Randy White: Tampa Burn

Prax didn’t behave like a great man. His Spanish was a Yankee’s Spanish, rude and profane. He talked incessantly, always about himself, and he wore his monk’s robe and mask like a costume-even his hand gestures were theatrical.

The exaggerated mannerisms reminded him of something; something he’d seen as a child. At a circus, perhaps?

Reynaldo couldn’t bring the memory to the front of his brain.

In the light of a flaming match, the driver looked at the eyes inside the mask. He was glad the mask separated them.

In the morning darkness, Praxcedes said to Reynaldo, “The entrance to this thing, this tunnel, it’s too small. My shoulders won’t fit. I can’t believe the stupid bastards didn’t warn me about this!”

Straining, beginning to sweat, Prax whispered to himself in English, “Jesus Christ, you’d have to be a freak show contort to squeeze through this bastard.”

“Con-tort” was carnival slang for contortionist. Prax, whose name had once been Jimmie Gauer, remembered lots of slang. As a child, his family had worked carnivals all summer, then wintered in Florida. They had a trailer there in a tiny carney town.

Sweating, now beginning to panic, Lourdes added, “I get down there, what if it caves in? Then what?”

Reynaldo said, “Well, the General will still pay you your money. If we can find you.”

Lourdes thought, You’ll suffer for that, smart-ass.

It was dark in the park at 2:30 A.M., shadows of trees above. Beyond, the lighted windows of the presidential palace created a citreous checkerboard against a loft of mountain peaks and stars.

They’d found the Mayan stele that marked the entrance, then strained together to lift the stone. Now, stuck in the tunnel’s mouth, Incendiario was balking.

Reynaldo said carefully, “Some people are not comfortable in narrow places. There’s a word for it that I can’t remember. Shall I crawl through and get the boy while you wait here? There is no shame in being frightened.”

Lourdes snapped, “You’re calling me a coward? Screw you. You’ll regret that mouth of yours one day.”

He took a deep breath as if about to submerge, exhaled, and forced his body through the entrance.

Underground, he had to pull his elbows against his ribs and wiggle to turn. He rushed to find his micro light. The tunnel was walled with brick, and smelled of mold and water. The floor was brick and broken stone that was etched with Mayan hieroglyphics a thousand years old: grotesque faces; birds clutching snakes.

Crawling, Prax stopped several times, panting, so much sweat dripping off his face that he removed the mask. He felt as if his lungs might implode.

Finally, he saw frail bands of light ahead. Then he came to a grate that moved easily in his big hands. Prax rolled out into a hallway, stood, and fitted the mask, feeling his lungs expand to normal.

The convent was built of stone, ceilings twenty feet high, religious murals on walls that were poorly illuminated by bare bulbs where torches had once burned. He’d been briefed on the convent, what to avoid. They’d told him that the boy’s room was on the second floor near the staircase. He’d also been told that the guard normally stationed there would leave after midnight, claiming to be ill.

Even so, Prax moved quietly up the steps. His smock was belted at the waist, hood up. He fished his hand into a pocket and removed a knife. He snapped the blade open, then stopped at the top of the stairs.

To his left was a hallway that ended at a set of wooden doors. The boy’s mother, Pilar Fuentes, would be inside, asleep at this hour. A famous lady, and drop-dead gorgeous, too-he’d seen her photo in newspapers. A social hotshit even though she looked pure Mayan, and probably a snob. Even in Central America, the rich always were.

Prax considered paying the snob a quick visit. Was tempted to see for himself if she was as beautiful in the flesh. Or perhaps-this idea flashed behind his eyes-perhaps abduct the boy and the mother.

For a moment, that excited him, and he began to think about it; how it might play out.

Why not? He’d soon need a woman. A test subject. Someone to try things with that he’d never been able to pay or force a prostitute to do. Not with his face. Not this old face, anyway.

But a new face…?

For years, he’d wondered what it would be like. Now it was happening. Happening because he was making it happen. When he wasn’t planning, he was on the Internet, researching. Thinking about it so much, that lately it was hard to think about anything else. Dreamt about it.

Pilar Fuentes. Yeah. Take the famous beauty. Surprise the society snob in bed. He could abduct her along with the boy, and then… and then…

But wait…

As the idea unraveled, his excitement drained.

It wasn’t workable-even though it would be a sweet way to screw over the jerk who was the woman’s ex-husband, Jorge Balserio.

Prax despised authority, felt it in his belly, and General Balserio was as arrogant as anyone he’d ever met. The man was his employer-which was another good reason to snatch her, because Balserio still paid him like he was some Indio peon heel, even though the government was this close to falling.

Incendiario deserved a fair chunk of the credit for that.

Taking the kid was supposed to be the final straw.

So it was tempting to take her, keep her all for himself.

But sometimes, Prax knew, it just wasn’t smart to screw with the locals.

TO the right of the stairs was a second set of doors. On the doors were tacked clippings from magazines: baseball stars, a map of the moon, and a photograph of a great white shark. The shark was leaping out of the water toward a skin diver perched on the skid of a helicopter.

There was also a plastic sign in Spanish that read, NO GIRLS! TRESPASSERS WILL BE VIOLATED!

The boy’s room.

Smart-ass rich punk.

Lourdes wondered how smart-assed the kid would be once his arms and mouth were taped.

He touched the wrought-iron latch. It was locked, which was no surprise. The guard had told them that there was only one key.

“He’s methodical,” the guard had said. “So organized. He’s more like a grown man.”

From a pocket, Prax took a miniature blowtorch nozzle and threaded it to a 7-ounce propane tank. Assembled, it was the shape and size of a handgun. He opened the valve, lighted the torch, enjoying it, that sound, the pressurized hiss.

He lowered his black glasses and adjusted the flame until it was orange-blue, shaped like a scalpel. Then he moved the flame over the deadbolt, up and down, for less than a minute before the bolt gave way.

Prax pushed the door open and stepped into the boy’s room.

It was a large room, with windows that opened onto a courtyard and fountains below. The room was illuminated with bluish light that came from a half-dozen glass aquaria that held coral and fish.

The largest tank was in the center. Clown-colored fish swam among aerator bubbles, while beneath them, what Prax recognized as a moray eel watched open-mouthed, its eyes reptilian. The moray was big, as thick as his wrist.

The boy was in bed beneath the open windows. He appeared as a charcoal shape.

The blowtorch hissing, Prax walked toward the bed, but stopped when he heard the boy ask in Spanish, “Hey-who are you? What’s burning?”

It was an adolescent voice, but deep.

Prax had spent lots of private time in front of a mirror. He had the hood pulled over his head, mask fixed, looking just the way he wanted-spooky. He answered, “Shut your fucking mouth. Don’t say another word, or I’ll set your bed on fire.”

That was something he’d learned: Scare them fast. When you take down a mark, shock them quick, let them know who’s boss.