. Even here in the house, the air felt thick and damp.

The phosphoric light of the storm cast shimmering reflections on a collection of porcelains, on glass paperweights, on the white-gold leafing of several picture frames… The study had the deep-fathom ambience of an oceanic trench forever beyond the reach of the sun but dimly revealed by radiant anemones and luminous jellyfish.

Molly was struck by a disorienting sense of otherness that was familiar from dreams but that had never before overcome her while she remained awake.