Thomas Perry - Dead Aim

“I’m surprised to see you doing that,” said Markham. “I mean, sighting it in yourself.”

Parish reverted to his pedagogic tone. “Sighting a rifle isn’t just to get the rifle’s sights adjusted to a particular distance. It’s also to improve the shooter. Spangler cares for the weapons his students use on the firing range, and he shoots every day. He can drive nails at two hundred. I’m the one who needs the practice. A good rifle is a reliable device, always the same, clean and flawless like a sword. Achieving a dead aim is a perfection of the eye, the hand, the will.”

Markham was reminded of why he admired Parish so much: he was the master, but he had a respect for standards that gave him a special humility.

Coleman’s question was jarring. “Have you thought at all about what we were saying before?”

Parish kept walking, and he raised both hands a few inches and rocked his head from side to side in a gesture of indecision and frustration. “Of course I’ve thought about it,” he said. “This isn’t like the shoe business. You’re not just customers. When a person has succeeded in passing my course, he’s somebody I’ll listen to. If he’s gone beyond courses, and put what he’s learned into practice on a hunt and never wavered or panicked or lost his nerve, he’s reached a different level.”

“That’s really good to hear,” said Coleman. “It means a lot.” Markham muttered assent: “Yeah, it does.”

“So I’ve taken it seriously and thought about it,” Parish continued. “I have questions. If you two want to go on a hunt together, why haven’t you? Why are you here? Do you want me to help you sharpen your skills a bit first? Is the target somebody who is likely to be beyond your capability?”

Markham said, “That’s part of the problem. We don’t know.”

Parish reached the five-hundred-yard mark and stepped to the post where his target hung. “You don’t?”

“No,” said Coleman. “This time it’s not that there’s somebody either of us hates and needs to kill. It’s not a personal thing. This time it’s…” He glanced at Markham.

Markham said, “It’s not about the target now. It’s about us. It’s about how we go about it, how we can improve ourselves, how we react to the pressure and the risk.”

Parish turned to examine them. “Sport,” he pronounced. “It’s a sport hunt.”

“I guess you could say that,” Coleman admitted uncomfortably.

“I can understand that,” Parish said. When he noticed the relief on their faces as they glanced at each other, he said, “It’s something I respect. The rule for a target here is that the client wants to kill him. I don’t judge whether or not the target deserves it. I don’t shoot a deer because the deer deserves to be shot. I do it because I want to. Have you picked the target?”

“No,” said Coleman.

“Why not?”

“We thought maybe it would be best if you did it. That way, it would be more of a test, a challenge: the professional hunter chooses, and you take the game you get.”

Parish took the paper target off the post, held it up to let the others see the pattern of holes around the bull’s-eye. “See, the first one was way up here, the second down here. I overcompensated for the distance by raising it before the shot even missed, and then did it again in the other direction. Then the wind kicked up, and the shots drifted to the right. I had to teach myself how much to adjust for it at that range with the new rifle.”

Coleman and Markham looked at the pattern of bullet holes with unfeigned admiration. Markham said, “But then you drilled it. The rest are all in the black, over and over.”

“Yes,” said Parish evenly. “It’s a good rifle, made to do that. The rifle is always the same. It’s the shooter who changes.” He folded the paper and stuck it into his back pocket, took another from the wooden box at the side of the range, and pushed it onto the post so the nails went through it. Then he walked off the range and up the bank of the dry riverbed. “What kind of hunt do you two want? You said it was for the risk and action. Do you want a target that might shoot back, or a harmless one that’s going to be in a difficult spot for hunting? If I’m going to plan your hunt, I’ll need to know.”

Markham hesitated. He had not anticipated the question, so he had to evaluate its terms. He had pictured the adventure as the two of them-Markham and Coleman-killing someone in plain sight, in a city. He and Coleman would be walking down a crowded street in a place like New York, and the prey would be ahead of them. Maybe the guy would start down the steps to a subway station, and as soon as he was below street level they would drop him and go back up, maybe looking down at the fallen man with distaste, as though he were an unconscious drunk. Maybe they would do it in an elevator in a big office building.

But Coleman answered eagerly, “One that might shoot back. We’re looking for a challenge.”

It was too late. Markham could not contradict him once it had been said. His fantasy had been the challenge of doing it in a public place; the risk had been in being seen. What he had relished was fooling both the target and the bystanders, and getting away with it. Never had he imagined placing himself in a position to be shot at. It was a new idea. He tried to envision such a thing, but it brought him no pleasure. Things had gone so slowly until now-the long, deliberate walk across the ranch, then waiting for Parish to give them his attention-but he sensed that a crucial part of the conversation had just come and gone, and what had been pronounced was irrevocable. His heart beat faster, and his breaths were shallow.

Parish was walking on a path now, and Coleman was beside him. The path was unfamiliar and it was too narrow to walk three abreast, so Markham had to hang back alone. He heard Parish say, “I’ll have to give this some more thought.” Then, a few steps up the first hill, he said, “No. No, I don’t. I have a perfect target for this kind of hunt.” He turned his head to look at Coleman, then turned his torso far enough to bring Markham into view. “You two did well enough in classes and on your first hunts, so I don’t have any doubts about your knowledge. But have you stayed sharp?”

Coleman grinned and nodded emphatically. “Always.”

Markham tried to formulate a way of amending the impression that Coleman’s brusque overconfidence had left. He wasn’t soft and flabby, but he did not think he was what Parish meant by sharp.

Parish said, “Good. Then we’ll get started right away. I’ll pick a tracker and a scout today. Anybody you’d especially like to work with?”

“Maybe Spangler?” Markham suggested quickly. He hoped the others did not suspect his reason for the choice, but Parish glanced at him and gave his thought a generous interpretation.

“It’s possible he would be best. Having Spangler gives you an advantage in a firefight.”

What Markham had been thinking was that Spangler looked formidable enough so that he probably would draw most of an opponent’s fire, leaving Markham a bit safer. He began to feel better.

“But it might be better to have someone who won’t make the target suspicious,” said Parish, “somebody who can keep you out of a firefight until you’re ready to open up. We’ll have to talk it over.”

Markham sat in the back row of the theater, staring at the movie without comprehension. It was as though he were not in Los Angeles but on an airplane, watching the movie without headphones. The actress who was on the screen eighty percent of the time was one who had been in many movies he had seen, and in this one she had already shown the camera all of the expressions her face would make. She and the lead actor had moved more quickly and abruptly at the beginning, but now they often lingered in the same frame for a while, so he assumed they’d discovered the reason why they had been put in this story together.